The Donnas – The Atlantic Years 2002 –2005 Album Review

The Donnas – The Atlantic Years 2002 –2005 

Cherry Red Records 

Release date: 30/05/2025 

Running time: Well it’s 3 CDs of Rock’n’Roll goodness, so it’s good vfm 

Review by: Alun Jones 

9/10 

Hey all you Rock’n’Rollers, you are in for a well deserved treat!  Cherry Red records have compiled all of the output from legendary Bad Girls of Rock, The Donnas, into one neat and sweet boxed set.  Between 2002 and 2005, The Donnas were signed to major label Atlantic, and their star was on the rise like a comet – the label marketing the band in movies, games ad infinitum.  Surely The Donnas would conquer the world? 

The first disc in the set covers the absolute must-have “Spend the Night” album.  Take it from me, “Spend the Night” is a total Rock’n’Roll classic – one of the greatest guitar Rock albums of the 21st century.  The perfect collision of supersonic, Ramones and Runaways pop punk power with AC/DC riffology – this is a 10 out of 10 timeless wonder that anyone who loves Rock’n’Roll should treasure.   

I mean. ‘It’s on the Rocks’, ‘Take it off’, ‘Who Inviited You’ – the rockin’ starts and it just doesn’t stop.  And when you’re invited to a Donnas shindig, you’d better be prepared – these girls know how to party.  With songs about drinking, partying, staying up all night and peer group alienation, The Donnas are total, unfiltered ROCK STARS.  There’s not a bad song here, it’s diamond class all the way, cheekily witty lyrics included.  Two bonus tracks add to the fun, and with songs like “Too Bad About Your Girl” you’re gonna annoy the hell out of the neighbours till ‘5 O’clock in the Morning’! 

Hopes were high for the follow up album, “Gold Medal”, but sadly this doesn’t quite hit the same heights.  The sound was augmented with acoustic guitars and a wider ranging approach to songwriting, which is to be applauded.  For the most part this works well, and nothing has changed that much really.  Overall, the thrill isn’t quite the same, however. 

With songs like ‘I Don’t Want to Know (If You Don’t Want Me)’ and ‘Don’t Break Me Down’ we’re in familiar Donnas territory, and the lyrics are sharpened up and more mature.  ‘Fall Behind Me’ is the justifiable stand out song here, rolling along as The Donnas snarl defiantly in what is one of the best songs in the entire compilation.  With a bonus track tagged on, it’s a solid collection – but it’s a house-trained version of its predecessor. 

Disc 3 cobbles together everything else that was left in the Atlantic catacombs.  There’s a handful of great but not excellent unreleased tracks, some acoustic versions of songs from “Gold Medal”, a batch of pretty bloody electrifying live tracks and a fun cover of Billy Idol’s ‘Dancing With Myself’.  Nothing completely indispensable, but a fine way to complete the collection for the die hards. 

And that’s about it for The Donnas.  They released one more album – “Bitchin’” – on their own label, and called it a day.  The Donnas will never reform.  They’ve all moved on to other things.  But for a short while in the early part of this century, they were perfection.  This release testifies to that.  If nothing else, you need “Spend the Night” – you’ll never party the same without it.  You’ll love it, like I do, and you’ll want as much other music by The Donnas as you can find.  Start here. 

Find out more about The Donnas on Facebook, YouTube, Instagram and Spotify.

This review is brought to you by Platinum Al in association with Ever Metal.

Master Charger – Posthumous Resurrection Album Review

Master Charger – Posthumous Resurrection 

Octopus Rising/Argonauta Records 

Release date: 02/05/2025 

Running time: 55 mins approx 

Review by: Alun Jones 

9/10 

This is a tough review to write.  It’s tough, because I need to write around 400 words about this release – but all I need to say, really, is something like “do not miss this awesome new album by Master Charger, it’s great”.  There’s nothing else that needs to be said.  So, let’s see if I can pad that out for another few hundred words, shall we? 

Yes indeed, the new release from Midlands, UK based Doom Lords, the one and only Master Charger.  I’ve been anxiously waiting for this to drop, as I became a convert to their cause when I saw these filth hounds live at Pentre Fest a while back.  Superb band.  An unholy amalgamation of Sludgey Doom and fuzzy Stoner with a heart-warming affection for Blues based Rock’n’Roll, I’m proud to wear the T-shirt and be an advocate for this three-piece from hell. 

We start with the rumbling, echoey drums of ‘Thy Kingdom Polluted’, which is quickly adorned by dirty, fuzzy guitars and trippy wah-wah lead.  The riifs have groove and it’s easy to get dragged along and nod that head.  ‘Only My Eyes See, Empires Rust’ follows this with a colossal doom riff that fries your brain, then it’s off on a ten minute plus odyssey with the title track.  Passing through different sections, this monster is the evil offspring of Sabbath and Cathedral. 

After all that full on Doom Metal savagery, even I could do with a little break.  And that respite is gifted to us in the form of ‘Fallen Angel Painted Doll’, an instrumental track that begins with some quite beautiful acoustic guitar.  Starting just like those genius Tony Iommi mellow moments on the early Sabbath albums, though this grows into full band folky ramble complete with harmonica.  Perfect. 

Before long we’re back in real business though: ‘When Hell Rode In’ and ‘Head Into The Sun’ sound like a Satanic ZZ Top jamming Venom songs.  Freaky acid tipped wah-wah heralds the start of ‘The Awakening’, which grows into another filthy groover.  ‘Mass Produced Mass Destroyed’ keeps on bringing the heavy, a brutal track that conjures ideas of both legendary Black bands, Sabbath and Flag. 

Finally, ‘Upon Roads Less Travelled’ cools things down – a short but classy instrumental that is the calm after the storm.  “Posthumous Resurrection” reaches its finale, and what a ride it’s been.  Visceral, muscley Doom Metal with outrageous riffs, thoughtfully composed variations – all the promises are delivered on, tenfold.  The only slight issue here is the lack of a vinyl release, which is patently criminal with an album this good.  But Master Charger have given us a killer album – another one for the end of year Best Of list.  Go buy it, NOW. 

There you go, over 500 words – no problem.  Reviews are easy when the music is this good. 

Check out Master Charger on Facebook, Instagram, Bandcamp and Spotify.

This review is brought to you by Platinum Al in association with Ever Metal.

Platinum Al’s Top 10 Rock & Metal Albums of 2025

Well 2025 certainly delivered the goods for new music. As in previous years, Ever Metal asked me to compile a list of my Top Ten albums from the worlds of Rock and Metal, so I did. The list has already been published over on EM, but I’ve reproduced it here for anyone who missed it…

You know what?  It would be easier to pick my All Time Top 20 Albums than a Top 10 for the year.  I know I say this every year, but 2025 has been a really strong one for new releases.  Whatever the genre, there have been some beauties.  So here are ten of my favourites, listed from one to ten, but to be honest – the ranking between these exemplary specimens doesn’t mean that much.   

10. Pigs Pigs Pigs Pigs Pigs Pigs Pigs – “Death Hilarious” 

Admittedly, I was late on the bandwagon with this band, but I don’t care.   Pigs x7 dropped this Stoner Metal monster and I shamelessly joined the admiring throng.  “Death Hilarious” is crazy riffage for a good time.  

9. Warlockhunt – “Prey” 

This album of dreamy Doom Pop has been played relentlessly chez moi since its release.  Mournful bass, crashing drums and reflective vocals create an otherworldly tapestry. 

8. Spider Kitten – “The Truth is Caustic to Love” 

A beguiling soundtrack for a strange world, Spider Kitten knit the heaviest of sludgy riffs, avant garde Doom and Spaghetti Western music into something truly original and unforgettable. 

7. Froglord – “Metamorphosis” 

I saw Froglord live and immediately fell in love with their sludgy, amphibious grooves.  “Metamorphosis” is a masterclass in swampy riffage and it has constantly cheered me up since it oozed into my possession. 

6. Syncolima – Move Mountains 

This band go from strength to strength, and their “Move Mountains” album became one of my most played albums of the year.  A full-on Stoner Rock, Grunge and Metal hybrid that always drags you back for another listen. 

5. Black Spiders – “Cvrses” 

Sheffield’s finest returned with another high-speed dose of Rock’n’Roll that might just help me stop missing Motorhead so much.  Awesome fun. 

4. Torso – “Annihilation Day” 

Grindhouse Garage Metal soundtracking an imaginary VHS Video Nasty, Torso deliver another prime slab of horrifying, lo-fi brutality. 

3. King Kraken = “March of the Gods” 

The second album from King Kraken builds on the triumphs of its predecessor, but adds an even tougher, uncompromising Metal edge and daring new textures.

2. Master Charger – “Posthumous Resurrection” 

The absolute Overlords of fuzzy Doom Boogie, Master Charger’s 2025 masterpiece delivers everything that you could ask for, plus more.  Extremely infectious in every good way.  Essential! 

1. 1968 – “Royal Bastards” 

Right from the first spin, I knew this glorious album would be a contender for the best of the year list.  A stunning album that isn’t afraid to branch out in new directions, whilst staying true to the core of what 1968 do.

And there you go, ten superb albums that I’ve loved this year.  Honourable mentions go to Supersuckers, Melvins, Toranaga and Jonathan Hultén for releasing top quality music that nearly made the cut.   

Happy New Year all – here’s to the new sounds of 2026!

Don’t forget to keep visiting Ever Metal – and Platinum Al’s Virtual Hot Tub – for the best music!

Platinum Al’s Instagram Top 9 2025

Here we are with another recap post! This time, a quick look at the Top 9 photos I posted on Instagram in 2025. Though with the minimal interest I get on that social media platform these days, I don’t know why I bother!

Anyway, these are the Insta pics that received the most likes last year. From most popular top left, they decrease in likes down to bottom right. Here’s the breakdown:

  1. RIP Ozzy – a tribute to Ozzy Osbourne, who we lost last year. An Ozzy doll, Funko Pop and some records.
  2. Black Sabbath records and CDs to commemorate the final gig.
  3. Castle Grayskull & MOTU figures – as featured on this blog.
  4. Admiral Ackbar and me.
  5. A full size Imperial Scout Walker, as seen at Liverpool Comic Con.
  6. A tribute to Mike Peters, another hero we lost in 2025: The Alarm 12″ single.
  7. An ancient tomb on Anglesey, North Wales.
  8. Predator in the wild!
  9. Me at the Taylor Swift cafe in Beaumaris, Anglesey.

Those nine photos captured some of the big events of 2025, in my life at least.

I usually post plenty of pics of vinyl, toys, skateboards and beer on my Instagram page. If that sounds like fun to you, please follow me: platinum_al.official

The Best of 2025

Happy New Year, everybody! Welcome to 2026.

As is now tradition here at Platinum Al’s Virtual Hot Tub, our first post of the New Year will recap the most popular blog posts of the last twelve months. This Top Ten covers all of the articles posted during 2025 – from day one to the very last – to give an idea of what you, the reader, has enjoyed most:

10. Berlin Wall – A Piece of History?

A school trip in 1990 brought this item into my possession. But is it a genuine piece of European history, or some concrete with paint on it? Read and decide for yourself…

9. Skateboard Museum – Sector 9 Longboard

2025 was a great year for my skateboarding. In this post, I looked at the Rolls Royce of my skate quiver, the trusty Sector 9 longboard.

8. New Deck 2025 –  Death Benson 

Another skate post, this one a look at my then-new deck and set up. Documented to preserve the memory of how it once looked! This Devil Woman graphic is a bit saucy and very cool.

7. Black Project – Blood Moon  Album Review 

The only album review to make the Top Ten, this mighty Hard Rock/Metal album by British band Black Project made some fine noise. Also featured on the Ever Metal website.

6. North West Doom Fest – Part 2 

A two day festival celebrating the joys of Doom Metal, North West Doom Fest was a fantastic event. This review of the second day, featuring bands from all over, made a healthy showing in the end of year figures.

5. Liverpool Comic Con May 2025 – Part 2

Comic Cons always fare well in these results, though Liverpool was the only one I attended last year. Day two of the convention lands at number 5.

4. Disneyland Paris 

Our family trip to Disneyland Paris in August 2024 made a big splash at number 4. A magical experience, not to be repeated – Star Tours was, of course, the highlight.

3. North West Doom Fest – Part 1 

The first day of this amazing Doom Metal festival in Chester certainly pulled in the punters. Loads of awesome bands, great music – I’m looking forward to this years event already!

2. KASP Gig Review 

Well, whaddya know?! Storming in at number 2 on this prestigious list, my review of this local band has proved popular, much like their excellent set. Hope to catch them again soon.

Which leaves us with our top performing blog post of 2025. The one with the most visits since publishing, the one that’s fired up the internet and brought the world wide web to the Virtual Hot tub. But what could it be?

  1. Liverpool Comic Con May 2025 – Part 1 

Well I said Comic Cons always do well, didn’t I?! What else could it be than Day one of my visit to Liverpool Comic Con, which included a whole bunch of Cosplay photos too. A great day out, highly recommended!

2025 was an incredibly successful year for the Virtual Hot Tub. We saw the highest number of visitors for years (2016, to be precise). Sometimes I wonder why I bother writing this trove of random nonsense, but last year showed me that it’s worthwhile. We have an audience, and you guys love it just as much as we do.

Thanks for reading Platinum Al’s Virtual Hot Tub. There’s no place else like it!

The Death Wheelers – Album Review

The Death Wheelers – Ecstasy of Möld 

RidingEasy Records 

Release date: 07/03/2025 

Running time: 30 mins approx 

Review by: Alun Jones 

8.75/10 

Mold is a small, quaint market town in the north east region of Wales.  Typical of settlements in this Celtic country, it has roots going back may hundreds of years.  Nowadays, there are numerous good pubs and restaurants and a really good record shop (among many other businesses).  Though why The Death Wheelers decided to write an album dedicated to the town, I have no idea.  Mold is, however, only the English name – in Welsh it is Yr Wyddgrug, which sounds much more metal. 

“Ecstasy of Möld” is a new album by The Death Wheelers, their fourth for RidingEasy Records.  They originate from Quebec, and if you’re not familiar with the band, they create hard rockin’ instrumentals that sound like a soundtrack for a long lost, scuzzy grindhouse flick about zombie bikers. 

Following  the short first track ‘Loud Pipes Take Lives’, which sets out the style template succinctly, we have ‘Homicycle Maniacs’.  It’s a full on, throttle revving gas guzzler not a million miles away from Motorhead or even Entombed.  Other tracks such as ‘Hella Hammered’ and ‘Blood, Bikes and Barbiturates’ are variations on the same inspirations, interjected with samples from obscure motorcycle exploitation movies. 

It’s all very cool, and the instrumental nature of the songs adds a whole different layer of gonzoid escapism.  Some different avenues are explored at points, such as the title track’s outro which shimmers with a surf guitar sound.  ‘The Heretic Rites of Count Choppula’ slows to rumbling doom metal, and the last song ‘Get Laid… To Rest’ ends on a more sombre, mellow note. 

With Ecstasy of Möld, The Death Wheelers have delivered an album that roars along the highway and easily retains the listener’s attention, vocals be damned.  ‘Cos let’s be honest, the singer is always the least important member of any band.  This album has a sleezy charm and plenty of fuel in the tank, I suggest you take it for a spin. 

Check out The Death Wheelers on Facebook, Instagram, Spotify and Bandcamp.

This review is presented by Platinum Al in association with Ever Metal.

Yawning Balch – Album Review

Yawning Balch – Volume Three

Heavy Psych Sounds

Release date: 21/02/2025

Running time: 35 mins

Review by: Alun Jones

9.5/10

Dear old Jimbo Morrison, he was a clueless fool indeed. Many times, I used to drive Jim out to the desert so he could commune with shamanistic spirits in the sun-baked wilderness. Jimbo would spend hours out of his gourd, murmuring into the ether. Of course, what I used to do, was stop at a truck stop and load up on whiskey and other supplies on the way. Then when we got into the desert, ply Jimbo with the booze and feed him leaves of spinach out of a tin, telling him it was “good gear”. I’d wear a kid’s Native American fancy dress costume and mumble nonsense. Morrison never did wise up to it.

If you’re planning on a mind-expanding trip into the remote wastelands, you’d be much better off with this new album from Yawning Balch for company. The band is comprised of Fu Manchu’s Bob Balch on guitar, together with stoner rock legends Yawning Man, here consisting of Gary Arce (guitar), Mario Lalli (bass) and Bill Stinson (drums). This is volume three of a series of experiments that these gentlemen have produced, released by Heavy Psych Sounds.

Truth be told, this is a tough review to write. This is an instrumental album, consisting of just two songs. Both tracks are formed from experimental jam sessions, expansive psychedelic explorations that meander along like the Silver Surfer exploring a vast, distant galaxy. This is not an album of incendiary riffs and barking vocals.

First track ‘The Taos Hum’ is just over twenty minutes long. It will take you on an interstellar journey of shimmering guitars and rumbling percussion, resulting in a mesmerising encounter. The lack of vocals, or even a standard verse-chorus structure, doesn’t matter at all. Same story with ‘Winter Widow’, the second track: slightly shorter at 14 minutes, this is all about the journey and getting lost along the way.

“Volume Three” is a cinematic soundtrack for any road you’re on. Mellow and cerebral, this album by Yawning Balch grabbed me from the start, this is the first recording of 2025 that has captivated my senses and will be a Top Ten of the year contender. Magical and highly recommended.

Find out more about Yawning Balch on Facebook, Instagram, Spotify and Bandcamp.

This review is presented by Platinum Al in association with Ever Metal.

KASP – Gig Review

KASP

Friday 11th July 2025

The Crown & Liver, Ewloe

The good old Crown & Liver in Ewloe used to be my home from home for many years. In fact, it was utilised as a club house of sorts not just by myself, but the members of KASP and a large chunk of tonight’s audience. Quite apt, then, to see these guys crank out some tunes that effortlessly recreated the sounds of the 1990s in this venue. The Crown may have been jazzed up over the decades, but it’s the same old boozer at heart.

KASP are four mates who got themselves together and formed a band, performing well known and appreciated cover songs. They’ve been gigging in the local area for a while, but this was the first time I’d caught up with them. It was a nice reunion of sorts with several welcome faces and a good atmosphere.

Wouldn’t you just know it, things didn’t get off to a stellar start: the set opener was ‘Rock’n’Roll Star’ by Oasis, and I’m not a big fan! To be fair, it’s one of the better Gallagher brothers songs, and KASP rattled the song out in confident fashion. Simon on lead vocals and guitar slotted right into the role with ease. Next up was ‘You Stole the Sun From My Heart’, a killer Manics cover where Adam ably took over lead vocals from Si and still delivered a formidable guitar part. Now we were starting to get bouncing!

Solid musicianship all round to be fair, meaning that a couple songs I’m not a fan of (that James monstrosity, ‘Sit Down’, being a prime offender) were superbly delivered with self assured style. Of course, this means that the quality songs in the rest of the set couldn’t really go wrong – especially with genuine energisers from Green Day, Stereophonics and even Steppenwolf’s old evergreen, ‘Born to be Wild’!

A special shout out to the closing song of the first set, a devastatingly great rendition of ‘Hate to Say I Told You So’ by The Hives. Classic track, rendered brilliantly by KASP. Kev’s nimble bass playing was particularly impressive, shining in that solo middle section; and Pete’s drums managing to keep everyone on track with all cylinders firing .

The band returned for part 2 after a short break, though I have to admit that my memories of the second set started to get a bit fuzzy…

I do remember a rousing version of Lenny Kravitz’s ‘Are You Gonna Go My Way’ getting the crowd moving. And a nice dedication for yours truly from Si in his introduction for Foo Fighters’ ‘Times Like These’ (thanks!). There was more dancing for this set as the audience started to really warm up. More first rate tunes by White Stripes, Kings of Leon and Stereophonics kept the mood high and feet moving as everyone sang along.

KASP at the Crown turned out to be a fun night of solid musicianship and camaraderie. A great band who possess some real skills, delivering a non-stop run of hit songs for all to enjoy. It was kind of cool to have that gig with that band in that pub, too. The evening wasn’t just about nostalgia, though. It was about good times with good people, and that’s what live music’s all about, right?

Check out KASP on Facebook.

Ilex – Mutatio Album Review

Ilex – Mutatio

Self released

Release date: 05/04/2024

Running time: 47 minutes

Review by: Alun Jones

8/10

There I was, just casually chilling between sets at McLeans in Pentre, when Frank – AKA Victim of Damp – said to me: “Hey Al, you should check this band out. They’re a Spanish Metal band, and they’re really good.” Frank sent me a link, and I gave said Spanish Metal band a listen. They’re called ILEX, and the album is called “Mutatio”, and he wasn’t wrong, to be fair.

“Mutatio” was actually written and worked on beginning some years ago, and eventually released back in April 2024. Even though it’s not a new release, I figured it was worth a review. What we have here is some fine thrash metal, with plenty of groove and some gargled Death vocals, with a nice experimental edge to set it off.

We start with some fine acoustic guitar on ‘Ardet Nec Consumitur’. a moody piece which erupts into the furious death-thrash of ‘F.P.T.S’. This track is fast, with a brutal chugging riff and growled vocals. Next is ‘Changing the Archetype’, where Ilex play with some contrasting tempos and sections. As we listen through the album, they’ve obviously challenged themselves to create progressive, expansive soundscapes and channel different styles.

‘Iceberg’ then begins with a slow, melodic intro: it’s an extended, progressive piece that really starts to evolve the sound. The aggressive metal in this track diverges brilliantly from the excellent, mellow middle section. The crunchier, ruthless riffs of tracks like ‘Rubble Survivor’ manage to comfortably nestle next to the spooky sound of instrumental ‘Omnia Mutantor, Nihil Interit’, as well as the bouncy groove of ‘Eyes of the Messiah’.

There’s the old school Metallica/Testament Thrash of ‘Cambrian Explosion’, but one of the highlights of the album is ‘The Pilgrimage’. Here the vocals are cleaner. but it’s the almost NWOBHM gallop of the track that really captures the groove here. Nice Purple style skronky organ at the end, too!

The production on “Mutatio” is really impressive, everything sounds clear but also has plenty of guts. The real success though is the mix of genres that Ilex are comfortable in exploring, whether that be Hardcore/Crossover, trad Thrash, Death or Groove metal – as well as the exquisite delicate moments. “Mutatio” has been maturing for a while, it’s well worth seeking out and dusting off.

Check out Ilex on Facebook, Spotify and Bandcamp.

This review is brought to you by Platinum Al in association with Ever Metal.

Cocktail Time: Vodka & Cranberry Juice

Apparently, this particular drink has been named a “Cape Cod” by cocktail afficionados – I have no idea why! Whatever the name, this is a simple and refreshing drink that can be enjoyed at any time, whatever the season.

I had my first vodka and cranberry juice drink in New York City, I believe it was the Broom Street Bar. The drink became a favourite as it makes a refreshing change from the usual, and is really simple to make at home. Here’s how:

Vodka & Cranberry Juice

  • Vodka
  • Cranberry juice
  • Ice

You can mix this drink to your own preference, but I usually have a double measure of vodka. Add ice cubes to a standard tall glass, pour in the double vodka, then top up with cranberry juice. Easy

This should be fairly low calorie drink, especially if you use low sugar cranberry juice. Whatever you choose, I hope you enjoy.

Soundtrack: “(Theme from) New York, New York” by Frank Sinatra.

Platinum Al’s Virtual Hot Tub urges you to drink responsibly.