Bring Your Own Vinyl Night #3

Bring Your Own Vinyl Night

Queen’s Head, Mold

Friday 21st August 2015

And we’re back spinning wax in the Queen’s Head pub in Mold.  The crew and I made the trip, armed with stacks of vinyl, for our fifteen minutes of fame playing records.  The premise is simple:

  • Two turntables and all the equipment to spin your discs, plus PA
  • A 15 minute slot to play whatever you like, so long as it’s vinyl

Plus there’s a bar for drinkies, which helps if you need a bit of dutch courage to get up and get your DJ on.

The crew and I – Adam, Greeny and Ben the Swede – made sure we got there early this time.  Good job we did, as the throng of vinyl faithful had grown and the list of would be DJs was growing.  Nice to see this event gaining popularity – the cult of vinyl grows ever stronger.

Here’s my set:

Killing Joke – Pandemonium

The title track from Killing Joke’s classic 1994 disc of the same name, this tune boasts a devastating bass and rhythmic rumble.  “Pandemonium” erupted from the speakers and announced the start of my set in crushing style!

The Stooges – I Wanna Be Your Dog

This slice of messed up Detroit proto punk is a Stooges classic.  Ron Ashetons wah-wah guitar and Iggy’s snarl show just how great this band were.  I first investigated the Stooges as other bands I was a fan off (Sex Pistols, The Damned) had covered their songs – so I picked up this compilation to learn more.  I was instantly smitten by this dirty racket and never looked back.

Descendents – Clean Sheets

I first heard the Descendents on an old Vision skateboarding video, soundtracking a fantastic Gonz section.  This was the late 80’s, and with no Soundhound I had to work out from the credits what I thought the song was.  I figured it was “Coolidge” by the Descendents.  A while later I found some Descendents albums in a Manchester record store, and took a punt on the “All” album as it contained the aforementioned track.  Luckily, I was right.  For this occassion though, I decided to play another piece of US pop punk genius from the same album, “Clean Sheets”.

Temple of the Dog – All Night Thing

To finish off the set, I brought the pace down with a mellow number from this Seatlle grunge super group.  Featuring members of Pearl Jam and Soundgarden, this LP really takes me back to the early 90’s.  A must have for any fan of alt rock from the period, you can read up online how this recording came to be.  Chris Cornell’s vocals are sublime here, showing to great effect how he would become the best vocalist of his generation.

Greeny hadn’t organised any vinyl (again), so it was Adam up next with another varied and entertaining set.  His was unfortunately cut short, due to the number of people who’d turned up necessitating a reduction in playing time.

  • Natalie Prass – Violently
  • David Bowie – Absolute Beginners
  • Otis Redding – (Sittin’ On) The Dock of theBay

I have to say, I’d forgotten how good that Bowie tune was.

Finally Ben the Swede took to the decks and span his tunes, with a “guess the odd one out” theme.  He played:

  • Jimi Hendrix Experience – Wait Till Tomorrow
  • Fleetwood Mac – Isn’t It Midnight
  • AC/DC – Girls Got Rhythm

I believe the last song Ben intended to play was A rainbow song, with Ronnie James Dio on vocals.  Can you guess the odd one out?  Answer below…

So another superb night of music at the Queen’s Head.  We heard some great music, made some new friends and went away to scout for more quality tunes.  Here’s to next time!

The Halcyon Dreams blog is here, where you can find listed (very helpfully) all the songs played on the night.

The Halcyon Dreams Facebook page is here.

Download Festival

DL2015

Sunday 14th June 2015

Over the years I’ve been to Reading, Leeds and Rewind Festivals – even Chester Rocks.  Though I’ve never been to a full on outdoors Hard Rock/Metal festival, much to my regret.  Thus when the opportunity arose to get my rockin’ self to Download, the epicentre of all heavy rock fests, I seized the chance with gloved fist.  And then did the devil horn salute.

Due to time and financial constraints, it would only be a one day escapade with my buddies Ben the Swede and Coben.  Sadly this would mean missing such favourites as Faith No More, Clutch, Judas Priest, COC and many more.  But never mind – the gods of rock threw down their gauntlet and we would charge into the melee.

After a right old slog from the car to the main gates, we eventually entered the stadium like gladiators – ready for the first spectacle of the day.  The first band we saw were Tremonti, who I’d never heard of before.  Halfway through their set, the band were actually heavier than I thought and I enjoyed what I heard.  Worth further investigation.

At this point the heavens opened and the rain poured.  No matter – we were already making our way to the third stage to catch a “secret” set from The Darkness.  It was packed – everyone had the same idea, or at least decided this was better than drowning.  The set began with a monstrous riff that went on forever and did a good job of pumping the crowd up.  This intro enabled singer Justin Hawkins to make his way from the back to the stage, in true over the top style.  The Darkness then delivered a raucous set that roared at the sky – opener “Barbarian” accompanied by a load of Vikings on stage was great.  The hit singles “Growing on Me” and closer “I Believe in a Ting Called Love” were real crowd pleasers.  “Black Shuck” was my personal favourite, in a set that became the first true event of the day.  Not a secret, but surprisingly good. 2015-06-14 16.51.05

The next event was witnessing one of my all time heroes, the one and only Mr Billy Idol, live in concert for the first time.  I’ve been a fan of Billy for years.  In all honesty, many of his songs are too pop for this audience; so hits like “Hot in the City” and “Catch My Fall” (both personal faves) are sadly omitted.  However, with old pal Steve Stevens providing the guitar onslaught there’s plenty of rock to be had.  “Dancing with Myself”, “White Wedding” and “Rebel Yell” all provide quality entertainment and I have to admit that I was thrilled to see this old warrior in action.  A great warm up for the rest of the evening.

Now with four stages and dozens of acts spread across the Download field, the only down side is making tough choices on who to watch if bands clash.  Especially as “a quick trip across the field” becomes a gruelling endurance test when it’s uphill in a muddy hell.  The first major casualty of the day was Eagles of Death Metal, whom I love dearly and have never seen live.

2015-06-14 17.19.04But I made a choice to see L7 instead of Slash, and boy am I glad I did.  Recently reformed, the four grungettes of L7 played a fantastic set.  The sound was great on the second stage, perhaps because I was closer?  Either way, “Andres”, “Fuel My Fire” and “Shitlist” were truly great.  Though “Everglade” was absolutely bonkers.  The riff that kills!  L7 are heavy!  I smiled a lot.  “Pretend We’re Dead” wasn’t bad either.  Fuck it, band of the day!

I caught the last four and a half songs by Slash.  He was pretty cool, but no L7.  “Anastasia” is a great song, and I have to say that Myles Kennedy has an awesome voice.  “Sweet Child O’ Mine” and “Paradise City” were both better with Kennedy and without Axl’s screeching.  Can I count this as having seen Guns’n’Roses live, as there’s only Axl left in that band?  Why the hell not!

Next up on the main stage was Motley Crue.  I wasn’t a fan of the Crue back in their heyday, other than one or two songs.  I’ve grown to appreciate them over the last fifteen years or so, much like I’ve grown to love Priest and Maiden.  Now on their final tour, the show promised to be big.  Motley Crue didn’t disappoint, delivering a punch in the face set that was one of the best of the day.  They played their cards right, delivering all the hits: “Wildside”, “Primal Scream”, “Dr. Feelgood” and “Shout at the Devil” were superb.  The only less than impressive moment was an unnecessary, but well intentioned, cover of “Anarchy in the UK”. 2015-06-14 20.21.35

There was spectacle in abundance – sexy backing singers in tiny shorts; flames that were hot enough to give me a Hollywood sun tan from a hundred feet away; dear old Vince Neil looking less than svelte.  “Girls Girls Girls” and “Kick Start My Heart” both built the set to a red hot climax.  “Home Sweet Home” was a fitting encore, ending a triumphant appearance.

And so last up we have head-liners Kiss. A band I’ve loved ever since I fist saw adverts for their t-shirts in old 1970’s Marvel comics – though I had no idea if they were rock stars, superheroes, or what.  I’d never seen Kiss before so this was something to look forward to.  Full make up, all the pyro – I was hungry for the experience.

Kiss explode into “Detroit Rock City” and “Deuce” – songs that lesser bands would have saved for the encore.  The show is a visual feast; lights, huge screens, explosions all attack the senses and create Las Vegas in the English Midlands.  I get to hear my two absolute total favourite Kiss songs ever – “I Love It Loud” and “Calling Dr. Love”.  That was me happy right there. 2015-06-14 21.14.07

The Kiss set did wander a little bit though.  Obviously gearing their songs to a heavier crowd, we get three songs in a row from “Creatures of the Night” – their heaviest album.  The songs “Creatures of the Night” and “War Machine” are great, but not top of the Kiss list.  Plus there’s newer numbers “Psycho Circus” and “Hell or Hallelujah” which are just OK.

A little too much solo spot indulgence was my cue to take a comfort break.  On the way back, I dived in to catch Suicidal Tendencies on the smallest stage.  I only saw five songs, but ST were incredible.  “I Shot the Devil” and “War Inside My Head” tore the place apart.  I couldn’t make out all of Mike Muir’s between song banter, but he was fired up and intense as hell.  Hearing “Possessed to Skate” was an unforgettable moment.  Muir dedicated to everyone who skates – thanks Mike – and it took me back to loving ST back in my early skate days.  Absolutely mental punk thrash, I need to see Suicidal Tendencies again.

Returning to the main stage area, I caught the last few Kiss songs and was very impressed with what I’d seen.  Minor gripes aside, it was a privilege to see the band and experience a Kiss show first hand.

So there you have it.  Download 2015 was hampered by bad weather, and a poor layout that abandoned stupid amusement rides in the middle where the bar (and another toilet) should have been.  Yet despite being forced mercilessly to choose between too many bands, I got to see some great rock’n’roll and enjoyed a cool, fun atmosphere.  Oh yeah, and the festival staff were pleasant and friendly.  On the whole a good job.

Saltwater Injection Single Release

Saltwater Injection 

“Vinegar”/”Cuntryfile” (Antipop Records)

 

The new single from Saltwater Injection, “Vinegar”/”Cuntryfile”, succeeds in capturing their live ferocity and innate ability to smuggle a tune in with the noise. Like Henry Rollins wrestling an angry grizzly bear – for a laugh – this two-piece hurl out lead track “Vinegar” and drag, rather than invite, the audience along. Pounding, dirty bass; vicious drums and urgent vocals give the listener a couple of minutes of aggression that you can’t help but nod along to.

There is a school of thought that says times of austerity and right wing governments create the ideal environment for the best anti-establishment punk rock. Saltwater Injection’s “Cuntryfile” certainly upholds that premise. Just over a minutes worth of furious, filthy mouthed fun – this tune is ridiculously infectious. I defy you to not sing along!

For fans of Black Flag, the Melvins, and 1980’s cross over punk-thrash who also like a bit of tuneful Nirvana in their musical diet.

Out 30.03.2015

Available from iTunes, Amazon and Spotify 

http://www.saltwater-injection.com

saltwaterinjection@gmail.com

https://www.facebook.com/pages/Saltwater-Injection/134989273346640

https://soundcloud.com/saltwaterinjection

https://twitter.com/SaltWaterInject SWI1

Corrosion of Conformity Gig Review

Corrosion of Conformity

Saturday 7th March 2015

Manchester Academy 2

I’ve been a Corrosion of Conformity fan for a long time.  Starting with a cassette copy of their hardcore punk/thrash crossover Eye For An Eye back in my early skateboarding days; through their major label success as a stoner metal band; and on.  Never seen them live, though.  Ridiculous, no?

All that was about to change: I decided to get my act together and go see the band in Manchester for their latest tour.  The fact that vocalist/guitarist Pepper Keenan was back fronting the band, completing their Deliverance era line-up, was a nice little sweetener too.

The afternoon got off to a great start when, mere seconds from arriving in the car park next to the Academy, I spotted bass player Mike Dean walking along the road.  I greeted him and wished the band well in a brief, pleasant conversation.  I think I managed to remain cool and not look like a total weirdo.

A few beers were had in the early evening, before we made our way to the venue.  Unfortunately we were in Manchester Academy 2, not the nice big main Academy building.  The Academy 2 is the size of a sports hall and was too small for this band.  People were crammed in tighter than a glam rockers spandex pants; it was not cool.

I only caught the end of the support bands slot, so I will pass judgement on Hang the Bastard at this time. COC

When Corrosion of Conformity hit the stage, there’s a genuine sense of excitement in the (tiny) room.  They open with instrumental “These Shrouded Temples” from the Blind album, before charging into “Senor Limpio” and “King of the Rotten”.  There’s hardly a breather between songs, and minimal banter – it seems COC are on a mission to destroy.  Pepper leads the band confidently, like he’s never been away; whilst Woody throws down a barrage of guitar.

In keeping with the tour theme, there’s a healthy chunk of tracks from the devastating Deliverance album.  This is fine with me.  My sad fanboy credentials mean I love all their output, but Deliverance is the cream of the crop as far as I’m concerned.  A genuine metal/punk/stoner/doom/whatever classic, rated in the same bracket as Volume 4 and Master of Puppets.  “Albatross” and “My Grain” are highlights amongst a head crushing set, though the slower pace of “Seven Days” is my favourite from that era of the evening – forgot how great that song is.

There’s a pinch of tracks from across several albums, with “Long Whip/Big America” shining from Wiseblood.  “Thirteen Angels” (America’s Volume Dealer) and “Paranoid Opioid” (In the Arms of God) also stand out in a set filled with gems.  The band are well rehearsed – Reed’s drums and Mike’s bass sound tight and locked in.

COC return for their encore with “Broken Man”, before launching into the inevitable “Vote With a Bullet”.  This song is still an absolute monster, and is welcomed heartily by the audience.  “Clean My Wounds”, another Deliverance era stormer, finishes the night off with it’s awesome riff.

Despite being crowded in the tiny Manchester Academy 2, it’s a great night.  Corrosion of Conformity perform a powerful set, which I only wish could have been longer.  I got to tick a band off my “must see” list tonight, and I retire with obligatory tour t-shirt a very happy punter.

Dead Wolf Club and Saltwater Injection Gig Review

Dead Wolf Club + Saltwater Injection

Thursday 26th February 2015

The Compass, Chester

Back to the Compass in Chester for some more rock’n’roll!  I was able to catch local band Saltwater Injection again, plus new discovery Dead Wolf Club.

Saltwater Injection makes a reliably noisy racket with just a bass guitar and a drum kit.  The bass stirs a sludgy broth of Melvins style aggressive punk, while the drums thrash away relentlessly.  It’s not all noise – beneath the cacophony, the audience can define melodies as well as crushing riffs. Catchy, sing along melodies, even!

The set gives us original songs in this vein, plus a Beatles tribute infused with a punk Monty Python spirit.  Add in a song written on the spot, following a title suggestion from the audience; and genuinely funny, self deprecating stage banter and you’ve got a concoction that is quite infectious.  Great band and one to catch!

Up next are head liners Dead Wolf Club, a four piece with a similar punk rock approach but different delivery.  This band offers an intense, swirling sound that develops from a Joy Formidable accessibility to a crushing Joy Division cinematic scope.

It’s post hardcore performed with an admirable earnestness and honesty.  Dead Wolf Club’s songs – part Steve Albini, part Fugazi, part grungey indie – build and build, showing a sense of scale and ambition.  Unfortunately it’s over too soon, and everything suddenly seems far too quiet…

Another blinding night at the Compass, which has grown into an intimate venue for in-your-face rock music.  Good beer, friendly staff and a fantastic AC/DC pinball machine don’t hurt either!

The Compass website is here.

The Saltwater Injection website is here.

The Dead Wolf Club website is here.

Winter Rocks – Canada

Way back when I started this blog, the very first post in the Music section was about Scandinavian bands/artists.  I was inspired by the cold weather in early 2013 to listen to music from Scandinavia as a theme for the winter months.

Two years on and I needed another theme for this winter’s music homework.  So despite no (or very little) snow, I went with another northern country and chose Canada.

Now I’m sure that the summer weather in Canada is very nice, but without falling prey to stereotypes, the theme fits.  Plus there are loads of artists from that country to fill my playlist.

Here they are:

  • Alanis Morissette
  • Annihilator
  • Bachman Turner Overdrive
  • Black Mountain
  • Bryan Adams
  • Cancer Bats
  • Cauldron
  • Death From Above 1979
  • Godspeed You! Black Emperor
  • The Guess Who
  • Neil Young
  • Nickleback
  • Rush
  • Shania Twain
  • SNFU
  • Steppenwolf
  • Voivod

There you go: a fairly eclectic mix of everything from country to thrash metal.

My thanks to Matt Barnes, who introduced me to quite a few artists on this list (but not Shania or Alanis…).

Did I forget anyone?  Leave further Canadian music suggestions in a comment below.

The Misfits – Gig Review

The Misfits

Thursday 26th July 2014

The Live Rooms, Chester

Way back in 1988, as a young skateboarding rapscallion, I bought a vinyl copy of The Misfits album “Walk Among Us“.  I’d heard Metallica’s cover of “Last Caress” and decided to invest in some tunes by the group.  It was a gamble – I had no idea what the rest of their music sounded like.  Neither “Last Caress” nor “Green Hell” were featured on that particular platter.  Nevertheless, I decided to hand over my saved up dinner money to try it out, after some deliberation.

That was one of the best decisions I have ever made.  “Walk Among Us” is, quite simply, one of the best records ever, of any genre.  Any initial trepidation I had was annihilated as soon as the furious pace and sing along vocals were heard.  My ears were opened.  It didn’t hurt that all the songs were about cheesy old B-movies, either.

So imagine my delight when I heard that The Misfits would be playing in Chester, only a few miles from home.  One of my favourite bands ever, so close – there was no way this gig was going to be missed.  I bought tickets immediately.

OK, so Jerry Only is the only (see what I did there?) original member performing under The Misfits name.  No Glenn Danzig, no Doyle.  Even though I’m a huge Danzig fan, I wasn’t going to be precious.  This was a momentous opportunity. images

Besides, there’s Dez Cadena on guitar, who has a fine punk rock pedigree from his time in Black Flag.

So disbelievers be damned, The Misfits gig was on!

I missed the support band though.  Sorry.

The Live Rooms was previously a comedy venue, now it’s showing bands.  It’s a cool venue and worth keeping an eye on to see who to expect.  On this night, the place was absolutely packed out with all manner of black clad loons, anticipating the arrival of the legendary Misfits.  I certainly felt excitement in the air.  Everyone seemed to be hyped up for this gig, me included.  After all, a band like The Misfits playing in these parts is pretty much unheard of.

So the band arrive on stage and are welcomed like all conquering heroes.  As I was stood there, I couldn’t really believe I was experiencing this in person.  The Misfits – here and now, churning out monster hit after hit.  I’m sure others felt the same.

They start with some great tracks from the most recent album, “The Devil’s Rain“.  We also get a smattering of songs from the 90’s era of the band, with “Scream!” a real stand out.  I dig these Graves era tunes, and most of them hold up really well, even against the old Danzig classics.  Only does a fine job of howling out the vocals whilst thundering along on the bass too.

Those old tracks certainly bring a smile though.  “She”, “Bullet” and “Where Eagles Dare” practically tear the roof of the place.  But when we get to gems from “Walk Among Us“, I’m as happy as Bela Lugosi on 31st October.  “Vampira” is probably my favourite Misfits song, so a treat to hear that.  We also get “Hatebreeders”, “Astro Zombies”, “20 Eyes” – the list goes on. Misfits-promo13c

In fact it’s amazing how much material the band get through.  They play a nearly two hour set, and bombard the audience with song after song.  There’s barely a breather between each track.  The Misfits play fast and intense.  All credit to drummer Eric Arce – the Devil knows how he keeps up the relentless pace.  The audience respond with slam dancing/mosh pit craziness like I’ve not witnesses for many a long year.  It will be interesting to see whether the management have second thoughts about booking similar bands in future…

Our only down side  this evening is the sound, which isn’t the best.  From Jerry’s side of the room, where I’m standing, the guitars at the opposite side are frequently lost.  Cadena’s vocals are largely inaudible.  There was a story going round that Dez was suffering with a throat infection, hence why we get a roadie singing the (very good) Black Flag cover.  When we can hear Dez, he’s great.  Still, seems to me like there was some issue sound wise here, though.

The Misfits are exactly what I expected, and that’s fine by me.  From the dry ice enveloped opening, through raucous punk rock and over the top delivery, this is what I paid my money for.  More than just delivering the goods though, The Misfits were genuinely exciting to see.  I’ve seen novelty bands before and while they were fun, they were nothing like this.  This isn’t a tribute band, it’s a well honed, obliterating machine.  It drags us through all eras of The Misfits’ revered history and leaves you grateful to have been a part of it.

Absolutely phenomenal.  Thank you Jerry, Dez and Eric.  Long live The Misfits!

Please check out the Live Rooms soon – if they’re going to support bands like this, you need to support them!

The Misfits web page is here.

The Live Rooms web page is here.

Another Random Bike Ride Playlist!

A cheeky little playlist from a few weeks back.  You know the score: hit shuffle, see what music provides the soundtrack for my bike ride.  This adventure was around fifteen miles.

  1. GBH – “Do What You Do”
  2. Revolution Mother – “Runaway Train”
  3. The B-52s – “Mesopotamia”
  4. Big Black – “Bad Penny”
  5. Jimmy Sabater – “La Flauta”
  6. Elton John – “Circle of Life”
  7. Big Chief – “Cop Kisser (Mack Fucks Up the Scene at the Freezer)”
  8. Kenny Rogers & The First Edition – “Heed the Call”
  9. Mudhoney – “In My Finest Suit”
  10. Queen – “Bijou”
  11. Machine Head – “Hallowed Be Thy Name”
  12. Ugly Duckling – “Smack”
  13. The Yardbirds – “Evil Hearted You”
  14. Audio Bullys – “Take You There”
  15. Ramones – “Poison Heart”
  16. PJ Harvey – “Down by the Water”
  17. Mikis Theodorakis – “Fragosiriani”
  18. Living Colour – “Ignorance is Bliss”
  19. Slash – “Doctor Alibi”
  20. GangStarr – “You Know My Steez (RMX)”
  21. Kiss – “Comin’ Home”
  22. Corrosion of Conformity – “Loss for Words”
  23. Iggy Pop & The Stooges – “Consolation Prizes”
  24. Public Enemy – “Can’t Truss It”
  25. Revolting Cocks – “Prune Tang”

Electric Eel Shock – Gig Review

Electric Eel Shock + Saltwater Injection

Thursday 1st May 2014

The Compass, Chester

Finally – Chester is building up a few venues to see some live music.  Forget the joke that is Chester Rocks (LOLZ! etc), there is a light at the end of the tunnel.  On a quiet Thursday night at the start of May, that light was Electric Eel Shock.

The Compass is an older pub/venue just outside the City centre, now reborn with a new name.  I paid a measly £9 to get in and see three bands.  Have a few drinks, rock out on a school night.  What could be better?

The first band up were a local band in a pop punk vein.  I have loads of Descendents and SNFU albums, but that whole Sum 41 thing ain’t my scene.  The kids could play, but not on my shift.

Next up, we have another local band – Saltwater Injection.  A two piece, you may be fooled into thinking White Stripes, before the noise starts.  No chance – think more early Bleach-era Nirvana spitting out Black Flag covers, you’ll be more on the map.  A great set, these guys are worth keeping an eye out for – Hardcore punk and a nice line in political scorn as well!

Funny thing about The Compass – upstairs is pretty small.  And on this night at least, the back half of the room is closed off.  So when Electric Eel Shock erupt onto the stage, it’s like having three tiny Japanese Metal demons go bananas in your living room.  EES rock the place like they’re headlining Wembley Stadium – standing on monitors, waving the mic stands at the audience for sing alongs, throwing the horns.  And the drummer is naked except for a sock to cover the family jewels. EES

Musically, it’s Hard Rock/Heavy Metal in the traditional sense – some Maiden, some Lizzy, some AC/DC, a little G’n’R; with a liberal dash of punk energy.  It’s all the classic rock bands you love in a new, crazy head-banging package.  The only song I’m familiar with (“Goodbye Peach”) is nowhere to be heard, but no matter – there’s plenty of new rocking anthems to meet and greet.

The set includes a few covers: Electric Eel Shock’s takes on “Paranoid” and The Halen’s “Hot For Teacher”; plus The Wurzels’ classic “I am a Cider Drinker”!  What the living fuck??!!  Believe me, this song works!

Electric Eel Shock deliver one of the most bonkers – and fun – gigs I’ve seen in a long time.  It’s full-on good time rock’n’roll.  The audience love it, the band love it.  Check out EES if you can, and if you’re in Chester – The Compass needs to be on your list of places to visit.

The Compass website is here.

Follow Electric Eel Shock on Facebook or follow them on Twitter: @eel_shock

And follow Saltwater Injection on Twitter: @SaltWaterInject