Author Archives: platinumal

Jonathan Hultén – Album Review

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Jonathan Hultén – Eyes of the Living Night 

Kscope Records 

Release date: 31st January 2025 

Running time: 43 mins approx 

Review by: Alun Jones 

9/10 

WARNING: This is NOT a Heavy Metal album.  If you’re the type of listener that only wants to hear the loudest of pummelling riffs and ear slashing vocal roars, this may not be for you.  And that’s fine.  We all like to rage like Satan with a stubbed toe.  This is Ever METAL, after all.  If, on the other hand, you’re the kind of discerning listener who likes to temper the ferocity with atmosphere and introspection, take a seat. 

Jonathan Hultén is a Swedish singer-songwriter who first arrived on my radar as the support act for The Cult on their 84/24 tour last year.  Hultén was not what I anticipated at all for a major rock show: his music, performed solo, is a dark yet beautiful expression of acoustic, gothic melody and ethereal charm.   

This second album, “Eyes of the Living Night”, takes the listener on another fairy tale like walk in enchanted woods.  Beginning with ‘The Saga and the Storm’, the music is more soundtrack for a folk horror movie than a typical rock album.  This opening track is like a lost Morricone classic and builds to a gloriously uplifting finale.  Just wait for that mid song moment when your neck hairs will raise to the sky. 

First single ‘Afterlife’ features swirling keyboards and angelic vocals, while ‘Riverflame’ has the plaintive ambience of a Nine Inch Nails/Alice in Chains mash up.  The dreamy folk of ‘The Dream was the Cure’ offers a widescreen Scandinavian epic of reflection, and is a highlight of the album.  Weaving genres further, ‘Through the Fog, Into the Sky’ is a wonderful classical piano piece whilst ‘Vast Tapestry’ sees Hultén n the role of gentle folk troubadour. 

The concluding track, ‘Starbather’, works more like a rock ballad and bookends the album with a final flourish of bright optimism.   

“Eyes of the Living Night” won’t destroy your speakers, but it will take you to a mystical and unforgettable place.  With its layers of gothic ambience and mood elevating nuance, this album deserves to be a part of the Ever Metal community’s world.  The music of Jonathan Hultén will be there for you when you need to reach inside yourself, to heal and unwind.  Or to transport your mind to another world.  I genuinely love this album and heartily recommend it, I hope you’ll give it a chance. 

Find out more about Jonathan Hultén on Facebook, Instagram, Spotify, YouTube and Bandcamp.

This review is brought to you by Platinum Al in association with Ever Metal.

Singles Night at the Virtual Hot Tub #37

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You wanted it – you got it! Another Singles Night at the Virtual Hot Tub. This is where I spend an evening playing 7 inch singles that have found their way into my vinyl collection, from any number of different sources. None of the records have been played before, so I spend a few hours playing both sides and working through that pile.

There’s usually plenty of variety in the stack, with songs old and new, from any genre. Anything can happen, so just enjoy the ride.

Grab a drink and let’s check out the latest playlist:

  1. The Beatles – “Now and Then” / “Love Me Do”
  2. The Dickies – “Banana Splits” / “Hideous” / “Got It at the Store”
  3. S.S.S. – “CDC” / “Bath Night” / “Thrash with a Small Moustache” / “Black Night White Light”
  4. 999 – “Little Red Riding Hood” / “Wait For Your Number to be Called” / “I Ain’t Gonna Tell Ya”
  5. Roxy Music – “Jealous Guy” / “To Turn You On”
  6. Ram Jam – “Black Betty” / “I Should Have Known”
  7. Bee Gees – “Tragedy” / “Until”
  8. ABBA – “One Of Us” / “Should I Laugh or Cry”
  9. Sweet – “Love is Like Oxygen” / “Cover Girl”
  10. The Alarm – “Spirit of ’76” / “Where Were You Hiding When the Storm Broke? (Live)”
  11. Nancy Sinatra – “Love Eyes” / “Coastin'”
  12. Kool & The Gang – “Joanna” / “Tonight”
  13. Rick Dees & His Cast of Idiots – “Disco Duck (Pt. 1)” / “Disco Duck ({Pt. 2)”
  14. Matthew Wilder – “Break My Stride” / “Break My Stride (Instrumental)”
  15. Bee Gees – “Night Fever” / “Down the Road”
  16. Dire Straits – “Romeo & Juliet” / “Solid Rock”
  17. Nilsson – “Without You” / “Gotta Get Up”
  18. Sinitta – “Right Back Where We Started From” / “I Just Can’t Help It”
  19. Sabrina – “Boys (Summertime Love)” / “Get Ready (Holiday Rock)”
  20. Oceanic – “Insanity (Legendary Mix)” / “Reality”
  21. Charlie Pride – “The Most Beautiful Girl” / Johnny Cash – “Ring of Fire” / Crystal Gayle – “Miss the Mississippi & You” / Tammy Wynette – “Stand By Your Man” / Bertie Higgins – “Key Largo”

Twenty one records this week, and enough variety to keep anyone on their toes. Disco, punk, pop and rock classics – this was one of my best Singles Nights yet.

Notes:

The Beatles single is their last ever song, released recently and backed with their first ever single. A must for the collection.

That Dickies single is on yellow vinyl, naturally. The 999 record is plain old black vinyl, but I’ve been after that for a very long time. It was one of the songs on the first punk/new wave compilation I heard, it confused me as it didn’t sound “punk” (or what I thought was punk at the time). Great song.

SSS stands for Short Sharp Shock, a hardcore/skate thrash band from Liverpool that I can’t believe I never saw live. The last track is dedicated to Metallica bass legend Cliff Burton.

That final 7″ country record i picked up for 50p in a charity shop. Plain sleeve, so very little information – some fantastic songs though. not least my all time hero, Johnny Cash.

Ancient Anglesey – Barclodiad y Gawres

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Continuing our explorations of ancient sites around the Isle of Anglesey, earlier this year we paid a return visit to Barclodiad y Gawres. Not far from our regular haunt in Rhosneigr, on the road to Aberffraw, this ancient tomb is one I’ve visited before – but it’s well worth another, better documented trip.

Barclodiad y Gawres means “The Giantess’s Apronful” in English. There are carparks nearby to reach the site, followed by a short walk along a pretty spectacular coastal path, with great views across the beaches towards Rhosneigr. The monument is visible from the road, and eventually you’ll reach it standing atop a hill.

The entrance is gated, though it is opened up to the public at certain times. You can see inside the tomb regardless, and discern some of the stones within. I’ve not been directly inside yet, but it’s certainly something I’d like to do. Some of the stones contained inside feature patterns made by the ancients – which would be a fantastic thing to see.

The location makes this site an atmospheric viewing. With Porth Trecastell on the far side, it’s surrounded by some wonderful scenery that really makes this a wonderful, magical place. Barclodiad y Gawres is an intriguing place and worth repeated visits – the Jones archeological team shall return.

For more info, visit Cadw.

Pentagram – Lightning in a Bottle Album Review

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Pentagram – Lightning in a Bottle 

Heavy Psych Sounds Records 

Release date: 31/01/2025 

Running time: 49 minutes  

Review by: Alun Jones 

8.75/10 

Pentagram are a band that refuse to die.  With roots going back some fifty years, and every kind of catastrophe from band splits, arrests and hard drug addiction, it’s some feat that we’re here to discuss a new album at all.  Like a bizarre hybrid of 80s slasher movie antagonists, Pentagram keep coming back to life.  Now, with “Lightning in a Bottle”, the band are back: the life support has been thrown on, this time by mad scientists Heavy Psych Sounds.   

The band’s only constant member is founder/frontman/vocalist Bobby Liebling, a complex and controversial character.  On this excursion, he’s joined by a new bunch of musicians who are venturing to keep the name and legacy of Pentagram alive.  Tony Reed is on guitar and production duties, Henry Vasquez on drums and Scooter Haslip handles bass.  All three have sturdy pedigrees earned from other bands, and their contributions here make them light years past being mere hired hands. 

Liebling’s story is both chaotic and scandalous, but this isn’t the time or place to cast stones.  Interestingly, on the track ‘Lady Heroin’, the singer explores the theme of his addiction in a mournful, self-torturing manner.  There’s no bravado here, with Liebling openly pondering on the destruction that addiction has wrought.  Musically, the song marries a solid riff with a forlorn middle section. 

‘I’ll Certainly See You in Hell’ follows this track, with a strutting pace and Liebling wailing like a deranged preacher.  After that we get ‘Thundercrest’ with its ruthless, pounding riff – forming a triumvirate of the best songs in the middle of the album.  Not that the rest of “Lightning…” is lacking: whether its aptly titled opener ‘Live Again’ with its head nodding urgency or the crawling doom fest of ‘Walk the Sociopath’, Pentagram have all bases covered. 

The biggest fear was always going to be Pentagram pissing on their legacy.  They are, after all, one of the great Doom Metal bands that are responsible for the development of the sub-genre.  Absolutely no fear of that here, though: “Lightning in a Bottle” sees this version of Pentagram releasing a reassuringly strong album.  The musical reputation of Pentagram continues to thrive. 

Check out Pentagram on Facebook, Instagram, Spotify or their website.

This review is presented by Platinum Al in association with Ever Metal.

Miami Supercops – Album Review

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Jamie Spilsbury – Miami Supercops

Self released

Last September, I reviewed the debut album by a gentleman by the name of Jamie Spilsbury. Jamie is a multi-talented individual with a wide range of skills and hobbies – from author, artist, photographer to musician. Seriously, this guy puts most of us to shame. Previously I reviewed the album “Don’t Be Cruel”, an avant-garde mixture of musical genres and spoken word pieces that intrigues and thrills in equal measure. This time, something completely different is on offer.

‘Miami Suopercops’ is a tribute to the 1980’s movie of the same name, and is steeped in electronica of the time. It’s like an imaginary soundtrack for the film, with separate movements and styles to conjure the action on screen. Now I’ve never seen this particular movie, but I’ve seen many similar television programmes and movies from the time back in my youth. If you’ve ever seen Miami Vice, or heard the music of Vangelis or John Carpenter, you’ll feel right at home here in seconds.

‘Devil’s Reef’ starts us off with a throbbing bass and energetic rhythm (very Miami Vice) and sets an ominous tone. It’s totally evocative of themes from the era. The tracks are mostly instrumental, which adds to the authenticity that Jamie is striving for. ‘Morals’ is a more laidback, reflective number. whilst in ‘Sudden Impact’, the listener can feel the tension rise as the plot thickens.

‘Sunrise’ is another pleasantly moody piece, while ‘Target Locked’ is again a more action-orientated song. What’s great is you can imagine the “movie” in your mind’s eye as you listen along! On ‘Streets with no name’ I can just see the cops cruising the Miami highways in the dead of night, their Ferrari illuminated by the omnipresent neon. ‘Stealth’ begins just like a stakeout, and features some rare, but excellent female vocals. The credits roll with ‘Ghetto Blaster’ and the story is nearly over.

With an apt cover of Jan Hammer’s ‘Crockett’s Theme’ from Miami Vice added as a bonus track of sorts, we reach the end of “Miami Supercops”. I may not be the most knowledgeable when it comes to electronica, but I grew up watching films and TV shows of this type back in the day, and this work sounds completely authentic and immersive. Full marks Jamie, you’ve managed to recreate a time and genre with skill and an easily recognised affection.

Follow Jamie Spilsbury on X/Twitter for more info, and a link to “Miami Supercops”.

Celavi – Anima EP Review

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Celavi – Anima EP 

Meraki Records 

Release date: 31.10.20024 

Running time: 20 minutes approx 

Review by: Alun Jones 

8.5/10 

Celavi are a Goth, Industrial Nu-Metal project created by Sarah and Gwion, two spirited individuals from Bangor in North Wales.  I picked up a copy of their new EP, “Anima”, which is a surprisingly fresh and fierce attack on all of the above genres, not to mention a whole load more. 

The first track is ‘lowercase’ which opens with an Electro Rock flourish and hammers the listener with a mix of danceable beats and aggro power chords.  The rest of the EP follows in a similar vein, with satisfyingly crushing Metal guitar melded to infectious Electro and embellished with glorious female vocals that run from sweet to tormented. 

‘Bite My Tongue’ features whispered vocals over a restrained, pulsing beat before an enormous chorus crashes out of the speakers.  ‘Iodine’ is a fast paced, punch the air rocker with a relentlessly infectious chorus and ‘Eyeliner’ is the most uncompromising track here.  The catchiest song though is probably ‘Lullaby’, an Industrial Pop Metal confection that’s equal parts magnificent melodies and brutal guitar riff.   

“Anima” wasn’t on my radar, but thanks to being in the right place at the right time, I’ve been able to absorb this work and enjoy it immensely.  Anyone who’s a fan of Nine Inch Nails, Linkin Park, Lacuna Coil or Rammstein should be able to find something to get stuck into here.  Ideal music for an unhinged time in a vampire night club, Celavi are ones to watch. 

Check out the Celavi website here. Or find them on Facebook, Instagram, YouTube or X (that’s Twitter, folks).

This review is brought to you by Platinum Al in association with Ever Metal. 

Liverpool Comic Con May 2025 – Part 2

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Liverpool Comic Con

Saturday 3rd and Sunday 4th May 2025

Exhibition Centre, King’s Docks, Liverpool

In part 1 of my report from Liverpool Comic Con, we looked at the event overall and I shared some Cosplay photos. This time around, let’s take a look at the vehicles and props that were on display in the huge arena.

I’ll keep the words brief, as it’s the photos that tell the story. All I need to point out is the huge arena housed numerous vehicles, including some very cool cars from TV and Film (the Starsky & Hutch Gran Torino was probably my favourite).

There were also various props and sets for photo opportunities, including some great Star Wars items. The absolute highlight for me was the full scale AT-ST – otherwise known as a Scout Walker – towering over everything, including a mock up of the Imperial bunker on Endor.

Of course there were still plenty of attendees in costume wandering about, lots more stalls and even live bands on stage. Overall great entertainment and an action packed day out. Liverpool Comic Con must be the biggest convention in the country now? It certainly offers a fun filled event for all.

Liverpool Comic Con May 2025 – Part 1

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Liverpool Comic Con

Saturday 3rd and Sunday 4th May 2025

Exhibition Centre, King’s Docks, Liverpool

Now, I need to start this blog post with an apology. The last time I went to Liverpool Comic Con in November 2024, I took my trusty Canon camera and took loads of photos of Cosplayers and props etc. But, when I got home, the memory card died on me. Meaning that all of those photos were lost forever before I could back them up. So no November 2024 blog or photos.

This time around, I just used my brand spanking new Samsung phone for the photos, and they turned out pretty good. I’m going to keep the words to the minimum this time around though, and let the pictures fo the talking.

I will mention that there were some big guests again at this event. Star Wars was well represented by Hayden Christensen and the very lovely Rosario Dawson. I may well have a huge crush on Rosario Dawson, but decided not to meet her as autographs cost an absolute fortune. And she would’ve immediately fallen for me and wanted to elope, which would be kind of unfair on our families. So it was for the best.

But yeah, lots of interesting guests including a load of Starship Troopers people (Denise Richards!), Michael Ironside, Dirk Benedict and so on.

As these photos hopefully show, there was a respectable number of amazing Cosplayers frequenting the event. Daugthertron went dressed a Monster High character this time, but again I’m forbidden from sharing the pics. Well done to all the other costumed visitors, you were fantastic. Thanks for letting me take your photo.

Other than that, there were some great props and famous vehicles, plus dozens of stalls selling all manner of wonders. But we’ll cover those in Part 2 – stay tuned!

What an excellent way to spend Star Wars Day. May the Force Be With You!

Berlin Wall: A Piece of History?

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Tat or treasure? That’s what we’re investigating in this edition of the Tat section, here at Platinum Al’s Virtual Hot Tub. We have an item that could be a genuine piece of history, or it could just be pure junk.

The item in question is a piece of the Berlin Wall. Or at least, it claims to be.

Sometime in October 1990, I was on a school trip to Berlin. The wall separating East and West Germany had come down the year before, a momentous event that heralded the end of the Cold War and huge changes in Europe. Studying the Rise of Fascism in Europe as part of my History A Level, a trip to the once and future German capital was an appropriate field trip.

Most of that visit involved my friends and I drinking lots of German beer rather than any serious historical study, but whatever.

Of course, on trips like these, it was customary to take souvenirs home. And what better souvenir than an actual piece of the Berlin wall? At a stall near the Reichstag building and mere feet away from the wall, I bought the small, plastic box shown here, containing brightly coloured fragments of the infamous construct.

I’ve heard since that visit, that the only way to be sure of owning an actual piece of the wall was to hack some of it off yourself. Pick axes were available to hire at the site for that purpose, and indeed some of my friends tried that approach (with little luck).

So the question remains: although bought at the site, is this an actual piece of Berlin wall – or did some unscrupulous Capitalist scumbag spray some random concrete in lurid colours and pass it off to me as the genuine article?

What do you think?

New Deck 2025 – Death Benson

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Somehow, a couple of years ago, I ended up with a spare deck. I was going to put it on the wall as a display item, but recently I changed my mind.

The deck in question was this Death Benson Devil Woman. I think I decided it was too wide and set up a different deck to skate – an 8.25″ Patrick Melcher Mermaid deck. I wouldn’t normally buy a deck just to display, so I must have skated one set up for longer than anticipated to end up with a spare.

Whatever the reason, this 8.5″ Benson was put aside to mount on the wall. Recently, my current set up was starting to get really worn out – I obviously needed a new one. As I’d been considering going wider, this 8.5″ deck was brought out of retirement and set up, ready to go.

I used some older Independent trucks that just about fit OK, and moved my current Slime Balls wheels across to this set up.

The result: a great new skateboard. It has that nice poop that new decks have, it feels awesome. I’ve really enjoyed skating it, slightly wider was a good move.

I’ve had one of these decks previously, though in a smaller width (you can read about it here). I’m still a big fan of Death skateboards, and of course the amazing artwork of Liane Plant!

New wheels may be an option in the near future, and definitely new bearings.

And there you have it: just another little post celebrating these rad skateboards that I’ve had the pleasure to ride over the years.

All of this stuff was bought from the extremely brilliant Native Skate Store.

The Death Skateboards website is here.

Liane Plant’s website is here.