Imperial State Electric – Anywhere Loud album review

Another album review wot I wrote has appeared on the excellent EVER METAL website.  Please go take a look at the website, it’s awesome!  My review is reproduced here for your pleasure:  

Imperial State Electric – Anywhere Loud

Psychout Records

Release date: 16/02/2018

Running Time:

Review by: Alun Jones

7/10

Live albums, eh?  I’m not a huge fan.  A lot of the time they’re just cynical exercises in fleecing fans, getting them to pay again for songs they’ve already got.  And usually poorer quality, due to being in a “live” setting.

There are exceptions to the rule, of course.  Back in my days with KISS, the boys were struggling to step up to the mega bucks level after their first few albums.  I proposed that they record a live album, in order to try and capture their incredible live show.  That was what they were good at, see?  The studio albums were good, but live – wow, those kids could rock.  So eventually the four prima donnas came round to my suggestion, released “KISS – Alive” – and their super star status was assured.  Bang!  Mega platinum seller, through the roof, KISS had arrived.

Thanks to me.

Which brings me to this live release from Imperial State Electric.  Although it’s called “Anywhere Loud”, it could’ve been another KISS live album.  It’s big, bold and brash in a very Seventies Rock kinda way.  It’s almost like we’ve stepped into a time machine and arrived back in 1976.  Not that I’m complaining – these guys are all about fun, over the top rock’n’roll – just how it used to be.

A whopping 23 songs, the album certainly doesn’t scrimp on the tunes.  There are plenty of them, and the sound is reassuringly good throughout.  Snippets of audience noise and banter, applause and well performed improvisations help keep the energy – and authenticity – pushing the meters to overload.

Outstanding tracks in this collection include the catchy riffs of “Apologize”, “Reptile Brain” and “Uh Huh” – plus there’s a hint of their punkier side with a blinding version of The Dead Boys’ “Sonic Reducer”.  If you’re a fan of KISS, Cheap Trick and Blue Oyster Cult then “Anywhere Loud” is for you.  If, however, you’re not a worshipper of Seventies Rock like those aforementioned bands, this release probably won’t change your mind.

Which brings me back to KISS.  Of course the masks were my idea.  Though originally, I’d planned on Peter, the drummer, wearing a samurai style number.  So, you’d have had the Star Child, the Demon, the Space Ace and the Samurai.  Pretty good, yeah?  Except Peter changed his mind last minute and decided to be a cat, for fuck’s sake.  And just look how that worked out.

Visit the Ever Metal website here.

Horrible Histories Playlist

My daughter Eloise had her 8th birthday last weekend.  At the moment, she’s a big fan of the BBC children’s TV series, Horrible Histories, and requested a party based on that theme.

If you’re not familiar with Horrible Histories, let me tell you it’s well worth checking it.  Both funny and informative, the show makes history appeal to kids (and adults) by illuminating some unusual – and sometimes gross – facts from various periods throughout the past.

We’ve all become big fans in our house, actually.  So the party was going to be fun – everyone could dress up as historical characters and entertainment geared to the theme.

Only one thing remained – some music suitable for days gone by.  Not having much music in my collection that was actually from previous ages, I had to dig out some tunes that could fit the bill.  Here’s what I came up with…

  1. Hanna-Barbera – “(Meet) The Flintstones [Main Title]”
  2. The Bangles – “Walk Like an Egyptian”
  3. Mikis Theodorakis – “Zorbas”
  4. Iron Maiden – “Alexander the Great”
  5. ABBA – “Waterloo”
  6. Chuck Berry – “Roll Over Beethoven”
  7. Boney M. – “Rasputin”
  8. Clutch – “Abraham Lincoln”
  9. Trio Guadalajara – “La Bamba”
  10. De Danaan – “The Cameronian Reel/The Doon Reel”
  11. Iron Maiden – “Ghengis Khan”
  12. Mariachi Mexico de Pepe Villa – “El Jarbe Tapatio (Mexican Hat Dance)”
  13. Jonathan Richman & the Modern Lovers – “Egyptian Reggae”
  14. Madness – “Night Boat to Cairo” 
  15. Sweet – “Alexander Graham Bell”
  16. Rodrigo Y Gabriela – “Vikingman”
  17. Iron Maiden – “Invaders”
  18. The Kinks – “Victoria”
  19. Boney M. – “Ma Baker”
  20. Sweet – “Wig Wam Bam”
  21. Mikis Theodorakis – “Varka Sto Gialo”
  22. Bananarama – “Venus”
  23. Tom Jones – “Delilah”
  24. The Beatles – “Roll Over Beethoven”
  25. Christina Aguilera – “Candyman”
  26. The City of Prague Philharmonic Orchestra – “The Raiders March”
  27. Eric Rogers – “Carry On Cleo”
  28. Eric Rogers – “Carry On Up the Khyber”

Ok, so some of those tracks are less scraping the barrell and more like digging the dust on an archaeological dig, but it did the job.  Basically, without Iron Maiden I’d have been screwed…

Bring Your Own Vinyl Night #15

Bring Your Own Vinyl Night

The Queen’s Head, Mold

Friday 22nd June 2018

The mixed grill on my plate was a massive meal, and I tucked in with ravenous glee.  For I knew that I would need my strength tonight; this would be Vinyl Night unlike any previous.  Tonight, I would test the mettle of all of us in attendance.

Otherwise, it was business as usual for Bring Your Own Vinyl Night at the Queen’s Head in Mold.  Beers, goods company and the opportunity to play whatever you liked during a fifteen minute set.  Vinyl only, mind!

Although I don’t always run with a theme, this evening I had a definite plan.  Ever since I’ve first attended one of these events, put on by the brilliant Halcyon Dreams and VOD Music, there was one song n my collection I really wanted to play.  It would inform the rest of my set and provide a connection between all the songs.  I decided to leave that track till last, and put together a collection of songs to accompany it.

The question was: How would my star track be received by the audience?

The Beatles – Here Comes the Sun

To start the set, a classic Beatles song written by George Harrison and needing no introduction.  Of course it’s from “Abbey Road”, and I love it as it instantly makes me think of summer days, sitting in the sun on the beach.  It’s a perfect song; beautifully written and with such an uplifting feel.

Nancy Sinatra + Lee Hazlewood – Summer Wine

Next up was this gem; a duet between Nancy Sinatra and Lee Hazlewood.  I have the album with this track on it, however this version was a 45rpm single that my friend Colin lent to me for the event.  “Summer Wine” reminds me in some ways of a Bond theme, it has a little of that drama, but somewhat more relaxed.  A wonderful song that brings back memories of holidays abroad and cocktails.

Black Sabbath – Laguna Sunrise

A brief interlude on side 2 of the absolutely essential “Volume 4 album”, here’s yet another tune that demonstrates just how versatile Black Sabbath were.  A beautiful relaxing instrumental that effortlessly conjures up an appropriate image, this shows perfectly the genius of Tony Iommi.  As good as any song you’ve ever heard.

The Cult – Sun King

After that, the tempo was raised with a full on turbo charge rocker from my old faves, The Cult.  This was the 7″ single version, edited down from the album track.  One of my preferred songs on the massively successful “Sonic Temple” album from 1989.  With a title referencing French King Louis XIV, this is a great fun fists-in-the air macho rocker that reeks of burning up desert highways in a hot rod.

Johnny Griggs/Simon May – When You Go Away (Eldorado Theme – Instrumental)

Could you tell what the theme was, reader?  All leading up to this final cut, I wanted to play songs related to summer and sunny days.  I used to be a huge fan of hyper naff BBC soap Eldorado when I was a student – so bad it was good, and the Spanish setting used to cheer me up on dreary wet days.  Sadly that amazing programme was canned, but I found the single in a Woolworths bargain bin (for 29p, I think) back in the day.  Along with my VHS cassette of “The Best of Eldorado”, that’s all the merch from this class show that I have.  I played the instrumental B-side here, but cocked up by playing it on 33rpm at the very start.  Years of planning, bollocksed. 

So there you have it – my summer sun themed set.  Although I was ridiculed for the Eldorado song – and quite rightly too – I loved playing it.  I managed to ruin my cool reputation with one song, though.

Never mind – as she was leaving, one old dear told me she enjoyed my set very much.  I’ll take that as a win.

She must have been an Eldorado fan as well.

Nice one Halcyon Dreams and VOD Music, yet another great Vinyl Night – more soon please.

The Halcyon Dreams blogspot is here.

The Halcyon Dreams mixcloud page is here.

The Halcyon Dreams Facebook page is here.

The VOD music website is here.

Pentre Fest 2018

Pentre Fest

Friday 23rd – Saturday 24th February 2018

McClean’s Pub, Pentre, Deeside

And lo, the marauding hordes converged once more, reconvening from their travels far and wide.  In the Great Hall they would gather, trading tales of daring and adventure, as they caroused with rebellious abandon.  Much ale would be drunk, for tomorrow many a skull would be split asunder.

So began the revelry of Pentre Fest, wherein the brave and mighty warriors celebrated their many victories and remembered comrades long fallen.

The first of the tribes to address the throng were The Forgotten Age, young but mighty in their conviction.  Hailing from the Western Shores of Bangor, their stories were exciting yet accomplished, embellished with some fine melodies.  An exceptional and heartening start to the evening’s merriment.

Next to command the stage were Obey, who were indeed a revelation to behold.  Their immense riffs were sheer brutality, heeding no compromise as they delivered tales of destruction.  Obey were champions of the event to my ears; voraciously did I consume their merchandise (CD and patch!).  May the wind fill their sails and carry them to successful conquests aplenty.

Our next heroes were Torqued, a merciless crew who had engaged in a gruelling voyage from the far kingdom of Devon to regale us with their musical fables.  The clash of metal was devastating, the battle cries rousing.  A superb performance.  Safe voyage home, brothers – for ye shall be missed for now and welcomed warmly again.

The night’s final victors were the relentless, uncompromising Foetal Juice.  Looming over all with a malevolent thunder, the band decimated all in their path.  With grim intent they vanquished the unworthy, leaving only the gratefully redeemed in their wake.

Thus was the first part of Pentre Fest concluded.  Sadly I would embark on a personal quest of my own the next day; therefore being unable to rejoin the ceremony.

Regardless, though our warriors’ hearts were sated, for yet more metal majesty do we crave.  Till the next Pentre Fest, my brothers (and sisters) – stay strong and may your adventures be praised in Valhalla.

The McClean’s Pub Live FB page is here

Gym Playlist #1

Have you been hitting the gym since the start of the year?  Punishing yourself with cardio and weights as you fight to shed those extra pounds that attached themselves limpet-like over the festive season?

I’ve been slaughtering the gym since the start of the year, but then I always do.  Not that it seems to do any good.

Whilst I’m there, pummelling away at the flab in a vain attempt to get in shape, I need some tunes to motivate me.  The music in the gym is usually dancey disco stuff, which is fine if you’re dancing, but when I’m working out I need something a bit more aggressive.

Albums by various bands get a regular spin, but I also made this iPod playlist to help me focus like a Viking ransacking a monastery.  Sometimes I’m so amped I feel like I could run through the wall, rather than just plodding on the treadmill.

You could do worse than to listen to this cacophony yourself.

  1. Rocket From The Crypt – “Pushed”
  2. Audioslave – “Cochise”
  3. Big Chief – “Lion’s Mouth”
  4. Metallica – “Die Die My Darling”
  5. Foo Fighters – “The Pretender”
  6. Rage Against the Machine – “Guerrilla Radio”
  7. Anthrax – “Only”
  8. Corrosion of Conformity – “Heaven’s Not Overflowing”
  9. Pantera – “Fucking Hostile”
  10. The Cult – “Rise”
  11. Probot – “Shake Your Blood”
  12. Suicidal Tendencies – “War Inside My Head”
  13. Beastie Boys – “Sabotage”

There you go: 47 minutes of energetic, in your face music to psyche you up and get you in the mood to destroy. GO!!!

Classic Albums #3

It’s been a long time since I wrote a Classic Albums post.  Nearly four years, sadly.  But now it’s time to get back to the heart of what this blog was supposed to be all about in the first place.

Ladies and gentlemen, welcome to my Classic Albums.

3. Metallica – Master of Puppets

Metallica’s third album, released in 1986, has long been regarded as the probably the best recording the band ever made.  Not only that, but one of the greatest metal albums of all time.  “Master of Puppets” is a monolithic album with an immense scope; hugely varied and still surprisingly experimental.

At the time I first heard this record, around 1987, I was listening to bands like Van Halen, Queen and Def Leppard.  A friend lent me a cassette of “Master of Puppets”; I was keen to try it out as there was such a buzz about this band.

Every time I hear the opening guitars of “Battery”, I’m transported back to that first listen.  And I remember how extreme it sounded to me at the time – I’d never heard anything this brutal before.

Following that was the title track, which was the most complex heavy composition I’d experienced.  A melodic instrumental section lulled me into a false sense of security before the relentless riff attack recommenced.

It was third track, “The Thing That Should Not Be”, that opened my eyes though.  A massive, monstrous riff that hooked me straight away.  That song was heavy and eerie all at once; it became a favourite that I still love and slowly, yet with growing confidence, I began to explore this album.

“Welcome Home (Sanitarium)” begins with a mellower introduction and as such it’s one of the easier songs to appreciate on first listen.  Repeated plays over the years has dulled the impact of this track, for me personally – though it surprises me how good it actually is when revisited. 

Side Two of the album Kicks off with “Disposable Heroes”, is an anti war song that is intense and powerful.  One of my favourite tracks.  Then there’s “Leper Messiah”, a monster riff that incorporates faster sections as it proceeds.

The absolute highlight of the album is “Orion”, a fantastic prog-metal instrumental spanning over eight minutes.  This epic track proves beyond all others just why Metallica were – and still are – light years ahead of other thrash bands.

Finally, the last track – “Damage, Inc.” – is a violent berzerker of a song that might just take your face off.

With “Master of Puppets”, Metallica challenged themselves and their fans, as they expanded their sound and manifesto further than ever before.  If you want fast thrash, you’ve got it here.  Want heavy, down-tuned Sabbath riffs?  You’ve got that too.  There are even melodic sections that are actually enjoyable – and still uncompromising.

Metallica were utterly fearless in writing and recording this album, unafraid to try new ideas and never rest on past glories.  It’s not as heavy to my ears as it was on first listen thirty years ago, but every new spin of this record still has the power to thrill.

“Master of Puppets” is a timeless metal masterpiece.  It’s one of the essential records in my collection; it’s status a massively influential rock album – metal or otherwise – is assured for all time.

Metallica – Master of Puppets (1986)

  1. Battery
  2. Master of Puppets
  3. The Thing That Should Not Be
  4. Welcome Home (Sanitarium)
  5. Disposable Heroes
  6. Leper Messiah
  7. Orion
  8. Damage, Inc.

Best tracks: The Thing That Should Not Be, Orion, Battery, Master of Puppets, Disposable Heroes.

Other cool points: seriously great cover – you also need the t-shirt.