Tag Archives: music review

Classic Albums #3

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It’s been a long time since I wrote a Classic Albums post.  Nearly four years, sadly.  But now it’s time to get back to the heart of what this blog was supposed to be all about in the first place.

Ladies and gentlemen, welcome to my Classic Albums.

3. Metallica – Master of Puppets

Metallica’s third album, released in 1986, has long been regarded as the probably the best recording the band ever made.  Not only that, but one of the greatest metal albums of all time.  “Master of Puppets” is a monolithic album with an immense scope; hugely varied and still surprisingly experimental.

At the time I first heard this record, around 1987, I was listening to bands like Van Halen, Queen and Def Leppard.  A friend lent me a cassette of “Master of Puppets”; I was keen to try it out as there was such a buzz about this band.

Every time I hear the opening guitars of “Battery”, I’m transported back to that first listen.  And I remember how extreme it sounded to me at the time – I’d never heard anything this brutal before.

Following that was the title track, which was the most complex heavy composition I’d experienced.  A melodic instrumental section lulled me into a false sense of security before the relentless riff attack recommenced.

It was third track, “The Thing That Should Not Be”, that opened my eyes though.  A massive, monstrous riff that hooked me straight away.  That song was heavy and eerie all at once; it became a favourite that I still love and slowly, yet with growing confidence, I began to explore this album.

“Welcome Home (Sanitarium)” begins with a mellower introduction and as such it’s one of the easier songs to appreciate on first listen.  Repeated plays over the years has dulled the impact of this track, for me personally – though it surprises me how good it actually is when revisited. 

Side Two of the album Kicks off with “Disposable Heroes”, is an anti war song that is intense and powerful.  One of my favourite tracks.  Then there’s “Leper Messiah”, a monster riff that incorporates faster sections as it proceeds.

The absolute highlight of the album is “Orion”, a fantastic prog-metal instrumental spanning over eight minutes.  This epic track proves beyond all others just why Metallica were – and still are – light years ahead of other thrash bands.

Finally, the last track – “Damage, Inc.” – is a violent berzerker of a song that might just take your face off.

With “Master of Puppets”, Metallica challenged themselves and their fans, as they expanded their sound and manifesto further than ever before.  If you want fast thrash, you’ve got it here.  Want heavy, down-tuned Sabbath riffs?  You’ve got that too.  There are even melodic sections that are actually enjoyable – and still uncompromising.

Metallica were utterly fearless in writing and recording this album, unafraid to try new ideas and never rest on past glories.  It’s not as heavy to my ears as it was on first listen thirty years ago, but every new spin of this record still has the power to thrill.

“Master of Puppets” is a timeless metal masterpiece.  It’s one of the essential records in my collection; it’s status a massively influential rock album – metal or otherwise – is assured for all time.

Metallica – Master of Puppets (1986)

  1. Battery
  2. Master of Puppets
  3. The Thing That Should Not Be
  4. Welcome Home (Sanitarium)
  5. Disposable Heroes
  6. Leper Messiah
  7. Orion
  8. Damage, Inc.

Best tracks: The Thing That Should Not Be, Orion, Battery, Master of Puppets, Disposable Heroes.

Other cool points: seriously great cover – you also need the t-shirt.

1968 – Gig Review

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1968

Friday 12th May 2017

Telfords Warehouse, Chester

The road to Telfords Warehouse was littered with walking corpses, stumbling clumsily with clothes falling from their limbs.  The zombified masses were yet again evacuating Chester Races, bumbling along in a drunken stupor.  I was on my way to Telfords to witness something far more intriguing – local band 1968 playing live, in a safe haven away from the riders of the apocalypse outside.

Telfords Warehouse is always a great place to visit, though it’s not famed for showcasing music like we were looking forward to tonight.  I’ve enjoyed music from other genres at the venue, but it was good to be expecting some noisy rock.  I met up with old buddy Dan and waited for the sonic attack to begin.

As you’d expect with a name like 1968, this band has Sabbath, Mountain, Blue Cheer and others of that ilk in their DNA.  It’s heavy, stoner rock with a reverence for the originals, proudly worn on their sleeves like old sewn on patches.  The bass chugs, the drums pound, the guitars wail and the vocals soar – all classic stuff.

It’s not just about the originators in this sonic stew though.  I could hear hints of epic Soundgarden, crunchy Kyuss riffs and even some COC style southern groove.

Enough of the band comparisons.  1968 are taking their influences and weaving new landscapes, using their own talents to create something energetic and new.  The band present a crushing presence on stage, performing their material with a killer confidence.

There’s even a progressive, experimental edge to some songs, with short instrumental sections lowering the volume and creating a mellower vibe.  If anything, I’d like to hear more of this develop in the songs – if only to provide a psychedlic contrast before the guitars thunder in again.

Any race goers who had wandered into Telfords soon left, slain by the merciless onslaught of 1968.  A superb band, I can’t wait to see them live again.  They have the riffs, the power and the vision to take them far.

It’s 1968.  The revolution is now.

Visit the 1968 Bandcamp page and download their awesome “Fortuna Havana” EP here.

1968 are on Facebook here.

The Telfords Warehouse website is here. 

Black Sabbath – The End

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bs

Black Sabbath + Rival Sons

Saturday 4th February 2017

Genting Arena Birmingham

The mighty Black Sabbath.  They created down tuned, dirty, doom laden heavy metal aeons ago.  Wrote songs that defined an entire genre and inspired millions of people.  Lived the rock’n’roll lifestyle to legendary excess, managing to survive through some miraculous method or other.  Black Sabbath are musical titans.

And this was The End – their last ever gig.  At least as far as we know at this point in time, and taking into consideration the band members current situations.

This was The End – Black Sabbath’s last live performance, ever – in their home city of Birmingham.

Through a result of pure luck I was able to blag myself on a trip to witness the event.  Sabbath are one of those bands that I’ve long been obsessed with, going on nearly thirty years now.  They’ve created fantastic albums that I’ve listened to again and again, so it was great to be able to catch this gig, before it was all over.

The support band were Rival Sons, a younger band that’s regarded very positively by fans and press alike.  I’m only familiar with one album or so worth of songs, but can safely say that they put on a very impressive performance.  Their music is rooted in the classic rock of yore, so it was an apt choice to support.  I didn’t recognise any of the material, but then Rival Sons are a band that definitely require some homework on my part.

A confident and popular support act, Rival Sons coped with the huge arena well.  They merit further investigation – I’m sure that classic song to get me hooked is tucked away on an album somewhere.

And so to the headliners, the incredible but sadly not immortal, Black Sabbath.  Of course they opened with the legendary “Black Sabbath” – what else? – the eerie three note, devil’s tritone that heralded the birth of metal years since.  A perfect start to the evening, Black Sabbath then proceeded to entertain with two hours of solid classics.

From my vantage point, standing in the massive arena hall near the sound desk, I couldn’t see great deal.  In fact, I could see more of Kelly and Sharon Osbourne, in the nearby VIP area,  than I could of Ozzy.  The sound however was superb and the set loaded with classics.  Plus I don’t think Ozzy (or Tony or Geezer) did much running around the stage anyway. bs1

Most of the songs were from the first four albums, which was cool by me.  Highlights were “Into the Void”, “Snowblind”, “Children of the Grave” and an unexpected showing of “Hand of Doom”.  Brilliant bass from Geezer Butler on “N.I.B.” too.

My absolute favourite Sabbath track, “Supernaut”, was unfortunately relegated to being sandwiched in as part of a medley (along with “Sabbath Bloody Sabbath”, another fave) – and therefore sadly under exposed.  A shame that, I went mental when the opening riff started.  No “Sweet Leaf” either.

“Supernaut” should have been in the set, certainly it was preferable to “Dirty Women” which was hauled out of the cellar and into the light one more time.  Although not their best material, this song did give Tony Iommi a chance to shine, the final guitar solo was absolutely explosive.

There were sadly no extra special moments, such as famous guests getting up to join in – maybe that would’ve diluted the spotlight on Sabbath.  It was nice to let them have their final moment of glory.  I think we were all hoping Bill Ward would make an appearance behind the drum kit for one last time though.

And finally, it was all over – with one last rendition of the genius song that is “Paranoid”.

Their final  gig was set to be emotional, set in their hometown for one last time.  In fact it was a hugely uplifting experience, rather than sombre – hundreds of the faithful showing their respect for all the music we love.  Not just Sabbath, but every metal band that’s followed in their sepulchral wake.

Black Sabbath – their legacy lives on.  They are the ultimate metal band and they leave us with a back catalogue beyond compare.  It’s never really The End.

The full setlist is here.

The Best of 2016

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Well we’re now a couple of weeks deep into 2017 – how’s it going for you?  Well, I hope.

2017 at Platinum Al’s Virtual Hot Tub promises to bring you more of the great features you love, plus (hopefully) more in the year ahead.  But before I get all carried away and storm straight into new adventures, let’s take a moment to reflect.

Last year was a hell of a crazy ride.  But what Virtual Hot Tub blogs got you steaming hot?  Let’s take a look at the top ten most popular posts in 2016, in reverse order…

10. Skateboard Museum: Variflex Joker

The tenth most popular post in 2016 was this golden oldie from 2013, featuring one of my old 1980’s skateboards.  Skate nostalgia is obviously popular stuff, with internet searches keeping this article in view.

9. Wales Comic Con Strikes Back – Part 2

Up next was the second part of my report from Wales Comic Con in Wrexham from May, with loads of cool cosplay photos.

8. Tragedy – Gig Review

In March 2016 I went to see Heavy Metal Bee Gees tribute act Tragedy, at the Live Rooms in Chester.  It was pretty popular read (even the band liked it).

7. Sci-Fi Weekender 2015 – The Director’s Cut

Back in February 2016, I posted some photos I had left over from the previous Sci-Fi Weekender in March 2015.  Again, loads of interesting cosplay pics – plus a bit of comedy.  This was a warm up for the 2016 event.

6. Santa Cruz Snowskate

The next most read post was this blog about my snowskate, made by Santa Cruz skateboards, originally posted in winter 2014.  Internet searches kept this this one popular again this year.

5. Food Quest: To Koutouki, Chester

This write up of the excellent Greek taverna in Chester, posted in May 2016, has been very popular.  The most read food post all year by far, I hope it helps bring them some business, because they deserve it!

4. Wales Comic Con Strikes Back – Part 1

The first part of my report from Wrexham Comic Con was far more popular than the first, which came in at number 10 (above).  I don’t know why this part was better received, as it features the same style of cosplay pics.  Perhaps it was the pic of yours truly as Tony Stark that did it…?

3. Santa Cruz Street Creep

Another skateboard blog, this July piece featured text and photos of another 1980’s classic, in this case my Santa Cruz Street Creep reissue.  Rad.

2. Sci-Fi Weekender 2016 – Part 1

The second most read article on my blog in 2016 was the first part of my report from Sci-Fi Weekender.  The cosplay pics made it successful.

So what was the most popular blog post, with the most views, at Platinum Al’s Virtual Hot Tub in 2016?

It can only be…

Sci-Fi Weekender 2016 – Part 2

Yes, the final episode of our adventure at this years Sci-Fi Weekender convention was the most popular blog of the year.  Loads of photos of fantastic cosplayers having fun won the day, and not even my terrible photographic skills could ruin it!  No idea why Part 2 beat Part 1 though.

Thanks again to all the great folks who attended Sci-Fi Weekender, hope you enjoyed the photos!

Thanks to YOU too, for choosing Platinum Al’s Virtual Hot Tub.  Your feedback and is always appreciated.  Here’s to another year of fun – all the best!

Bring Your Own Vinyl Night #9

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Bring Your Own Vinyl Night

Queen’s Head, Mold

Friday 4th November 2016

It was great to be back in Mold for another Bring Your Own Vinyl Night.  It’s been a long time since the last evening in the Queen’s Head, with summer holidays and whatnot getting in the way – so it was good to see the familiar faces and crank out some tunes.

The usual rules applied: each person got 15 minutes on the decks to play whatever they liked, genre free – vinyl only!

Adam went for it first, here’s an over view of his varied and very enjoyable set:

  • Voice of the Beehive – I Think I Love You
  • Grandmaster Flash – Whitelines
  • Queen – One Vision
  • Willie Nelson – On the Road Again

I am so jealous of that Willie Nelson single!

Halloween had just been and gone a few days earlier, so I was still in a spooky mood.  This time, my set went like this:

Monster Magnet – See You in Hell

One of the many stand out tracks from Monster Magnet’s classic “Powertrip” album, this is acid drenched stoner rock at its finest.  The retro sound is augmented by a churning organ that whirls around as the bass chugs.  Psychedelic wonderment from Monster Magnet that sounds like a forgotten late 60’s gem.  I’ve owned the “Powertrip” album for many years on CD, but recently acquired the new vinyl re-issue.  Money well spent.  A truly great, under appreciated band.

Donovan – Season of the Witch

This fantastic song was featured in the Tim Burton movie Dark Shadows, a film I’m a huge fan of (though it appears not many other people are).  Whilst the previous song sounds like something from the sixties, this one is.  It’s a mellow groover that manages to wander out of hippy territory and sound somewhat sinister… Love this track, I felt it was a suitable jam for a Halloween inspired set.

The Damned – Plan 9 Channel 7

Ah, the Damned!  Where would a Halloween themed set be, without a tune from these punk rock proto-Goths?  One of my favourite bands, one of my favourite songs – from the indispensable “Machine Gun Etiquette” album.  Every home should own this!  The song is, of course, written about a viewing of Ed Wood‘s infamous “worst film ever made” – Plan 9 From Outer Space – on American horror channel 9.  Vampira, James Dean, Hollywood after dark – it’s all here in a perfect slice of rampaging pop punk.

The Misfits – American Nightmare

Finally, more horror punk from the masters themselves – the one and only Misfits.  On this track, Danzig and pals abandon the usual Ramones inspired turbo punk and offer up a ridiculously catchy rockabilly number.  Complete with handclaps and Danzig crooning more like Elvis than ever, this track sounds like a lost piece of 50’s nostalgia.  Classic stuff.

There we have it ladies and gentlemen – another great night in Mold!  Thanks to the guys from Halcyon Dreams and VOD music – and Dylan who helped out with an extra turntable!  More soon…

The Halcyon Dreams blogspot is here.

The Halcyon Dreams mixcloud page is here.

The Halcyon Dreams Facebook page is here.

The VOD music website is here.

Scorpion Child – Gig Review

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Scorpion Child + Jared James Nichols + The Bad Flowers

Tuesday 1st November 2016

The Live Rooms, Chester

Almost a year to the day since I last saw the mighty Scorpion Child rocking out, and in the same venue too.  This time the crowd numbers are down, but hell – it was a bleak Tuesday evening.  No excuse though – people should have been at the Live Rooms for this gig.

I just managed to catch the end of the first set, by UK band The Bad Flowers.  This three piece were all power and chunky riffs – think Motorhead menace with some ZZ Top rock in there.  Very appetising and well worth keeping an eye on.

Next up was Jared James Nichols, with his two bandmates, bringing us our second three piece of the night.  This American band play a fine blend of bluesy hard rock, delivered with a confident, killer attack.  Mountain were a fair comparison – they rocked out a crunching “Mississippi Queen” just to prove it.  Quality entertainment with a boogie groove!

The last time I saw Scorpion Child, they were here on tour with Crobot (another superb band).  Now with their second album – the extremely brilliant Acid Roulette – firmly under their belt, I was keen to witness these new rock’n’roll superstars-to-be again.

Scorpion Child deliver music that is well schooled in the classics of the past – Zeppelin, Sabbath, Purple.  And like those bands they’re able to deliver monster rockers like “Liqour” and “She Sings, I Kill” along with some superbly epic moments that build beautifully (“Survives” and “Acid Roulette”).

There’s also a thinly disguised darkness about the bands sound, not exactly doomy but much more in the vein of 80’s bands like the Mission and the Sisters of Mercy.  At their most bombastic, Scorpion Child are reminiscent of The Cult (from whence they claimed their name).  Apologies for endless musical comparisons – but this band really have some classic style that merits a bigger fan base.  Throw in some Danzig and Soundgarden and you’ve got a list of some of my favourite bands.

A great deal of the set is from the new album, showing justified confidence on the bands part.  Songs like “My Woman in Black” and “I Might Be Your Man” are thundering hard rock compositions that are classics in the making.

A great gig, shame about the low attendance (and the lack of merch!) – but brilliantly infectious modern hard rock.  I’m off for fish’n’chips.

The Scorpion Child website is here.

You can find Scorpion Child, Jared James Nichols and the Bad Flowers on Facebook.

The Live Rooms website is here.

 scorpion-child

Chester Vinyl Night

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Chester Vinyl Night

The Lock Keeper, Chester

Friday 7th October 2016

So the two Bens – Ben the Swede and Coben – decided to stage a vinyl night in Chester.  Not to detract from the great night in Mold – but living in Chester they were keen to see how it would go.  There had been plenty of feedback from Chester locals who would love to try out the concept and play a few of their own records whilst having a few beers.

After some research, the Lock Keeper pub near the canal, just down Frodsham Street, was selected as the ideal venue.  The upstairs function room was ideal, with loads of space and a DJ area at the back.  The pub itself offered some fine beers at reasonable prices, so it was all set.

The idea was the same, borrowed from Halcyon Dreams and VOD: bring along a few records, have a 15 minute set to play whatever you like – vinyl only.

I volunteered to do my set early on, whilst waiting for the punters to arrive.  Thus following on from The Swede’s opening repertoire, it was my turn.  Playing to an audience of six people.

Creedence Clearwater Revival – Bad Moon Rising

I’d planned on playing the superior, and slightly less well known, “Born on the Bayou” by CCR as my first song.  However I mixed up Side 1 track 2 with side 2 track 2, and we got this evergreen classic instead.  No major mishap, “Bad Moon Rising” is a fantastic song anyway.  Always reminds me of “An American Werewolf in London”.

The Stupids – Mega Zombie

This is from one of the first records I ever owned, the “Frankfurter – Eat EP” by UK hardcore punk band The Stupids.  They were at the forefront of late eighties skate rock, and sound tracked many a days skateboarding in my youth.  This sublime song is just over one minute in length, with the words “Mega Zombie” repeated 27 times.  Very fast and a true challenge to prepare the next track in time!

The Ohio Players – Fopp

Luckily I just made it, and dropped the needle on this magnificent chunk of seventies funk.  The song first came to my attention via the Soundgarden cover, eventually I picked up a CD “Best of” compilation (also featuring “Love Rollercoaster”, as covered by RHCP).  Not long ago I added the Ohio Players album “Honey” to my vinyl collection – which both songs are taken from.  This is a solid piece of funk rock with a cool groove. op

Tone Loc – Loc’ed After Dark

I wanted to play some tunes to show case some variety, and felt that a bit of old school hip hop would be nice.  “Loc’ed After Dark” is the B-side from the “Wild Thing” 12 inch single.  I chose it as again, there’s a nice funky beat.  Got me strutting my stuff in the DJ booth, anyway.

So alas, my set was over – with still only six people in the audience.  Never mind, the evening picked up and soon the function room was full.  I even got to play a couple of tracks again at the end of the night to a fuller crowd!

The Chester Vinyl Night was a great success, with a room full of people enjoying the music and drinks.  There was a picture quiz which proved popular, and a wide range of tunes spanning several genres – from dub to hip hop to classic rock.  There was even a Phil Collins tribute section…

There will be more Vinyl Nights at the Lock Keeper soon.  Well done to Ben and Ben for organising the evening – looking forward to more of the same soon!

The Chester Vinyl Night has a Facebook page, click here.

You can also find The Lock Keeper on Facebook here.

Thanks to Halcyon Dreams and VOD Music for help and advice.

vinyl-poster

Bring Your Own Vinyl Day

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Bring Your Own Vinyl Day

Civic Hall, Connah’s Quay

Saturday 24th September 2016

It’s been a while since I wrote about a Bring Your Own Vinyl Night.  What with holidays and other commitments, the Mold event has been a no go for me recently.  Not to worry though – the fine people at VOD Music ecord fairs would come to the rescue!

The record fair organised in Connah’s Quay Civic Hall also hosted Halcyon Dreams, organisers of the very fine Bring Your Own Vinyl events.  And this time, what with the timing of the record fair, this would be a day time event.

As I was at a record fair, I didn’t bring along any vinyl from my collection at home to play.  Instead I decided to wing it and just spin a few discs that I bought on the day.  This could be risky as I wouldn’t necessarily be familiar with the tracks.

I spent a long time perusing the various record stalls and making several purchases.  Whilst this was going on, the Halcyon Dreams decks were spinning all manner of wondrous delights.

Eventually I took my place at the turn tables, and made a few quick decisions on what to play.

Talking Heads – Road to Nowhere

My first problem was following a 12″ of On Her Majesty’s Secret Service by Propellerheads. An absolute killer track.  I went for “Road to Nowhere” by Talking Heads, from their “Little Creatures” LP.  I’d been after some Talking Heads for a while, and this only cost me £3 for a nice copy.  Great song – and I think I got away with the mix!  The vocals at the start were a nice contrast, and soon one or two people seemed to be enjoying it. th

Next there was a brief gap in my set, as one of the dealers asked us to play one of his singles for a potential buyer.  I think it was a group called The Jackson Sisters; early 70’s rare soul.  The cost?  £85.  But I can attest to the fact that it was DAMN fine track: funky, danceable groove – if only I had the money myself!

Eddie Cochran – C’mon Everybody

I followed up the 85 quid 7″ single with one that cost me 50p.  It was a re-issue from 1988 of the rockabilly classic, “C’mon Everybody” by Eddie Cochran.  I thought this would add some variety to my planned set, in style and age.  I remember becoming familiar with this song from the Sid Vicious cover, however Eddie’s version is superior.  It’s a stone cold classic.  I do love these 1980’s jean commercial promotional tie-ins, don’t you?  Classic song for next to nowt.

Stormtroopers of Death – Kill Yourself

And so, how should I conclude the set?  With a bit of egging on, I knew it had to be S.O.D.  I’d just picked this up for a nice price – most expensive purchase of the day, but worth it – as it was on my vinyl wish list.  Nasty thrash metal/hardcore with horrid lyrics (that I understand are a joke) – this Anthrax off shoot rounded off the set in scuzzy style.  It was a bit of a shock, anyway.

So there you have it – a great day’s record buying and some awesome tracks.  I’m already looking forward to the next Bring Your Own Vinyl Night!

You can check out the Halcyon Days blogspot here.

The Halcyon Dreams mixcloud page is here.

The Halcyon Dreams Facebook page is here.

The VOD Music website is here.

Songs of the Week 17.07.2016

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This weeks “louder then the rest” tunes:

  1. Fishbone – Change
  2. House of Pain – Jump Around
  3. Wolfmother – California Queen
  4. Queens of the Stone Age – The Lost Art of Keeping a Secret
  5. Dr. John – Jump Sturdy

Bring Your Own Vinyl Night #8

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Bring Your Own Vinyl Night

Queen’s Head, Mold

Friday 8th April 2016

Got a record collection?  Want to spin those discs on a nice turntable for an appreciative bunch of vinyl enthusiasts?  The Bring Your Own Vinyl Night is for you!

Held monthly in the Queen’s Head pub in Mold, North Wales, this event goes from strength to strength.  The idea is simple: each participant gets 15 minutes to play whatever records they want.  That’s vinyl only; no CDs, MP3s, cassettes or whatever else.  Just have a beer and enjoy the music.

My pal Adam was back on the decks tonight, and was the first of our crew to step up.  He played a great set of songs from movies, that went something like this:

  • Carly Simon – Nobody Does It Better
  • Blue Swede – Hooked On A Feeling
  • George Thorogood & The Destroyers – Bad to the Bone
  • Ry Cooder – All Shook Up
  • Santo & Johnny – Sleepwalk

A special prize if you can name the films these songs are from!  A great set from Adam, I think one of his strongest.  In particular, I thought “Sleepwalk” was an exceptional track.

Then it was my turn:

Suicidal Tendencies – Possessed to Skate

Regular readers will know the story of my Suicidal records.  Here’s a quick recap.  Going back to the height of my skateboarding days in 1988 (or thereabouts), my friend Kelvin Bedford gave me the album “Join the Army” by Suicidal Tendencies.  A few years later, as a broke student, I sold that album and another ST record to my mate Graham.  Now fast forward to the recent past, and although I had the CDs, I was kicking myself for not having the vinyl anymore.  They were easy enough to buy off Discogs.  However, sadly Kel had passed away a couple of years ago, so I thought it would be great to have the copy he originally gave me back.  I contacted Graham, and he gave me the records for free.  What a gentleman!  I bought him a beer or two as a thank you.

Not so brief that recap, but now you have the background.  I wanted to play a track off the classic “Join the Army” record, as it was back in my collection, and this had to be it.  Many fun memories of my old skateboarding days always come flooding back with this fast paced punk rock/metal hybrid.  And I still listen to it when I skate nowadays (which isn’t often enough).  “Possessed to Skate”.  RAD.

Iggy & The Stooges – Gimme Danger

The next song is a favourite I was introduced to in my university days.  I was already a fan of the early Stooges albums, but hadn’t heard “Raw Power”.  It’s a superb record, full of barely restrained energy and chaos.  “Gimme Danger” is a the second song on the album, lulling the listener in to a false sense of comfort after lead track “Search and Destroy” decimates your speakers.  “Gimme Danger” still has an air of menace, however – a sense that anything can, and will, go wrong.  Decadent and beautiful, a masterpiece.

Chris Isaak – Wicked Game

And so on to Chris Isaak.  I have the “Wicked Game” album on CD, so I can regularly bask in the warmth of Isaak’s voice and imagine desert roads, truck stops, motels and neon lights.  This version is on a 7″ single that Greeny gave me for Christmas, and I’m so glad I have it.  Timeless Americana that always carries a hint of David Lynch, thanks to the song being included in “Wild at Heart”.  I usually drunkenly sing along to this at 2am.  I’ve also attempted “Wicked Game” at Karaoke a couple of times; I think I got away with it.

Red Hot Chili Peppers – Sexy Mexican Maid

One of my favourite RHCP songs ever, you can find this sensual little number on the fantastic “Mother’s Milk” record.  It’s a slow funky groove that deserves to be heard more often, from one of their greatest albums.  “Sexy Mexican Maid” shows the Chili Peppers exploring their sound and developing towards “Blood Sugar Sex Magik”, whilst still happy to languish with their sexually charged lyrics.

So last up was Ben the Swede, who recently moved house and now had access to his full vinyl collection.  The theme was bass, of different types:

  • Level 42 – You Can’t Blame Louis
  • Duran Duran – A View to a Kill
  • ELO – Shine a Little Love

And there you have it: another great night with some great songs and some very cool people.There were some killer tracks from PIL, Perrey & Kingsley, Elvis Costello and more.  You can see the full playlist on the Halcyon Dreams blog here.

Thanks all – looking forward to the next Vinyl Night!

You can listen to this Bring Your Own Vinyl Night (and previous ones, too) on the Mixcloud page here.

The Halcyon Dreams Facebook page is here.

Thanks Graham!

RIP Kelvin Bedford