Tag Archives: rock’n’roll

Singles Night at the Virtual Hot Tub #39

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Are you ready for more rock’n’roll?  And very possibly lots of other genres of music too?  In that case, pilgrim, you’ve come to the right place.  You know it – it’s another Singles Night here at Platinum Al’s Virtual Hot Tub!

Now, for any of you brave readers who are muddled and befuddled by what a Singles Night involves, here’s the lowdown.  You see, I  possess a huge collection of 7 inch vinyl singles, none of which have been listened to (yet).  So the concept is to spend an evening playing these records – both sides – and have a grand old time doing so.

During the course of the night, we’ll hear a variety of music, old and new, with plenty of surprises.

That’s not so scary, is it?

Grab yourself a drink and let’s check out the latest playlist:

  1. Cheap Trick – “The Flame” / “Through the Night”
  2. Stiff Little Fingers – “Silver Lining” / “Safe as Houses”
  3. Belinda Carlisle – “Live Your Life Be Free” / “Loneliness Game”
  4. Salt-N-Pepa- “Let’s Talk About Sex (True Confessions Edit)” / “Let’s Talk About Sex (Super Crispy Mix)”
  5. Herb Alpert’s Tijuana Brass – “Up Cherry Street” / “Numero Cinco” / “Mexican Shuffle” / “The Girl From Ipanema”
  6. Magazine – “About the Weather” / “In The Dark”
  7. The Lotus Eaters – “The First Picture of You” / “The Lotus Eaters”
  8. James Brown – “Rapp Payback (Where iz Moses?)” / “Rapp Payback Pt. II (Where iz Moses?)”
  9. Huey Lewis & The News – “World to Me” / “It’s All Right (Live)”
  10. Dannii Minogue – “This is it” / “It’s Time to Move On”
  11. Queen – “Bohemian Rhapsody” / “These Are the Days of Our Lives”
  12. The Kinks – “Tired of Waiting for You” / “Come on Now”
  13. Big Country – “Wonderland” / “Giant”
  14. Timbuk 3 – “The Future’s So Bright I Gotta Wear Shades” / “I’ll Do Alright”
  15. Derek & The Dominos – “Layla” / Eric Clapton – “Wonderful Tonight”
  16. Jesus Jones – “Right Here, Right Now” / “Move Me” / “Damn Good at This”
  17. Big Country- “In a Big Country” / “All Of Us”
  18. Electric Light Orchestra – “Don’t Bring Me Down” / “Dreaming of 4000”
  19. The Belle Stars – “The Clapping Song” / “Blame”
  20. S’Express – “Hey Music Lover” / “Have a Nice Day”

Not a bad evening’s entertainment at all.  A thrilling exploration through several genres, from pop to punk, rock to funk, and more.  The only song I wasn’t a fan of was that hideous Clapton claptrap, so that’s a pretty decent result.

Lots of highlights, and I’m shouting out SLF, James Brown, Big Country, The Kinks and Jesus Jones as particular favourites.

Hope you enjoyed that list of killer tracks.  More soon!

Black Project – Blood Moon Album Review

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Black Project – Blood Moon

Self-released

Release date: 29/06/2025

Running time: 38 minutes

Review by: Alun Jones

8.5/10

Change is necessary, and change is good. If we allow ourselves the chance to step away from the familiar, it can reap rewards. Such is the case with Black Project, where Mike Rawsthorne and Geoff Lilleyman of British Rock heavyweights Crisis have stepped away from their usual band and explored something new. Along with cohorts Dean Wright Cockburn, Mike Ball and Tim Campling, this five piece have set forth on a new venture that capitalises on their considerable talent and experience.

“Blood Moon” builds on the strengths we would expect, creating a mighty hard rock/metal album that delivers a wide variety of song writing expertise. From the pounding beat and chugging riff of ‘Powerglide’ with its soaring chorus to the epic feel of the title track, Black Project demonstrate the wide scope of their creativity. ‘Blood Moon Rising’ features a bluesy, classic Rock vibe with plenty of thumping pace. Elsewhere, with ‘Only the Brave’, there’s a Zep style anthemic rocker with a powerful, rolling rhythm.

The musicianship and production are spot on, clean and crisp but still organic, natural sounding. Black Project obviously have a love for the majesty of the seventies greats, but inject a healthy dose of their own style and drag it all up to date. Fans of Purple, Zeppelin and Dio will admire the ambitious breadth of composition, whilst the more energetic, no holds barred influence of Lizzy and Maiden are also keenly felt.

Far from a side hobby, “Blood Moon” captures the best of all the musicians and is never lazy or dialled in. Crisis will return, but hopefully this wander from the well trodden path will see them reinvigorated and inspired. In the meantime, Black Project have a pretty special creation of their own to celebrate. Thoroughly enjoyable, full of variety and always exciting, this is Classic Rock treated with respect but re-cast for the modern ear.

Check out Black Project on Facebook.

This review is presented by Platinum Al in association with Ever Metal.

Singles Night at the Virtual Hot Tub #38

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Singles Night! At Platinum Al’s Virtual Hot Tub! It’s back – and better than ever!

What is it? A night where I play through a pile of as yet, never spun 45rpm vinyl singles. Both sides, whatever the genre, in whatever random order the fates have decided for me. There’s all sorts in that collection of 7 inch records, so it makes for a fine playlist (with a couple of drinkies to aid the process).

Here’s the latest playlist:

  1. Toyah – “Don’t Fall in Love” / “Snow Covers the Kiss”
  2. Doctor and the Medics – “Waterloo” / “Damaged Brains”
  3. The Screaming Blue Messiahs – “I Wanna Be A Flintstone” / “Jerry’s Electric Church”
  4. Blue Oyster Cult – “Astronomy” / “Magna of Illusion”
  5. Motorhead – “Overkill” / “Too Late, Too Late”
  6. Sex Pistols – “C’Mon Everybody” / “The God Save The Queen Symphony”
  7. Pete Mac Junior – “The Water Margin” / Godiego – “The Water Margin”
  8. Peter Sellers & Sophia Loren – “Goodness Gracious Me!” / Peter Sellers – “Grandpa’s Groove”
  9. The Professionals – “Little Boys in Blue” / Gillan – “I’ll Rip Your Spine Out”
  10. Stevie Wonder – “Lately” / “If It’s Magic”
  11. Psychedelic Furs – “Heaven” / “Heartbeat (Remix)”
  12. The Cars – “Drive” / “Stranger Eyes”
  13. Sex Pistols – “God Save The Queen” / “Did You No Wrong”
  14. Run DMC – “It’s Tricky (Remix)” / “Proud To Be Black”
  15. Bow Wow Wow – “Go Wild in the Country” / “El Boss Dicho”
  16. Atomic Rooster – “Tomorrow Night” / “Play the Game”
  17. Black Sabbath – “Hard Road” / “Symptom of the Universe”
  18. Anthrax – “I’m the Man” / “Caught in a Mosh (Live)”
  19. Anti-Nowhere League – “I Hate… People” / “Let’s Break the Law”
  20. Eighth Wonder – “I’m Not Scared” / “J’ai Pas Peur”
  21. Lynsey De Paul – “Ooh I Do” / “Nothing Really Lasts Forever”
  22. Sly Fox – “Let’s Go All the Way” / “Como Tu Te Hama”

A great selection. I can honestly say that I’m not ashamed of any of those singles. Except, maybe, “Goodness Gracious Me” which is somewhat… ah, dated, shall we say? At least the lovely Sophia Loren adds a touch of class. And she’s not the only beautiful lady in the list – I always had a crush on Lynsey De Paul.

Notes:

Two Sex Pistols records included here. including the wonderful “God Save The Queen”, one of the greatest rock’n’roll songs ever recorded. And we all know it got to number one really! There’s also a track from Jones and Cook as The Professionals, here on a Sounds flexi disc with Ian Gillan.

“The Water Margin” was a classic Japanese television series, shown in the 1970s. I vaguely remember it, but watched a later 1980s re-run religiously. The theme tune is brilliant. This single features a version in English on one side, and Japanese on the other.

Some great classic rock in this list, with Blue Oyster Cult, Atomic Rooster and a later Black Sabbath single (on purple vinyl in this case). A legendary couple of Motorhead tracks too, plus Anthrax throwing down some proto rap metal.

More punk from the Anti-Nowhere League: both of those tracks are fantastic.

A really enjoyable evening of music: random but unforgettable. More soon.

Singles Night at the Virtual Hot Tub #37

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You wanted it – you got it! Another Singles Night at the Virtual Hot Tub. This is where I spend an evening playing 7 inch singles that have found their way into my vinyl collection, from any number of different sources. None of the records have been played before, so I spend a few hours playing both sides and working through that pile.

There’s usually plenty of variety in the stack, with songs old and new, from any genre. Anything can happen, so just enjoy the ride.

Grab a drink and let’s check out the latest playlist:

  1. The Beatles – “Now and Then” / “Love Me Do”
  2. The Dickies – “Banana Splits” / “Hideous” / “Got It at the Store”
  3. S.S.S. – “CDC” / “Bath Night” / “Thrash with a Small Moustache” / “Black Night White Light”
  4. 999 – “Little Red Riding Hood” / “Wait For Your Number to be Called” / “I Ain’t Gonna Tell Ya”
  5. Roxy Music – “Jealous Guy” / “To Turn You On”
  6. Ram Jam – “Black Betty” / “I Should Have Known”
  7. Bee Gees – “Tragedy” / “Until”
  8. ABBA – “One Of Us” / “Should I Laugh or Cry”
  9. Sweet – “Love is Like Oxygen” / “Cover Girl”
  10. The Alarm – “Spirit of ’76” / “Where Were You Hiding When the Storm Broke? (Live)”
  11. Nancy Sinatra – “Love Eyes” / “Coastin'”
  12. Kool & The Gang – “Joanna” / “Tonight”
  13. Rick Dees & His Cast of Idiots – “Disco Duck (Pt. 1)” / “Disco Duck ({Pt. 2)”
  14. Matthew Wilder – “Break My Stride” / “Break My Stride (Instrumental)”
  15. Bee Gees – “Night Fever” / “Down the Road”
  16. Dire Straits – “Romeo & Juliet” / “Solid Rock”
  17. Nilsson – “Without You” / “Gotta Get Up”
  18. Sinitta – “Right Back Where We Started From” / “I Just Can’t Help It”
  19. Sabrina – “Boys (Summertime Love)” / “Get Ready (Holiday Rock)”
  20. Oceanic – “Insanity (Legendary Mix)” / “Reality”
  21. Charlie Pride – “The Most Beautiful Girl” / Johnny Cash – “Ring of Fire” / Crystal Gayle – “Miss the Mississippi & You” / Tammy Wynette – “Stand By Your Man” / Bertie Higgins – “Key Largo”

Twenty one records this week, and enough variety to keep anyone on their toes. Disco, punk, pop and rock classics – this was one of my best Singles Nights yet.

Notes:

The Beatles single is their last ever song, released recently and backed with their first ever single. A must for the collection.

That Dickies single is on yellow vinyl, naturally. The 999 record is plain old black vinyl, but I’ve been after that for a very long time. It was one of the songs on the first punk/new wave compilation I heard, it confused me as it didn’t sound “punk” (or what I thought was punk at the time). Great song.

SSS stands for Short Sharp Shock, a hardcore/skate thrash band from Liverpool that I can’t believe I never saw live. The last track is dedicated to Metallica bass legend Cliff Burton.

That final 7″ country record i picked up for 50p in a charity shop. Plain sleeve, so very little information – some fantastic songs though. not least my all time hero, Johnny Cash.

Singles Night at the Virtual Hot Tub #35

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For the first time of 2025, let’s indulge in another Singles Night. A night of spinning records, having a few drinks and enjoying the vibes.

The “singles” in the event title refers to vinyl singles: the 7 inch, 45 rpm discs that were once the pocket money swallowing masters of the weekly music chart. Now I have a massive stack of said singles, and on some nights I dig a load of ’em out, and play ’em. Both sides – A then B – and onto the next.

There are many wonders to be found amongst the hefty pile of 7″ records. And a few oddities. But the randomness and variety always an entertaining night.

Grab a drink and settle in with my latest playlist:

  1. Generation X – “King Rocker” / “Gimme Some Truth”
  2. David Bowie – “Modern Love” / “Modern Love (Live Version)”
  3. Motorhead/Girlschool – “Please Don’t Touch” / “Bomber” / “Emergency”
  4. The Alarm – “Presence of Love (Laugharne)” / “Knife Edge”
  5. Depeche Mode – “See You” / “Now, This Is Fun”
  6. Dana – “All Kinds of Everything” / “Channel Breeze”
  7. The Steve Gibbons Band – “Eddy Vortex” / “Little Suzie”
  8. Shirley Bassey – “So In Love” / “As Long As He Needs Me”
  9. Darts – “Don’t Let It Fade Away” / “Early In The Morning”
  10. Elvis Costello & The Attractions – “Oliver’s Army” / “My Funny Valentine”
  11. David Bowie – “Blue Jean” / “Dancing With The Big Boys”
  12. AC/DC – “Guns For Hire” / “Landslide”
  13. ABC – “The Look of Love” / “The Look of Love (Part 2)”
  14. The Jam – “Start” / “Liza Radley”
  15. Jimmy Cliff – “Reggae Night” / “Love Heights”
  16. The Sweet – “Little Willy” / “Man From Mecca”
  17. Propaganda – “Duel” / “Jewel”
  18. Patrick MacNee & Honor Blackman – “Kinky Boots” / “Let’s Keep It Friendly”
  19. A-Ha – “Hunting High and Low (Remix)” / “The Blue Sky (Demo Version)”
  20. The Creatures – “Miss The Girl” / “Hot Springs in The Snow”
  21. Queen – “Somebody To Love” / “White Man”
  22. Ike & Tina Turner – “Nutbush City Limits” / “Help Him”

Twenty two records this week, and a few strange ones are still creeping in – some are the remains of a bundle of singles I bought at a car boot sale for a fiver. I kept Dana in the collection due to the Eurovision connection, but Shirley is a superstar.

Punk and New Wave genres are nicely represented in this selection, with great songs from Generation X, The Jam and Elvis Costello. A-Ha, Depeche Mode and ABC bring in some pop classics, while good old rock’n’roll is delivered by AC/DC, Motorhead and Girlschool.

Two great 1980s Bowie discs made the playlist and there’s a favourite from Queen (though it’s one of my least favourite songs of theirs). Adding to the 70s vintage is a cheeky number from Sweet, which never fails to raise a smile!

Another successful night spinning vinyl. More to come soon.

Uncle Slam – Album Review

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Uncle Slam – Will Work for Food/When God Dies 

Dissonance/Cherry Red Records 

Release date: 26/07/2024 

Running time: 2 CD compilation 21 tracks 

Review by: Alun Jones 

7.5/10 

Wow, was I asleep or something there?  How did I manage to miss Uncle Slam back in the late 80s/early 90s heyday of crossover?  At that point in time, I was 100% in this bands target demographic: young skateboarder with a love of hardcore punk and thrash metal.  And yet Uncle Slam and I never crossed paths till now.  Thanks to Dissonance/Cherry Red records, we have this double album compilation of the bands second and third albums, and I can fill in some gaps. 

The obvious starting point here is Suicidal Tendencies.  It’s a lazy option to begin here, but the similarities in sound and style between Uncle Slam and ST are so abundant that we can’t ignore them.  Both bands are from the Venice, LA scene, with various members of Suicidal appearing within the ranks of Uncle Slam at one point or another.  Anyone (like me) just arriving to this mosh pit will be astounded how the Slam guys seem to have been largely forgotten. 

The first album, “Will Work For Food”, features a satisfying metal crunch along with the punk energy.  To be fair, the influence of ST, early COC and DRI mingle with the classic thrash of Testament and Nuclear Assault pretty seamlessly.  Fans of any of those bands will dive straight into ‘Left for Dead’ and ‘Roadkill’ right from the off.  The rest of disc 1 follows in a similar frenzy of crunching metal guitars and aggressive pace, and it’s all great fun.  The only oddity is a re-working of Led Zeppelin’s ‘Dazed and Confused’, barely recognisable as it’s been reimagined so drastically – but brilliant for it. 

Disc 2 presents us with Uncle Slam’s third and final album, ”When God Dies”, released in 1995.  By this time, dominant musical genres had fluctuated, and this record shows Uncle Slam developing their sound.  The title track opener thus delivers more chunky metal, but shoe-horns some funky breaks in the style of (Suicidal off-shoot) Infectious Grooves.  It’s a less thrash, more punk and alt rock influenced sound, but although something of a departure, it still works for the most part.  As a result, songs like ‘Procreation’ still rock, but ‘Summer in Space’ is just silly. 

For some, this collection will be too similar to good old Suicidal Tendencies to stand on its own merit.  I would disagree: there are plenty of other influences here, not just the main offenders.  And who cares, anyway?  This isn’t just a sound, it’s a whole vibe – Venice beach, Dogtown, punk rock and skateboarding on a never-ending summer vacation.  Uncle Slam deserve their moment in the spotlight, and I’m not gonna deprive them of it.  Neither should you. 

There’s some Uncle Slam on Spotify for you to check out.

This review is presented by Platinum Al and Ever Metal.

Devil Moon Risen – Album Review

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Devil Moon Risen – Fissures of Men 

Self-released 

Release date: 06/06/2024 

Running time: 36 minutes approx 

Review by: Alun Jones  

7.5/10 

Ready for something a little different?  Something born from the familiar, but tantalisingly different?  Then step right this way, Platinum Al has a musical odyssey that will intrigue you.  We’re talking about the debut album from Devil Moon Risen, a trio out of Phoenix, Arizona, and it’s all kinds of unexpected. 

We’re starting in the realm of desert rock, but Devil Moon Risen have added some spice to their chimichanga with elements of punk, sludge and doom metal.  So, off we go with a thuddingly heavy, groovy chugger in ‘Bad Sketch of a Killer’ that twists into a creepy waltz and back again. 

Like Primus playing QOTSA songs on an album produced by the late great Steve Albini, the songs feature unpredictable, powerful bass and thrashing guitars.  It doesn’t always quite gel, ‘The Rim’ is more of a challenge to get into, but “Fissures of Men” is always surprising and brave.  

When everything falls into place though, the results are superb, as with the full-on rock-out distorted delight that is ‘Shaun Powell’.  Elsewhere, there’s more Frankenstein-like craziness such as ‘D.T.T.B.O.W.T.B.’, which launches like later era Danzig before offering some more laid-back grooves, then morphing to a black metal wail. 

“Fissures of Men” is a journey and then some: Devil Moon Risen have taken the obvious starting point and run off in a totally different direction (or three).  Whether it’s noise rock or some as yet uncharted genre of music, the album is sometimes demanding and always unpredictable.  If – or when – you’re ready, “Fissures of Men” could be just the education you need. 

Check out Devil Moon Risen on Facebook, Instagram, Twitter, Spotify and Bandcamp.

This review is brought to you by Platinum Al and Ever Metal. You’re welcome.

Saltpig – Album Review

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Saltpig – Self Titled 

Heavy Psych Sounds 

Release date: 31/05/2024 

Running time: 39 mins approx 

Review by: Alun Jones 

8.5/10 

Here go with a tasty treat, the wonderfully named Saltpig with their self-titled debut album.  And who are Saltpig?  The band are a duo consisting of drummer Fabio Alessandrini (formerly of Annihilator) and Mitch Davis (formerly of everyone from Mark Lanegan and U2 to Damon Albarn, crazy!) on everything else.  Together they have created this mysterious yet compelling piece of work, released by the ever-reliable Heavy Psych Sounds. 

The musician’s previous experience is superficially surprising, as Saltpig’s album is a rutting beast comprised of doom, stoner, psych and occult rock parts in equal measure.  Filthy, fuzzy riffs and manically clattering drums are what we get, and we get it good – right from the rolling, rollicking menace of ‘Satan’s War’ onwards.    

Gutsy and powerful, not bloated, the next four tracks follow the opener in a similar unforgivingly retro style.  Songs like ‘Demon’ and ‘Burning Water ‘ go unashamedly full throttle, proto metal with bouncy rhythms, aggression and melody.    

‘When You Were Dead’ slows the pace slightly for a classic Sabbath gloom rocker.  ‘Burn the Witch’ has a slinkier, groovier feel and ticks the obscure horror film dialogue box, too.  No idea where that sample is taken from, but I feel I should… 

Finally, this all leads up to a mega epic called ‘1950’, nigh on twenty-minutes of repetitive, fuzz drenched pummelling guitar and distorted vocals that builds slowly, has only subtle variation for the most part and threatens to drive the listener mad.  That may sound like hell to some, but I bloody loved it.  It’s a dark, tormenting, almost religious experience and strangely intriguing. 

Saltpig’s first album is an enigma: heavy as hell, brutal, surprising, hypnotic and fascinating.  I’ve slapped on an easily deserved score of 8.5, but this could go higher over time. 

Anyone fancy a bacon sandwich? 

Check out Saltpig’s website here, or find them on Facebook, Instagram or Bandcamp.

This review is brought to you by Platinum Al and Ever Metal.

The Cult – Gig Review

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The Cult + Jonathan Hultén

Friday 25th October 2024

02 Apollo Manchester

November 25 1991, Manchester G-MEX. That was the last (and first) time I saw The Cult perform live. They were my favourite band and being there to witness them in person was a hell of a thrill, I was barely 19 years old and I’d never been to a gig of that scale before. Years go by, and I’m finally going to see The Cult again, this time at the far more atmospheric Apollo, rather than the cavernous aircraft hanger of the old G-MEX.

Yes indeed, it had been a long time since I saw my old mates Billy and Ian up on a stage. A lot had happened during that time – for all of us – but the music was always there.

Our support act this evening, in a seemingly incongruous move, was Jonathan Hultén. Standing solo on stage, swathed in veils and enigmatic face paint, Hultén was not what many were expecting to open the show. His music was dark, ethereal folk, with acoustic guitar and haunting vocals. At first I was intrigued, as the music continued I became thoroughly engaged. Just a few days before Halloween, this Scandinavian folk horror and gothic bombast was entirely appropriate to open this event.

More surprises, even more pleasant, revealed themselves when The Cult took to the Apollo stage – accompanied by a sample of ‘Ride of the Valkyries’ from Apocalypse Now (a genius move in itself). Launching into an earth-shaking ‘In The Clouds’, followed by ‘Rise’, from the insanely underrated “Beyond Good and Evil” album, this was not what I was expecting at all. Both songs are later entries in the band’s cannon, and sit gloriously at the heavier end of their repertoire. I adore both tracks – this was going to be interesting.

“Electric” album cut ‘Wildflower’ was next. One of my favourite Cult songs, I could’ve left at that point and been satisfied. More hard hitting classics followed with the swagger of ‘Star’ and Charlie Jones’s thudding bass introducing ‘The Witch’. New track ‘Mirror’ slots in seamlessly, then we get another mighty song from “Beyond Good and Evil”, ‘War (The Process’). All well known songs to Cult freaks like me, but not obvious choices by any means.

Billed as “The Cult 8424” – a 40 year anniversary tour – I’d expected a Greatest Hits set, culled mainly from the bands mid 80’s days. Early non-album single ‘Resurrection Joe’ was therefore no surprise, otherwise, this set spanned eras and albums confidently. Next was an acoustic ‘Edie (Ciao Baby)’ – I’ve always preferred this song in stripped down form to the “Sonic Temple” production.

‘Sweet Soul Sister’ was my chance for a quick “comfort break” – I’ve never been a huge fan. Great riff, overblown chorus! Another surprise followed, with ‘Lucifer’ from the “Choice of Weapon” record. The huge, epic riff of this song has made it one of my favourites, so a real bonus to hear live. John Tempesta on drums really powered all these songs home flawlessly, with both groove and power.

The latter part of the set delivered all the big crowd pleasers; an anthemic ‘Firewoman’, a truly captivating ‘Rain’ (surely one of the greatest rock riffs of the era), the tribal beauty of ‘Spiritwalker’. Billy Duffy, playing to a home town crowd, performed guitar magic throughout: from gutsy, gritty riffs to mesmerising yet direct, never fancy melodies. Lightning bolt energy from Ian Astbury galvanised the audience, as he revelled in the role of shamanic leader. And with a final roar through ‘Love Removal Machine’, it’s over.

Except it isn’t! Of course not, we all know The Cult will be back for an encore. But what will it be? Any more surprises?

‘Brother Wolf, Sister Moon’ is a classic track from the wonderful “Love” album, but wasn’t a single and so a very welcome reward. Finally, of course, the legendary ‘She Sells Sanctuary’ rings out and unites the crowd in a euphoric shared moment – Astbury’s air raid siren vocals leading the throng. I swear that man doesn’t need a microphone.

My return visit to The Cult’s sonic temple took a few years longer than anticipated. It was great to see them on such fine form, revelling in the classics and confident in their position as genuine, treasured heroes. What really made the gig for me though, was the sheer joy of hearing a very generous helping of less obvious, but very beloved tracks that I wasn’t expecting. No ‘Lil’ Devil’, but the rest of the set made up for it. I’ll return sooner next time.

PS: we need “Beyond Good and Evil” re-releasing on vinyl, please lads!

Singles Night at the Virtual Hot tub #34

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Here we go with another Singles Night! Just like Kool and the Gang said – no wait, that was “Ladies Night”. Totally different event altogether. Well, don’t let that be any concern for you, good reader – let’s spend an evening of musical fun and adventure anyway!

What, you may well ask, is “Singles Night at the Virtual Hot Tub”? If you know, feel free to skip this bit. Otherwise, I’ll explain.

Singles

In essence, I have a huge stack of 7 inch vinyl singles that I haven’t played yet. And they need to be played before I can add them to my super sophisticated filing system. So on Singles Night, I grab a bunch of these records and play ’em, A side then B side, one after the other, whilst having a wee drinkie or three.

It’s great fun. It rocks. Here’s the latest playlist:

  1. The Rezillos – “I Can’t Stand My baby” / “I Wanna Be Your Man”
  2. The Rezillos – “Top of the Pops” / “20,000 Rezillos Under the Sea”
  3. The Ruts – “Something That I Said” / “Give Youth A Chance”
  4. Sweet Dreams – “Honey Honey” / “I Surrender”
  5. The Steve Gibbons Band – “Tupelo Mississippi Flash” / “Till the Fire Burns Out”
  6. Showaddywaddy – “You Got What It Takes” / “Showboat”
  7. Goombay Dance Band – “Sol de Jamaica” / “Isla de Suenos”
  8. KC & The Sunshine Band – “That’s the Way (I Like It)” / “Ain’t Nothin’ Wrong”
  9. Dollar – “Mirror Mirror” / “Radio”
  10. Siouxsie & The Banshees – “Hong Kong Garden” / “Voices”
  11. Suzi Quatro – “I Go Wild” / “I’m a Rocker”
  12. Rose Tattoo – “Rock’n’Roll is King” / “I Had You First”
  13. Deep Purple – “Black Night” / “Speed King”
  14. Elton John – “Blue Eyes” / “Hey Papa Legba”
  15. Berlin – “Take My Breath Away” / Giorgio Moroder – “Radar Radio”
  16. Motley Crue – “Primal Scream” / “Dancing on Glass”
  17. The Damned – “White Rabbit” / “Rabid (Over You)” / “Seagulls”
  18. Booker T & The MGs – “Green Onions” / “Boot Leg”
  19. Bobby Brown – “On Our Own” / “On Our Own (with Rap)”
  20. De La Soul – “Ring Ring Ring (Ha Ha Hey)” / “Pile and Piles of Demo Tapes Bi-Da Miles”

And there we go, mes amis. A right old concoction and no mistake. But you know what? The odd dud in the playlist only makes the good stuff sweeter. And when you’re having fun, those duds ain’t so bad anyway.

The odd horror from the fabled car boot box of doom still lingering here, but they’re slowly dying off. Instead, a veritable feast of punk rock wonders, from the Rezillos, Ruts, Siouxsie and The Damned. That Damned track is, of course, a cover of the Jefferson Airplane song, and not one of my favourites – though the two songs on the B side are absolutely wonderful.

Plenty of other delights with Rose Tattoo and a double sided banger from Deep Purple, not to mention a Crue song I actually really like.

I hate the film Top Gun – never managed to see it all the way through – and not a huge fan of the Berlin track, but hey, it was a freebie. Likewise, that Bobby Brown song from Ghostbusters II is a huge drop in quality from the Ray Parker Jr classic. Some pop genius from KC & the Sunshine Band and Booker T keeps us on track nicely, though.

All in all, another successful night’s entertainment. Stay tuned for more soon, folks – I’ve got loads of these discs for ya and they’re itching for a spin!