Author Archives: platinumal

Anglesey Ancient Sites

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Over the last summer, my family and I spent some more time on the Isle of Anglesey in North Wales. Previously, we had visited the ancient burial chamber of Bryn Celli Ddu, which we all felt was an amazing, magical place. And so this year, we were keen to visit some more prehistoric sites on our travels around the island.

Staying as usual in Rhosneigr, our first destination was almost just around the corner, and easy to find. Heading out of Llanfaelog, taking a left turn and travelling along a small lane, Ty Newydd burial chamber was clearly sign posted and no problem to park close by. Hopping over a stone wall, the monument was visible immediately.

Ty Newydd stands in the corner of a field and though brick supports help to hold it up, the site is still impressive. It dates to the Neolithic age and was a communal place to bury the dead. With the capstone lying across the supports, Ty Newydd resembles a mini Stonehenge, and still awe inspiring.

Our first site was very straight forward to discover, encouraged by this and the wonder of standing close to something so unfathomably old, were decided to look for more.

Trefignath tomb was not as simple to locate, but it was definitely worth the effort. We headed up towards Trearddur Bay, and after a few wrong turns, found ourselves near a truck park. We knew the location was nearby, but coudn’t see any signage. With double yellows lining the road, parking was restricted. Pulling into a small turning space, we scouted about and – noticing a similar stone wall to Ty Newydd, could just see the top of the monument.

This site is actually three burial chambers constructed in close proximity throughout different periods of the Neolithic age. Although some of the construction has collapsed, the three chambers are still clearly identifiable and create quite a stirring experience. As per Bryn Celli Ddu, there’s obviously still some relevance here, with flowers and other items left on the site.

Our explorations came to an end eventually, it was time for the intrepid Jones archaeologists to retire. Both sites we had discovered were inspiring to visit, brilliantly magical places that were shrouded in mystery and history alike. There are plenty more ancient monuments to visit in the area, we’ll save those fpor another time.

Find out more about Ty Newydd and Trefignath sites.

Black Tusk – The Way Forward Album Review

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Black Tusk – The Way Forward

Season of Mist

Release date: 26/04/2024

Running time: 35:54

Review by: Alun Jones

9/10

Black Tusk return with their seventh album (no, I can’t believe it, either), which they’ve entitled “The Way Forward”. It’s their first as a four piece, with Andrew Fidler (guitar/vocals) and drummer James May now augmented by guitarist Chris “Scary” Adams and bassist Derek Lynch.

The past few years have been tough for the band members, but their indestructible determination and formidable will has seen them stride onward regardless. It’s this perseverance that provides the album with its title and its unifying theme. Undeniably, the sludge metal sound is there as expected, but with additional guitar parts and a feeling of relentless tenacity.

Lead track ‘Out of Grasp’ and ‘Brushfire’ are both furious samples of big, dirty riffs played with furious conviction. It’s a fast paced set of aggressive yet entertaining energy – as a listener, I was dragged along with the band and could appreciate their steadfast refusal to let the ills of the world conquer them.

Many of the songs are around the three-minute mark, meaning we rarely get chance for a breather. ‘Breath of Life’ and the title track both have the opportunity to expand a little, though neither relinquishes their sheer intensity. The instrumental ‘Ocean of Obsidian’ is the slowest, trippiest number here, featuring a cavernous, cathedral-like sound.

So welcome back, Black Tusk. With “The Way Forward” they’ve dredged the swamp and pulled up a steaming, ruthless slab of metal that sounds unforgiving but positive. Absolutely bloody great!

For more Black Tusk, check out their website, Facebook, Instagram, Twitter, Bandcamp and Spotify.

This review is presented by Platinum Al and Ever Metal.

Don’t Be Cruel – Album Review

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Jamie Spilsbury – Don’t Be Cruel

Self released

Every now and again, some thing lands on my desk that I’m compelled to write about. Something out of the ordinary and different. Unexpected, even. And it doesn’t need to be something from a well known artist, or from a genre I’m familiar with. Sometimes, something arrives completely out of the blue and demands attention.

“Don’t Be Cruel” by Jamie Spilsbury is in that category. Jamie is a man of many interests, though I had no idea that he’d made an album. This album, wrenched from Jamie’s creative impulses and filtered through numerous pop culture references and electronica, can only be a document of his journeys through multiple realities and dimensions…

Some of what you will hear is music, some of it spoken word, dramatisations and skits – but all of it is experimental and different. It’s a journey into the abstract that takes in dozens of reference points. Starting with ‘The Letter M Song’ the listener is taken by surprise with a pleasant little tune that sounds like a long lost Sesame Street excerpt, but backwards. ‘Ballroom Memories’ is a delightful, relaxed big band/swing number that’s like a missing Glenn Miller track.

‘Stayin’ Together’ is a clever tribute to 80’s synth pop movie tunes, it’s Debbie Gibson at the Mall playing arcade games. The best song here is no doubt ‘Voidness’, a quite lovely piece of ambient electronica that’s perfect to chill out to.

Surrounding these musical adventures are the comedic skits, which range from spoof news bulletins to a genuinely creepy spoken word Lovecraft piece. There’s weird science fiction, Pulp Fiction style armed robbery, and Indiana Jones – literally nothing can be predicted here, it’s a startlingly varied mix of influences and ideas.

Jamie spent only a small amount of time putting this album together, in what must have been a fever of activity. And it’s the ingenious assortment of thoughts and concepts that really makes an impact here. I’m not sure I understand everything that’s going on (yet), but the sheer exuberance and commitment to create is very impressive. Strap on your ear goggles and get ready for a crazy adventure. You might be inspired to make your own musical journey…

Follow Jamie on X for more info, and a link to “Don’t Be Cruel”.

Singles Night at the Virtual Hot tub #34

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Here we go with another Singles Night! Just like Kool and the Gang said – no wait, that was “Ladies Night”. Totally different event altogether. Well, don’t let that be any concern for you, good reader – let’s spend an evening of musical fun and adventure anyway!

What, you may well ask, is “Singles Night at the Virtual Hot Tub”? If you know, feel free to skip this bit. Otherwise, I’ll explain.

Singles

In essence, I have a huge stack of 7 inch vinyl singles that I haven’t played yet. And they need to be played before I can add them to my super sophisticated filing system. So on Singles Night, I grab a bunch of these records and play ’em, A side then B side, one after the other, whilst having a wee drinkie or three.

It’s great fun. It rocks. Here’s the latest playlist:

  1. The Rezillos – “I Can’t Stand My baby” / “I Wanna Be Your Man”
  2. The Rezillos – “Top of the Pops” / “20,000 Rezillos Under the Sea”
  3. The Ruts – “Something That I Said” / “Give Youth A Chance”
  4. Sweet Dreams – “Honey Honey” / “I Surrender”
  5. The Steve Gibbons Band – “Tupelo Mississippi Flash” / “Till the Fire Burns Out”
  6. Showaddywaddy – “You Got What It Takes” / “Showboat”
  7. Goombay Dance Band – “Sol de Jamaica” / “Isla de Suenos”
  8. KC & The Sunshine Band – “That’s the Way (I Like It)” / “Ain’t Nothin’ Wrong”
  9. Dollar – “Mirror Mirror” / “Radio”
  10. Siouxsie & The Banshees – “Hong Kong Garden” / “Voices”
  11. Suzi Quatro – “I Go Wild” / “I’m a Rocker”
  12. Rose Tattoo – “Rock’n’Roll is King” / “I Had You First”
  13. Deep Purple – “Black Night” / “Speed King”
  14. Elton John – “Blue Eyes” / “Hey Papa Legba”
  15. Berlin – “Take My Breath Away” / Giorgio Moroder – “Radar Radio”
  16. Motley Crue – “Primal Scream” / “Dancing on Glass”
  17. The Damned – “White Rabbit” / “Rabid (Over You)” / “Seagulls”
  18. Booker T & The MGs – “Green Onions” / “Boot Leg”
  19. Bobby Brown – “On Our Own” / “On Our Own (with Rap)”
  20. De La Soul – “Ring Ring Ring (Ha Ha Hey)” / “Pile and Piles of Demo Tapes Bi-Da Miles”

And there we go, mes amis. A right old concoction and no mistake. But you know what? The odd dud in the playlist only makes the good stuff sweeter. And when you’re having fun, those duds ain’t so bad anyway.

The odd horror from the fabled car boot box of doom still lingering here, but they’re slowly dying off. Instead, a veritable feast of punk rock wonders, from the Rezillos, Ruts, Siouxsie and The Damned. That Damned track is, of course, a cover of the Jefferson Airplane song, and not one of my favourites – though the two songs on the B side are absolutely wonderful.

Plenty of other delights with Rose Tattoo and a double sided banger from Deep Purple, not to mention a Crue song I actually really like.

I hate the film Top Gun – never managed to see it all the way through – and not a huge fan of the Berlin track, but hey, it was a freebie. Likewise, that Bobby Brown song from Ghostbusters II is a huge drop in quality from the Ray Parker Jr classic. Some pop genius from KC & the Sunshine Band and Booker T keeps us on track nicely, though.

All in all, another successful night’s entertainment. Stay tuned for more soon, folks – I’ve got loads of these discs for ya and they’re itching for a spin!

The Kool Aid Experiment

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Along with Sea Monkeys, X-ray specs and Hostess Twinkies and Fruit Pies, one of the many strange and exotic things I was aware of as a child was Kool-Aid. I became aware of this drink via advertisements in American comic books, just like the other alien products that weren’t to be found in UK shops.

Perusing Marvel or DC comics, there would often be a tantalising advert for this fruit flavoured beverage. These images always grabbed me, with their lucid colours and bold statements. Not to mention the weird and wonderful flavours available: Tropical Punch, Watermelon – even Cherry and Grape sounded unbelievably strange to me.

Of course, it would be many years till I’d track down some of this fabled product, as it was nowhere to be found in UK shops. A while back, I picked up a sachet of Kool-Aid from one of those American sweet shops to try and make it properly.

Sachet
Jug

Yes, with Kool-Aid you need to actually make the drink, as it’s sold in powdered form. This isn’t easy, as the instructions are in American and they use quarts and cups and stuff. But with a bit of a Google, I was able to mix together a large jug of water, Kool-Aid powder and a ton of sugar. Not the healthiest of drinks, even though I was very cautious with the sugar.

The result was a fairly pleasant fruit flavoured drink, which was best served cold with ice. I chose the grape flavour as that was fairly out of the ordinary for a soft drink. It was a bit grainy due to the powder and not the easiest to mix. I was fairly hyper after all that sugar though.

In conclusion, I enjoyed my grape flavoured Kool Aid, but it didn’t set my world alight. It was an interesting experiment, but not one that I’m likely to repeat too soon. Too much faffing about, and I ended up with far too much of the purple juice. Still, I’ve now answered another yearning question from my childhood – I finally know what Kool Aid tastes like.

Acid Mammoth – Album Review

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Acid Mammoth – Supersonic Megafauna Collision

Heavy Psych Sounds

Release date: 05/04/2024

Running time: 41 mins approx

Review by: Alun Jones

9/10

Your scribe is beleaguered. Beset by enemies on all fronts, every step forward an excruciating endeavour that may only force me further back than when I started. Such is life as my trusty steed, my desktop PC, has been sabotaged by scurvy knaves, and died at the side of the track. This unfortunate scenario has resulted in yours truly patching together a network of ancient laptop (unused these last four years); a dodgy Word type program that might not even be recognised by the notoriously fussy Ever Metal website; and an iPod to complete this review.

Because I’m a professional, goddamnit. I don’t quit. Not when I could actually finish a review before the album release date and avoid yet more scorn from my EM peers. This review is on, mofos – oh yes, it is on.

And what is this review? Why, none other than a spanking new release from the mighty pachyderms of Doom Metal, the wonderful Acid Mammoth. Hailing from Athens in Greece, this four piece trample everything else under their hefty hooves, with just over forty minutes of heavy riff based, crushing rock music.

Acid Mammoth consist of Chris Babalis Jr (vocals and guitar) and Chris Babalis Sr – Junior’s dad – also on guitar. So it’s an unusual, but obviously well functioning, band of family members. Rounding out the Mammoth are Dimosthenis Varikos on bass and Marios Louvaris on drums. This is their fourth full album, and it won’t disappoint any previous fans.

Thundering tribal drums open our first track, the brilliantly named ‘Supersonic Megafauna Collision’ (also the title track, obvs). Fuzzy guitars are soon added to the mix, with a pulverising pace that’s set at head nod/foot stomp. It’s a template that the album sticks to, but then this Doom Metal is of the true kind – with riffs this good, progressive excursions aren’t required.

“Come feel the fuzz”, then, on ‘Fuzzorgasm’: where the band throw in a groovetastic riff that will get your body moving like a caveman in an itchy loincloth. Great lead guitar too. The behemoth lumbers on through the ‘Garden of Bones’, where an ominous bass takes the front of the herd. The vocals remind me of Tobias Forge of Ghost, which is no bad thing.

‘Atomic Shaman’ provides more Sabbath worship, though with a slightly faster approach. ‘One with the Void’ adds a melancholic, ethereal feel that actually gave me early Soundgarden vibes. Finally, ‘Tusko’s Last Trip’ is a nearly twelve minute long opus that takes all the heavy drama we’ve already encountered and dials it right up, with some of the most crushing playing yet.

Huge is the word to describe this album. Just like the bands namesake, “Supersonic Megafauna Collision” is a gigantic, powerful beast from another age that could flatten all that stand in it’s way. Another great release for 2024, I’ve got the vinyl copy on order and Acid Mammoth look set for a high end of year Top Ten placing.

I can’t believe I’ve managed to get this review finished. In the end, the worst part was that little paper clip guy popping up. Thought he was long gone? Not on this ancient Antikythera device.

Check out Acid Mammoth on their website, Facebook, Bandcamp, Instagram and Spotify.

This review is presented to you by Platinum Al and Ever Metal.

Goat Major – Album Review

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Goat Major – Ritual

Ripple Music

Release date: 08/03/2024

Running time: 41 mins approx

Review by: Alun Jones

9/10

“Ritual” is the debut album of Occult Doom Metal band Goat Major. The band, comprising Jammie Arnold (guitar), Simon Bonwick (drums) and Tom Shortt (bass and vocals) came together as a three piece during the pandemic and the frustration of lockdown. They hail from Haverfordwest, Pembrokeshire in Wales, which makes a lot of sense. Wales is steeped in ancient legends, historic monuments and plenty of castles, druids, standing stones, devil dogs and faerie folk – a rich landscape for inspiration.

Musically, we have here eight songs that follow the classic doom/stoner template of fuzzy guitars, rumbling bass and crashing drums. The first track, ‘Snakes (Goddess of the Serpent)’ offers up a burning, slow riff before launching into a dirtier, groovy rhythm. The title track has a driving pace with a hypnotic feel, induced by backing vocals and a relentless grind.

The songs aren’t all just freaked out, fuzztastic trips though. There’s a palpable air of Dennis Wheatley and Hammer horror permeating the whole affair, best demonstrated by ‘Mountains of Madness’, with its slow, atmospheric start. Goat Major bring the gloom to the doom with a touch of malevolence.

Rounding off the album is a short, melodic track called ‘Lay Me Down’, which reminds me of the sort of mellow insert that Budgie (or Sabbath, for that matter) would employ. Appearing last, it’s a lovely oasis of calm after the preceding murkiness. It’s easy to compare the album to Electric Wizard, Uncle Acid and Cathedral, but the foreboding feel Goat Major have created shows they have ideas of their own.

Bubbling away in Goat Major’s coffin is a recipe for some classic Occult Doom Metal. They’ve taken the original sources, added some sinister seasoning of their own, and delivered a hell of a debut album. “Ritual” is easily qualified to make my end of year Top Ten.

PS: in no way has the fact that this band is from Wales influenced my high opinion of this excellent album. Diolch yn fawr, Goat major!

Check out Goat Major on Facebook, Instagram, YouTube and Spotify.

This review is brought to you by Platinum Al and Ever Metal.

GBH – Gig Review

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GBH + Stuntface + Bogans

Saturday 20thJuly 2024

Buckley Tivoli

Well, The Tiv managed to do it again! Another legendary band enticed to play this great venue in Buckley, North Wales. The list of classic bands who’ve played at the Tivoli Venue over the years is, quite frankly, ridiculous. This time, renowned Birmingham punks GBH were our headliners. Trust me when I say, I snapped up a ticket as soon as this show was announced.

Leading the charge this evening were Bogans, from up the road in Wrexham. Sadly I missed them, but have it on good authority that the band were great. I’ve checked out their tunes online and this is true. Shame I didn’t get to see ’em, their hardcore punk with melody would’ve been a fine way to start.

Next up were resurrected Wrexham punk rockers Stuntface – brought back to life with some kind of bizarre voodoo ritual, it would seem. Their super fast merging of classic UK punk (UK Subs, Vice Squad) and US hardcore (Misfits, Cro-Mags) was a rousing, WOAH-OH chorusing, adrenaline soaked set. Great fun and so good to have them back.

GBH playing at the Tiv was a no brainer for me. I’ve owned their records for well over 30 years, but never seen ’em live. And get this: an early bird ticket cost me just £12! Now that is just crazy, and makes very good financial sense to an old miser like me. Thankfully this wasn’t a budget set: GBH ran through a mighty wedge of their back catalogue with all the fire and fury of a band of whippersnappers.

Song after song, it was relentless. I checked my watch and was stunned that they’d only been on stage for half an hour, so intense was the setlist. “Sickboy”, “Momentum”, “Wardogs” and more raced past with barely a break between songs. “City Baby Attacked By Rats” was a much welcomed highlight, before the night ended with GBH covering the Motorhead classic “Bomber”.

The full GBH set was, of course, much longer than half an hour – cram packed with fantastic songs from right across their career, it was extremely good value for money. Twelve quid well spent, but I’d have happily paid a lot more to attend this gig. Simply unmissable.

Anti Racism Poem

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My daughter, Eloise, is nearly 14 years old. I like to feature some of her writing on my blog whenever I can, because I think she’s a very talented writer. And others seem to agree: when I post something she’s written, it’s far more popular than one of my own compostions.

Recently, Eloise was given homework to write a poem about racism. You can read the result below. Yet again, I think she’s done a fine job.

Anti-racism poem

As the praying people look up, the moon looks down. Nothing said but a silent frown.

Companies advertising equality encouraging people constantly.

Genuine people keep the smile alight – while unfortunately others feel the need to cause spite.

Souls with such impacting power, sometimes kept quiet to the size of a flower.

What everyone should learn after all, is that nobody should feel so small.

No matter religion or race, our thoughts shouldn’t be kept apart.

Because the best people have empowered hearts.

Eloise Jones aged 13.

June 2024.

Comic Con Mania – Chester

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Comic Con Mania Chester

Saturday 6th July 2024

Chester Racecourse

There nearly wasn’t a Comic Con in Chester at all this year. Then suddenly, Monopoly Events swooped in and saved the day, in true caped crusader style. In the new guise of “Comic Con Mania” – which appears to be a series of smaller conventions across the country – the plans were back on.

With only a handful of celebrity guests and smaller space for merch stalls than some of the bigger cons, Chester was a refined affair. But I felt there was a good atmosphere, a sense of a local event that defied the odds and was determined to put on a good time.

Daughtertron and I decided to venture to Chester Racecourse and check things out. It had been two whole years since we last visited a convention in Chester – with this event happening right on our doorstep, it was a safe bet for an afternoon’s entertainment.

There were guests from Star Wars and Red Dwarf in attendance (and I really should’ve got an autograph from Mike Quinn, aka Nien Nunb in Return of the Jedi). But Daughtertron and I were happy exploring the stalls and finding some bargains to take home. I got a load of Marvel comic books. Now you’d think finding comics at a comic convention would be an easy task, but surprisingly I draw a blank at many cons.

Of course there were some fantastic costumes being worn by talented people, wandering all round the place. The Cosplay on view was really impressive as hopefully you can see from my photos here. Thanks to all of those who allowed me to take their photo, you’re very kind. I hope these pics do some justice to the time you’ve spent creating these outfits.

Comic Con Mania Chester was on a smaller scale than some of the bigger cons we’ve visited recently. Not surprising really, with another event happening not too far away in Aintree the next day – this may have impacted numbers and traders attending.

In my personal view, I had a fun few hours at Chester, it seemed well organised and it was a warm, friendly event. I’m looking forward to more in the future.