1968 – Album Review

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1968 – Salvation, If You Need…

Self-released & No Profit Recordings

Release date: 20/04/2021

Running time: 44 minutes

Review by: Alun Jones

9.5/10

For this review of “Salvation, If You Need…”, the second album from UK stoner rock titans 1968, I promise that there will be no messing about, no silly stories, no nonsense whatsoever.  I’m not even drinking.  Rather, I will endeavour to write a serious review that treats this album with the respect it deserves.  Not enough respect to get the article written on schedule, mind; but hey – I never said I was perfect.

Anyone familiar with 1968 from their previous efforts will not be disappointed to learn that the band’s strengths are in full flow here.  Thankfully, they’ve also pushed boundaries and explored their psychedelic tendencies further than ever before.  Witness opening track “Railroad Boogie”, which teases a funky Blaxploitation groove before unleashing the glorious big riff sound that we expect.

Comparing 1968 to Kyuss is far too obvious and lazy.  Jimi Ray’s voice has some of that gruff John Garcia sound (with a little later-period TSOL vocalist Joe Wood), though his vocals have matured to a sincere, soulful timbre.  See also, guitarist Sam Orr: schooled in Sabbath riffology and Lizzy attitude, here his Hendrix aspirations are allowed to fly unrestrained.  Magnificent washes of sound cascade and add colour everywhere, without being obtrusive.

“Blackwing” is the highlight for me: a refrain that’ll slip into your ears and lodge there.  It’s pointless trying to remove it.  Whether happy accident or hard slog, this is an epic riff.  “Eastern Wind” follows a similar path, but offers enough of its own controlled chaos to stand on its own two feet. 

Tom Richards’ bass warms up “Here It Lies” and expertly keeps the vibe dialled on a grungy, early Soundgarden pace.  The raw, unrefined blues of “Small Victories” and “God Bless” also allow drummer Dan Amati to show he can play refined and delicate, as well as thundering and determined.    

Yes, 1968 are undoubtedly still inspired by the classic rock of the late 60s/early 70’s, but we’re also drinking beers in Satan’s Dive Bar, somewhere in Seattle, with a jukebox that’s stuck on Badmotorfinger.  And some Budgie, too, based on the solid cover of that band’s “Guts” that shows up here.   

Look, I’ve tried to be serious for once, and I hope you appreciate it, reader.  “Salvation, If You Need…” is a truly magnificent piece of work.  I’ve been playing it for ages and it hasn’t aged.  I’m still discovering little delights everywhere.  It has scale and pace that other bands don’t dare trifle with.  A contender for Album of the Year, so long as I can get hold of the imminent vinyl release.

Now, who wants to hear about the time Ozzy, Belinda Carlisle and me gate-crashed Venom’s Satanic picnic?

I lied about not drinking, by the way.     

You can find 1968 on Bandcamp, and also follow their social media adventures on Facebook, Twitter and Instagram.

This Platinum Al review has been produced with the aid of Ever Metal.       

Lugosi – Album Review

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Lugosi – Video Nasty

Self-released (BJF PR)

Release date: 12/03/2021

Running time: 27 minutes

Review by: Alun Jones

8.5/10

OK, here we go!  The clue’s in the title, folks – you can probably figure out where we’re headed with a band called Lugosi straight off the (vampire) bat.  If not, let me give you some pointers…

To get to Lugosi’s haunted house, depart from the Ramones’ basement, travel up Misfits Avenue, take a left at Danzig Drive, head on past Lemmy’s Bar’n’Grill till you get to 1313 Mockingbird Lane.  And you’ve arrived: horror themed punk’n’roll with fast’n’furious tunes and daft lyrics about dodgy old horror and sci-fi movies.  In other words, exactly the kind of goth rock Halloween shindig that your ol’ Uncle Al loves to crash.

Let’s get the devil-locked elephant in the room dealt with first: ‘cos there’s going to be a Misfits reference in nearly every sentence I write of this review!  To be fair, although there’s an undoubted Misfits influence in Lugosi’s work, it’s more in the lyrical content: songs about vampires, Dawn of the Dead and devil worship are aplenty, but in a tongue in cheek, Hammer horror style rather than any serious Satanic pretence.  This is music made by fans of cheesy, campy horror classics for other fans of the same.

The music itself has less of the big “WOAH” Danzig choruses and a more Motorhead inspired punk’n’roll sound, like Supersuckers  or Zeke.  There’s even a really cool instrumental in the middle of “They Came from Outer Space” that has an Iron Maiden feel.  The riffs not too far from Clutch, and – is that a Thin Lizzy influence?  Well, I was surprised to learn that Lugosi are from Dublin – I imagined they were from a remote cabin in the Texas backwoods somewhere…

“Late Night Slasher Movie” starts things off perfectly, in the speedy rockin’ style I mentioned, with hilarious lyrics!  “We’re Here to Drink Blood” is one of the punkier paced, Ramones tracks – and it’s catchier than a zombie plague.  Then there’s “Soylent Green”, which reminds me of Jerry Only era Misfits (this is a good thing).  A heavier, Sabbath feel rocks right out of the grave on “The Vampyre” and “Hellfire Club”.  There’s an almost doom sound to “1313”, augmented by high-pitched, theremin like weirdness.  I think you get the idea.

“Video Nasty” is a great album, thoroughly enjoyable in many ways: a successful Frankenstein bolting together of B-movies, punk and heavy metal – ideal for your next gathering on All Hallows Eve.  Kitsch, ridiculous, over the top – and FUN.  Lugosi have really reanimated the corpse of horror punk, and – it’s alive!!!

Check out Lugosi on Facebook and Bandcamp.

This review was proudly presented by Platinum Al and Ever Metal.

Singles Night at the Virtual Hot tub #25

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Yes, that’s right: it’s time for another Singles Night! This is no crappy Channel 4 dating show featuring halfwit Instagram influencers, no sir. The type of single we’re talking about here is the vinyl kind – 45 rpm records, beautiful black plastic discs. Seven inches of pure joy!

For the newcomers, I have a pile of unplayed vinyl singles, which I listen to consecutively (A side, then B side). Accompanied by a few drinkies, it’s a most excellent evening of entertainment.

Here’s the latest playlist, featuring some total bangers:

  1. AC/DC – “Touch Too Much” / “Live Wire” / “Shot Down in Flames”
  2. The Piranhas – “Tom Hark” / “Getting Beaten Up” / “Boyfriend”
  3. Judas Priest – “Evening Star” / “Beyond the Realms of Death”
  4. Hollywood Beyond – “South Africa” / “The Cocteau Twins – “Orange Appled” / The Fall – “Lucifer Over Lancashire” / Zodiac Mindwarp & The Love Reaction – “High Priest of Love”
  5. Pretenders – “Brass in Pocket” / “Swinging London” / “Nervous But Shy”
  6. Billy Idol – “Rebel Yell” / “(Do Not) Stand in the Shadows”
  7. Television – “Prove It” / “Venus”
  8. Def Leppard – “Rocket” / “Release Me”
  9. U2 – “The Unforgettable Fire” / “A Sort of Homecoming”
  10. Pet Shop Boys – “Always On My Mind” / “Do I Have to?”
  11. A Flock of Seagulls – “Wishing (I Had a Photograph of You)” / “Committed”
  12. Frankie Goes to Hollywood – “Relax” / “One September Monday”
  13. Big Country – “Chance” / “The Tracks of My Tears”
  14. Duran Duran – “Wild Boys” / “(I’m Looking for) Cracks in the Pavement (1984)”
  15. GB Band – “Smasheroo” / “Long Distance Calling”
  16. Petula Clark – “Downtown” / “You’d Better Love Me”
  17. Paula Abdul – “Straight Up” / “Straight Up Power Mix”
  18. Slade – “All Join Hands” / “Here’s to…”
  19. Foreigner – “Say You Will” / “A Night to Remeber”
  20. Chuck Berry – “Reelin’ and Rockin'” / “I Will Not Let You Go”

Whoa, a lot of EPs and mulitple B sides, there!

There you go: another twenty top quality tunes that I enjoyed rocking out to in the Virtual Hot Tub. Well, except maybe Foreigner. But at least Chuck Berry saved the day!

That playlist spans the years and the genres, with some of my favourite artists like AC/DC, Billy Idol and Zodiac Mindwarp rubbing shoulders with pop legends and underground classics. Which ones are you a fan of?

See you soon for another Singles Night at the Virtual Hot Tub!

Spelljammer – Album Review

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Spelljammer – Abyssal Trip

RidingEasyRecords (UsThem Group, Palmer Turner Overdrive)

Release date: 26/02/2021

Running time: 44 minutes

Review by: Alun Jones

8/10

A slow build of distortion, punctuated by air raid sirens, heralds the onslaught of “Bellweather”, the first track on the latest Spelljammer opus.  These guys are in no rush.  Instead, the listener sinks slowly into the mire, as first guitars and bass, then drums, stealthily enter.  Over the course of six plus minutes, the track builds beautifully, setting the style for the album to follow. 

Spelljammer are from Stockholm, Sweden – and comprise Niklas Olsson (bass and vocals); Robert Sörling (guitar) and Jonatan Rimsbo (drums).  It’s been five long years since their last album, but now they’re back with a huge, ponderous collection of sludgy, doom laden music.

Second track, “Lake”, follows the hypnotic incline of the opener with a brutal riff and throaty vocals, before descending into a medium paced headbanger.  This track nicely encapsulates the contrasts between heavy, thunderous ferociousness and trancelike wonderment.

The band composed these songs in the seclusion of a remote house in the country.  The various shifting sections of the songs obviously reflect that concentrated effort, with a perfect ebb and flow.  Sections wind intricately between the monstrous and the calm. 

“Among the Holy” starts with a creeping pace before erupting into the album’s biggest rocker.  The title track opens with a sample from some obscure horror movie, and I need to know which!  After that, it’s crawling doom which picks up speed a little in a Sabbathy manner – complete with distorted vocals.

Talking of Sabbath, “Peregrin” feels like one of those Tony Iommi instrumentals on “Master of Reality”.  It’s actually quite wonderful.  Finally, “Silent Rift” is over ten minutes of all that’s gone before, ramped up even higher.  The pace is slow, there’s no haste, Spelljammer take their time and let the music grow and breathe.

The listener will also need to take their time and truly absorb this album.  Stick on your ear goggles, turn the lights down low and bask in the inventiveness.  “Abyssal Trip” is a record that’s been carefully composed and nurtured.  The enjoyment here is in the journey and all its interwoven elements.      

As we’re talking of jam, I’m reminded of an episode with my old Black Sabbath mates.  We were at legendary Rockfield studios in Wales, and following a late night in the studio and an even later nights boozing, the band were relaxing on the lawns on a gorgeous summer day.  Bill fell asleep on the grass, and Ozzy decided to take the remains of the strawberry jam from breakfast and smear it all over Bill’s beard.  Sure enough, ten minutes later, Bill woke with a scream – brushing wasps from his face.  He jumped up and ran to a nearby pond, jumping in face first.  When he emerged, Bill looked like a Sasquatch.  He spent days rubbing ointment on his face and was finding dead insects in his beard for ages.   

Seek out more Spelljammer info on Bandcamp, Facebook and Instagram.

RidingEasy Records are also on the web, Bandcamp, Facebook and TubeYou.

This review was brought to you by Platinum Al in association with Ever Metal.

Platinum Al’s Top 10 Rock & Metal Albums of 2021

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Over the last year, I’ve reviewed a fair few albums for my pals at Ever Metal, and also continued on my never ending odyssey to explore new music. Old bands, new bands, from the big hitters to the up and comers. But what Rock and Metal albums were my favourites from 2021?

This list answers that question: here are the albums that I enjoyed the most from last year:

10. Stoner – Stoners Rule

9. Here Lies Man – “Ritual Divination”

8. Bloody Hammers – “Songs of Unspeakable Terror”

7. Melvins – “Working with God”

6. Acid Mammoth – “Caravan”

5. Barbarian Hermit – “One”

4. Red Fang – “Arrows”

3. Son of Boar – “Son of Boar”

2. Green Lung – “Black Harvest”

  1. 1968 – “Salvation, if you need…”

Another strong year for new music, 2021 managed to deliver that much, at least. There were plenty of other great releases from other artists, this is just my pick of the best – and it certainly wasn’t easy to narrow down to just this ten.

All of the above are superb records, and I’d strongly advise you to check them out. Read the full reviews on Ever Metal (where applicable) and also on here too, in the near future.

Let’s raise a glass to more great music in 2022 – and who knows, maybe some more gigs?!

The Best of 2021

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That title seems like a bit of misnomer, doesn’t it? “The Best of 2021“. Following the unprecedented nonsense of 2020, last year we were all anticipating returning to normal, or as close as possible. Small victories were made during that time, but here we are again: a pandemic that seems to loom ever worse; the threat of lockdown and restrictions still a possibility; working from home if you can; vaccination after vaccination; and the same bumbling charlatans in charge of it all.

Hopefully it will all get better. It can’t get much worse (at least in terms of the virus, the post apocalyptic hell of Brexit is still to be reckoned with).

During 2021, Platinum Al’s Virtual Hot Tub still aimed to entertain and inform. Sometimes we made it, sometimes we ballsed it up. But much of the blog content shone through regardless.

In the spirit of sharing success – and smiling in the face of adversity – here are the blog posts from 2021 that were most successful, in terms of views.

10. The Halloween Horror Fest Don’t Die

Halloween Horror Fest was another October highlight this year; this review featured The Dead Don’t Die and Hammer’s The Mummy.

9. Platinum Al’s Top 10 Rock & Metal Albums of 2020

My other gig is writing reviews for Ever Metal – many of my reviews cropped up on this 2020 album list of favourites.

8. The Plague of Halloween Horror Fest

The last mini horror mvie reviews of 2021 featured The Plague of the Zombies and The Crow.

7. Bucket of Halloween Horror Fest

Another Hammer classic, with this review of The Gorgon.

6. Ryuko Interview

Published back in January 2021, this interview with alt rock band Ryuko at last years Pentre Fest originally appeared on Ever Metal, before it graced the Virtual Hot Tub.

5. Sci-Fi Weekender – Back to the Future

SFW was sadly destroyed like Alderaan due to the pandemic – but I dug up a few unseen pics from previous years to ease the pain.

4. Liverpool Comic Con 2021

As the year progressed and we appeared to be making a tentative return to events, I filed this report from Comic Con in Liverpool.

3. How Do Fossils Form? by Eloise Jones

The third most popular blog of the year was written by my super talented daughter. I might just hand the whole thing over to her…

2. Hawarden Limerick

A silly limerick about a local village, it proved popular for some bizarre reason.

And the number one, most popular blog of the year was…

  1. Millennium Falcon – The Greatest Toy Ever

Photos and memories of my vintage Star Wars Millennium Falcon toy, I think this blog is a justified winner! A fantastic toy and something I’m very proud of.

With a lack of events again in 2021, it’s no surprise that other blog subjects rose to prominence. Maybe the escapism of movie and toy reviews appealed to our audience this troublesome year.

We don’t know what will happen in 2022. Fingers crossed, the future looks brighter. But rest assured, Platinum Al’s Virtual Hot Tub will be here for you. If you need a friend, or just some heavy metal reviews and photos of old toys, we’re never far away.

Christmas Tat 2021

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In the continuing tradition of sharing some tacky Christmas baubles, here’s the single addition for 2021. Yes, just one new acquisition for the tree this year – I’ve really not seen as much silly, tacky nonsense on my limited travels recently. But fret not, this one’s a beauty!

Here we have a Christmas dinosaur: a bright blue triceratops adorned with sequins and jewels. What could be more festive than a dinosaur? Unless you’re an evolution denier, of course.

Whatever, I hope you like this latest addition to the Virtual Hot Tub Christmas tree.

Christmas dinosaur ball ball

And I’d also like to thank all the readers of my blog, the legendary Platinum Al’s Virtual Hot Tub for your continued support. Please keep reading and let me know what you want to see in the year ahead.

Merry Christmas to all, and a wonderful New Year!

Cocktail Time: Absinthe

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Over the years of my adventures as a bounder and general ne’er-do-well, I have occasionally been known to frequent the more bohemian and hedonistic establishments to be found in town and city. Relaxing in the company of poets, artists and dancing girls, one finds the nerves relaxed and the mind expanded – particularly when imbibing the Green Fairy, la fée verte: absinthe.

Absinthe has a formidable reputation. It’s been made illegal in many countries in the past and has been blamed for murder and madness. But if we take things carefully, I’m sure we’ll be OK. Though potent, it’s not as intimidating as considered – and is very enjoyable when prepared correctly.

Preparing absinthe is in itself a ritual, and requires certain specifically designed items. The glass is usually ornate and stemmed, sometimes with a small reservoir at the bottom. The spoon is perforated or slotted.

I’m no expert, but the following steps explain the method I’ve found to prepare and enjoy this drink.

  • Pour approx 1 ounce of absinthe into the glass; some guides recommend turning the glass to allow the liquid to coat the lower area.
  • Place the absinthe spoon across the top of the glass (mine has a small ridge to keep it in place).
  • Place an ice cube on the spoon.
  • Slowly pour ice cold water over the ice cube so it flows into the glass, dissolving the ice cube – 4 to 5 ounces is recommended, but experiment to find your preferred taste (maybe not too much in one sitting, though).
  • Mix any ice cube into the liquid, it should turn cloudy (which is known as louche). You’re then ready to drink.

The liquorice taste of absinthe (or other similar spirits) is not something I wasn’t a fan of originally, but I’ve learned to like. The ritual of preparation – and the paraphernalia – as well as the history, adds a lot to the experience.

Absinthe is now widely available in the UK. The version in the photos is from Andorra, and slightly higher percentage than found on these shores at 85%…

Enjoy your drink, friends – but please treat absinthe with the respect it deserves and drink responsibly!

Ungraven/Slomatics – EP Review

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Ungraven/Slomatics – Split EP

Blackbow Records

Release date: 05/03/2021

Running time: 31 minutes

Review by: Alun Jones

8/10

How did you spend your time during the pandemic?  Did you learn a new language or a musical instrument?  Did you get out there running, hammering marathons and getting super fit?  Or, like most of us, did you hang on there by your finger nails, just about keeping it together and escaping the monotony?  Well luckily for us, these two bands – Ungraven and Slomatics – decided to put their talents to creative use and deliver some music to keep us all sane in these bizarre times.

This is one EP, two bands and six songs in total.  First off, we have Ungraven, who despite only being formed in 2019 feature musicians of fine pedigree: Jon Davis (Conan), David Ryley (Fudge Tunnel) and Tyler Hodges (Tuskar).   “Defeat the Object”, their first offering, features a reliably sturdy riff to nod your head to.  Next track, “Onwards She Rides to a Certain Death” comes galloping out of the gates like an armour covered battle horse – it’s no nimble dressage, more like a cavalry charge into a frenzied battle.  Ungraven’s final song, “Blackened Gates of Eternity”, has a grinding intensity that has an industrial feel.

Slomatics pick up the baton and start off with the brutally heavy, atmospheric “Kaan”, which seems to move sideways rather than forwards.  Slow and hefty, I’ve seen ox bow lakes form quicker than the pace of this monster.  “Proto Hag” follows a similar style, but you’ll be glad to learn that it’s even more intense.  Slomatics have been building their reputation for some years now, and these tracks confirm their prominence.  Their final song, “Monitors” – probably my favourite on the whole EP, though I feel bad singling out one track – only pushes their reputation further.  The music is almost trancelike, with a magnetic melodic element.

This split EP is dense and compelling.  Both Ungraven and Slomatics impress with their conviction and integrity.  The only down side is that 31 minutes just isn’t enough.  This is a very enjoyable starter, but it just makes me hunger for a full plate of whatever these two immense bands can serve up.  Please sir, can I have some more?

Check out Ungraven on Facebook and Bandcamp.

You can find Slomatics on the interweb, Bandcamp, Facebook and Twitter.

Visit Blackbow Records here or on Bandcamp.

This review was presented to you by Platinum Al in association with Ever Metal.

Singles Night at the Virtual Hot Tub #24

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One of my favourite types of night in: a random stack of 7 inch vinyl, and a big old crate of booze. I’ve not held a Singles Night at Platinum Al’s Virtual Hot Tub for a little while, so allow me to put that right.

You see, I’ve got a load of 7″ singles that I haven’t listened to yet. They come from various sources, though most are second hand. So I play ’em through, A side then B side, and enjoy the sonic delights. Accompanied with a tipple of two.

Here’s the latest batch:

  1. Mudhoney – “Warning” / Meat Puppets – “One of These Days”
  2. Cockney Rejects – “The Greatest Cockney Rip Off” / “Hate of the City”
  3. Metallica – “The Unforgiven” / “Killing Time”
  4. The Shipbuilders – “Silk Road” / “La Fee Verte”
  5. Huey Lewis & The News – “Stuck With You” / “Don’t Ever Tell Me That You Love Me”
  6. The Archies – “Sugar, Sugar” / “Melody Hill”
  7. Boney M – “Painter Man” / “He Was a Steppenwolf”
  8. Twiggy – “Falling Angel” / “Virginia (And the Circus Side Show)”
  9. Freddie Mercury & Montserrat Caballe – “Barcelona” / “Exercises in Free Love”
  10. Yes – “Going for the One” / “Awaken Pt. 1”
  11. Bad Manners – “Special Brew” / “Ivor the Engine”
  12. Kylie Minogue – “Better the Devil You Know” / “I’m Over Dreaming (Over You)”
  13. The Jam – “Going Underground” / “The Dreams of Children”
  14. Siouxsie & The Banshees – “Cities in Dust” / “An Execution”
  15. Gary Numan – The Live E.P.: “Are “Friends” Electric?” / “Berserker” / “Cars” / “We Are Glass”
  16. Del Shannon – “Runaway” / “Jody”
  17. The Smurfs – “Silly Little Song” / “Little Smurf Boat”
  18. The Proclaimers – “I’m Gonna Be (500 Miles)” / “Better Days”
  19. Stray Cats – “Stray Cat Strut” / “Drink That Bottle Down”
  20. Eurythmics – “Sexcrime (Nineteen Eighty Four)” / “I Did it Just the Same”

From Metallica to the Smurfs, there’s a right old mixture in that playlist. A nice wide coverage of genres from pop, disco, ska, prog rock, punk and – wonder of wonders – even some opera. Not to mention all the various subgenres on the list (Goth? Post punk? New Wave? Make your own conclusions).

Another fine evening of music, I can recommend a Singles Night for the variety and fun. Dig out your old singles collection and have a knees up!