Tag Archives: John Carpenter

Miami Supercops – Album Review

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Jamie Spilsbury – Miami Supercops

Self released

Last September, I reviewed the debut album by a gentleman by the name of Jamie Spilsbury. Jamie is a multi-talented individual with a wide range of skills and hobbies – from author, artist, photographer to musician. Seriously, this guy puts most of us to shame. Previously I reviewed the album “Don’t Be Cruel”, an avant-garde mixture of musical genres and spoken word pieces that intrigues and thrills in equal measure. This time, something completely different is on offer.

‘Miami Suopercops’ is a tribute to the 1980’s movie of the same name, and is steeped in electronica of the time. It’s like an imaginary soundtrack for the film, with separate movements and styles to conjure the action on screen. Now I’ve never seen this particular movie, but I’ve seen many similar television programmes and movies from the time back in my youth. If you’ve ever seen Miami Vice, or heard the music of Vangelis or John Carpenter, you’ll feel right at home here in seconds.

‘Devil’s Reef’ starts us off with a throbbing bass and energetic rhythm (very Miami Vice) and sets an ominous tone. It’s totally evocative of themes from the era. The tracks are mostly instrumental, which adds to the authenticity that Jamie is striving for. ‘Morals’ is a more laidback, reflective number. whilst in ‘Sudden Impact’, the listener can feel the tension rise as the plot thickens.

‘Sunrise’ is another pleasantly moody piece, while ‘Target Locked’ is again a more action-orientated song. What’s great is you can imagine the “movie” in your mind’s eye as you listen along! On ‘Streets with no name’ I can just see the cops cruising the Miami highways in the dead of night, their Ferrari illuminated by the omnipresent neon. ‘Stealth’ begins just like a stakeout, and features some rare, but excellent female vocals. The credits roll with ‘Ghetto Blaster’ and the story is nearly over.

With an apt cover of Jan Hammer’s ‘Crockett’s Theme’ from Miami Vice added as a bonus track of sorts, we reach the end of “Miami Supercops”. I may not be the most knowledgeable when it comes to electronica, but I grew up watching films and TV shows of this type back in the day, and this work sounds completely authentic and immersive. Full marks Jamie, you’ve managed to recreate a time and genre with skill and an easily recognised affection.

Follow Jamie Spilsbury on X/Twitter for more info, and a link to “Miami Supercops”.

Torso – Brain Cells Album Review

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Torso – Brain Cells 

APF Records 

Release date: 13/09/2024 

Running time: 31 minutes 

Review by: Alun Jones 

9.5/10 

Friday night.  I’ve just been down to the local video shop, had a scan of the horror section, took my time deciding which film to rent.  If it’s good I’ll watch it at least three times before I bring it back tomorrow.  Go for the one with the craziest sounding name and the most gonzoid image on the cover.  Doesn’t matter who’s in it, I just want to know which offers the most brain destroying, off the wall, lurid descent into madness..  Pay up and leg it home, video tape in hand.  Urgently load the clunky VHS player and wait for the image on screen to stop crackling and reveal its gory beauty… 

‘Brain Cells’ by horror metal deviants Torso bursts forth with a frantic commotion.  This is album number two from ex-Possessor frontman/guitarist Graham Bywater in his new guise as the Dark Lord of Grindhouse Schlock Terror.  APF records haven’t so much released this album, as unlocked the gates, stood well back and unleashed it upon the world in a tidal wave of bloody fury. 

Starting with the intense thrash of ‘You Belong in Hell’, the lo-fi atmosphere is captured perfectly.  Not that the production is poor, but this whole album has the vibe of an ancient cassette that’s been used and re-used many times.  Probably starting with Huey Lewis, then taped over with some early Maiden, then repeatedly re-recorded on again until it features Carcass and Entombed.   

As before, songs are peppered with random movie samples (good luck tracking the sources down, I’m stumped already), though there’s noticeably less of the John Carpenter-inspired keyboard instrumentals this time around.  No matter, the drive-in B-movie atmosphere is ever present here – both ‘Savage Magic’ and ‘Brain Cells’, in particular, help see to that. 

Key highlights you won’t want to miss include ‘Deep Space Death Trap’ with its unforgiving, virulent chorus and raw, fuzzed up riffs; and ‘Hex Pest’, which roars along as if possessed by a filthy, NWOBHM-obsessed demon biker. 

“Brain Cells” is an underground garage-metal thrill ride from opening act to final curtain.  It’s glorious, murderous fun for all – you’ll want to rewind and go from the start again, as soon as it’s finished.  A nasty, blood splattered triumph for Torso and a Top Ten of 2024 album for me.   

Find out more about Torso on Bandcamp and their APF Records page.

This review is brought to you by Platinum Al and Ever Metal.

Halloween Horror Fest Express

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Horror Express (1972)

All aboard! Take your seats please, ladies and gentlemen, for a ride of the Horror Express! This early seventies sci-fi horror features a familiar plot and a fine cast, so jump onboard and have your tickets ready…

It’s 1906, and British anthropologist/explorer Professor Saxton (Christopher Lee) is making his way back to Europe via the Trans Siberian Express from Shanghai to Moscow. Saxton has discovered the remains of an ancient missing link, frozen in the snow. A rival, Dr Wells (Peter Cushing) is also on the journey – and he’s curious just what Saxton has locked up in a huge wooden crate.

The humanoid begins to defrost and returns to life, escapes, and starts a murderous campaign aboard the train. The creature is a host for an extra-terrestrial intelligence, frozen for millions of years, but now keen to return to the stars. To accomplish this, the creature kills and absorbs the knowledge of it’s victims, taking on their appearance as well.

Wells, Saxton and other passengers deduce the nature of the creature’s plans, but can they destroy something that can assume the identity of its victims?

Horror Express is based on the novella Who Goes There? by John W Campbell, as was The Thing from Another World and of course, John Carpenter’s The Thing. Though not a patch on the later Carpenter film, Horror Express is a fascinating variation on the story, and manages to raise the tension capably. Telly Savalas is seen only fleetingly as a brutal Cossack, sadly, but the two leads are as dependable as ever.

A great film in it’s own right, and recommended for any fan who can’t get enough of Carpenter’s masterpiece.

8/10

Platinum Al’s Top 10 Rock & Metal Albums of 2023

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Just as per last year, I compiled my Top 10 Rock & Metal albums for Ever Metal, which was published on the site. Now you lucky devils over here at the Virtual Hot Tub get to take a look too!

Absolutely ridiculous, that’s what it’s been like trying to pick just 10 albums to make my “Best of the Year” list.  There’s been a ton of great music in 2023.  Here’s my attempt to pick out my favourites:

10. The Sound of Origin – Man in the Arena

Sludgy, Grungy, Stoner Metal from Huddersfield, this album features Trouble’s Kyle Thomas on a couple of tracks adding even more class to a solid record.

9. Church of Misery – Born Under a Mad Sign

Gruesome Doom from the Japanese masters of Sabbathian serial murderer Metal.  Killer!

8. Torso – A Crash Course in Terror

John Carpenter synths meet chainsaw guitars in this brutal, 80’s horror inspired monster of an album from Torso.  Short but evil.

7. The Lords of Altamont – To Hell with Tomorrow, The Lords are now!

Psyche Biker Rock with skronky keyboards and attitude, The Lords of Altamont deliver a slab of Garage Punk’n’Roll to keep the party going.  YEAH!!!

6. Tankzilla – Tankzilla

Debut album from this dynamic duo, a righteous cacophony of pounding, groovy riffs that’ll make your body move like a serpent. 

5. King Kraken – MCLXXX

These guys blew me away when I saw them live back in February.  Their album is also a work of Groove Metal wonder.

4. Kvelertak – Endling

Norwegian Punk Metal with a Classic Rock sheen?  Yes please!  More joyous tunes from Kvelertak is nothing short of a true gift.

3. Blood Ceremony – The Old Ways Remain

Folk Metal, flute infused Occult Rock that sounds both ancient and modern at the same time, we waited a long time but this album will cast a spell on you.

2. Green Lung – This Heathen Land

I was one of many waiting anxiously for the third Green Lung album, and it didn’t disappoint.  Exquisite Occult Rock that’s doomy and hook filled, Green Lung have exploded with this record.

And number one is…

1. Desert Storm – Death Rattle

Three years ago, Desert Storm were number 2 in my 2020 Top 10, after a little band called AC/DC.  This year they deservedly take the top spot, with a massive album that I’m still enjoying months later, up against some stiff competition.   

Plus some honourable mentions:

Baroness, who’s latest album “Stone” probably would’ve made the top 10 if I’d listened to it sooner.

The Damned – their “Darkedelic” album may not be for all of Ever Metal’s audience, but it’s bloody great all the same.

Metallica – that “72 Seasons” thing was good but too long.  Nice try.

Keep coming back to Ever Metal and Platinum Al’s Virtual Hot Tub for all the best rock reviews!

Torso – Album Review

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TORSO – A Crash Course in Terror

APF Records

Release date: 27/01/2023

Running time: 30 minutes

Review by: Alun Jones

9.5/10

BLEEAUURRRGH!!!  It’s a jump scare to wake anyone out of hibernation, running for safety behind the sofa.  What a way to start the year!  APF records present “A Crash Course in Terror”, the debut album from TORSO.  Formed from the smouldering corpse of Possessor by that band’s Graham Bywater (frontman/guitarist), TORSO skulk in a murky Grindhouse nightmare.

Are you sitting comfortably?  Then we’ll begin.  ‘Heads Start to Roll’ introduces the album with a John Carpenter-esque, menacing, keyboard-led theme which immediately unsettles the listener.  Then the chainsaw guitars cut through, the song erupts, and the listener is dragged along by the scalp in a ferociously paced fairground ride from hell. 

The retro, electro keyboard themes dotted throughout help to set this album apart in its own fuzzy VHS world.  Spooky instrumentals like ‘Pranks’, ‘Depth Charge’ and ‘Death TV’ add a dread atmosphere, part prog and part video nasty soundtrack.

‘Sinking Spell’ is like The Melvins rocking out to a Texas Chainsaw Massacre back projection.  The lo-fi, raw sound of the heavier numbers keeps everything within the TORSO world: ‘Precious Blood’ could be a punked up hybrid of Angel Witch and Electric Wizard.  Finally, the epic ‘Circuit Breaker Breaker’ has a B-movie, doom metal fury that sounds as if the final survivor is running for their life from a vicious psycho killer.

My only complaint with this album is that at just 30 minutes, it’s a little short – I’d have loved another 5 minutes of mayhem.  But at least “A Crash Course in Terror” is to the point.  That’s much preferable to yet another 80 minute Metallica album – I haven’t finished listening to all the songs on their last record yet…

“A Crash Course in Terror” by TORSO.  A fantastic, gruesome recording and a perfect start to the year.  Can 2023 get any better?

Check out Torso on Instagram, Spotify and YouTube.

APF record scan be found on Facebook, Bandcamp, Twitter and their own website.

This review brought to you by the combined might of Platinum Al and Ever Metal.

John Carpenter’s Halloween Horror Fest

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They Live (1988)

“I have come here to chew bubble gum and kick ass – and I’m all out of bubble gum!”

Yes, this legendary quote from Wrestling legend Rowdy Roddy Piper can be heard in They Live, another masterpiece from John Carpenter.  It’s a film I resisted watching for many years, as I labelled it just another dumb 80’s macho-man action flick.  Yet there is so much more to this film than that.

Piper plays an out of work drifter, scrabbling for employment and finding a home in a run-down shanty town.  The discovery of a special pair of sunglasses reveals to him that the world is under the control of grim looking aliens, who are using subliminal messaging to subdue the human race to their nefarious will.  So Roddy joins the underground and begins to fight back against the evil alien masters…

It might be more action/sci-fi than straight out horror, but there’s plenty in They Live to qualify it for Halloween Horror Fest.  The bad guys are pretty gruesome, and so is the nature of their plans for the human race.

But it’s the clever social commentary that makes this movie so great, and worth repeated viewings.  The evils of consumerism are revealed as methods to control the people.  Carpenter is attacking unrestrained capitalism, and the ways that media and society combine to keep us all oblivious to exploitation.

Only mildly successful on release, They Live has become a cult film and infiltrated popular culture.  Unsurprising, as the truths it exposes are still sadly prevalent today.  And that’s the scariest thing of all.

CONSUME.  CONFORM.  SUBMIT.  BUY.  NO IMAGINATION.  STAY ASLEEP.  OBEY.

9/10

Obey – Swallow the Sun Album Review

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Obey – Swallow the Sun

Self-released, Enso Music Management

Release date: 05/04/2019

Running Time: 37 mins

Review by: Alun Jones

8.5/10

 

OBEY!  CONSUME!  CONFORM!  Have you seen John Carpenter’s masterpiece of paranoid sci-fi, “They Live”?  It’s out standing.  Rowdy Roddy Piper puts on some special sunglasses and is able to see the aliens living amongst us, brainwashing and controlling society.  With the constant subliminal media messages exposed, Rod and his mates attempt to destroy the conspiracy and free the human race from subjugation.

I don’t know if Obey – the band – have ever seen this awesome movie, but these guys have definitely (to paraphrase Roddy) come here to chew bubblegum and kick ass…  And they’re all out of bubblegum.

“Swallow the Sun” is the fourth album from Obey and it doesn’t disappoint.  The listener gets more thunderous, rhythmic riffing that bridges across hard rock and metal, courtesy of Steve Pickin (guitar/vocals), Dan Ryder (guitar/bass) and Ryan Gillespie (Drums).  Add in a progressive, exploratory approach that’s open to wide influences, and what we have here is an album full of ideas that constantly reveals new depths with repeated listens.

Take bombastic opening track “Back Home”: it starts out in familiar crunching guitar riff territory, but unleashes a huge chorus that’s catchier than Velcro underpants.  I wasn’t convinced on first listen, but this melody works so hard that despite being a surprise it’s a winner.

“Drive” offers more of the brutal riffing that Obey are known for, but with lush, melodic moments – not to mention a total classic rock lead.

Midway through the album is “Esmeralda and the Dam Blues”, a track that begins with a mellower, supernatural sound – giving way to a massive, chunky chorus.  These songs are extremely well constructed, taking the listener on a stellar journey that’s refreshing and far from obvious cliché.

Some of Obey’s influences appear to froth to the surface with the album’s title track, which has a feel of Mastodon about it.  Mix in some vintage Prong rifferama and the melodic tendencies of Alice in Chains and you’re a tiny step closer to understanding which star system the planet Obey revolves in.

Obey’s ability to meld face smashing heavy with unexpectedly tuneful moments gives this album it’s unique identity.  “Swallow the Sun” is the kind of album that you can rock out to (can’t wait to see these guys live again), or take your time and listen on headphones to savour the detail.

If anything, I’d like to see further experimentation from Obey as the band grows.  “Star Crusher” is an obscenely huge yet groovy COC style track, but sadly lasts less than a minute.  More experimentation with different interludes and variations of pace and intensity can only add more colour to their cosmic palate.

There’s very little to grumble about with “Swallow the Sun” though.  What we have is an intricately created collection of songs with maximum power and thoughtful embellishments.  Obey are a British band with real talent and ambition – check them out and lend them your support.

And beware of those ugly, skull faced aliens.  They want to keep you in line and be part of the system.  Get yourself some sunglasses and see what’s going on.  Open your eyes and fight!

This review appeared on the Ever Metal website and is reproduced here for your enjoyment.  Click here to visit the Ever Metal website.

www.facebook.com/obeyuk
www.youtube.com/obeyuk
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obeyuk.bandcamp.com 

Halloween Horror Fest

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Yes, it’s October – which means it’s time once again for Halloween Horror Fest!  Throughout the month on the run up to Halloween, Mrs Platinum Al and I watch some of the horror movies from our creepy collection, and I write a brief review of each for your evil entertainment.

It’s always out and out horror – so long as there’s a general spooky or paranormal element – or monsters! – then the movie is up for consideration.

This is the fifth year running we have attempted this mammoth task.  To keep everyone up to speed, here’s a list of the films that have been viewed over the last few years.

All are listed in alphabetical order.

28 Days Later
28 Weeks Later
30 Days of Night
The Addams Family
Alien
An American Werewolf in London
Big Tits Zombie
Bigfoot Wars
Blacula
Blood from the Mummy’s Tomb
Blood on Satan’s Claw
Bram Stoker’s Dracula
Captain Kronos – Vampire Hunter
Carrie
Carry on Screaming
Company of Wolves
The Corpse Bride
Countess Dracula
Creature from the Black Lagoon
Dark Shadows
Day of the Dead
Dead Snow
Dead Snow 2
The Devil Rides Out
Dracula AD 1972
Dracula Prince of Darkness
Ed Wood
Elvira, Mistress of the Dark
Evil Dead
The Fog
Frankenstein Meets the Wolfman
Friday the 13th
From Dusk Till Dawn
From Hell
Ghost Ship
Ghostbusters
Halloween
The House That Dripped Blood
Lost Boys
Night Watch
Oupost
Para Norman
Paranormal Activity
Paranormal Xperience
Pet Sematary
Pride and Prejudice and Zombies
The Raven
Rocky Horror Picture Show
Scream
Shadow of the Vampire
Shaun of the Dead
Silence of the Lambs
Sleepy Hollow
Taste the Blood of Dracula
Theatre of Blood
The Thing (1982)
Vampire Circus
The Vampire Lovers
The Wicker Man
The Wolfman (2010)
The Woman in Black
Zombie Strippers

Halloween Horror Fest from the Black Lagoon

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Yes, you guessed it – more mini reviews of scary movies for the month of October.  As always Halloween is a big deal at the Virtual Hot Tub; we’ve started watching horror films already.  And why not?  Seeing as there’s already Christmas stuff in the shops, I want to (in the words of Alice Cooper) keep Halloween alive…

The Fog (1980)

The town of Antonio Bay is about to celebrate the one hundred year anniversary of its founding.  Yet the towns folk don’t know that their home was built with gold stolen from a ship that was deliberately wrecked.  The fog rolls in and the ghostly crew return, to seek revenge against those who conspired against them all those years ago.

John Carpenter created another horror classic with this film.  Although knocking on a bit, this movie still has some jumps, some gore and oodles of atmosphere.  The concept itself is great, and executed superbly as the fog – and the gruesome undead – take over the small town.

 fog

There’s not much character development or background, but decent performances from Jamie Lee Curtis and her mum, Janet Leigh.  Not to mention Adrienne Barbeau as honey voiced DJ Stevie; watching helplessly from a lighthouse as the mist creeps in towards her home in the distance, her young son waiting…

I hadn’t seen this film for a few years, and forgotten a lot of the detail.  It was refreshing to view it again and appreciate just how good it is.  Not quite up there with The Thing or Halloween, but definitely another cracker from Carpenter.  The Fog is worth your time.

8/10

Creature from the Black Lagoon (1954)

Universal unleashed their last classic monster on the silver screen with this gem.  Originally filmed as a 3D feature, Creature from the Black Lagoon gives us the first appearance of the iconic Gill Man.  This genuine old school monochrome piece of art has it all – adventure, mystery, murder and mayhem.

A team of scientists in the Amazon discover some strange fossils, and explore a remote lagoon to learn more.  There they encounter the Creature of the title, a long lost evolutionary throw back – a fish man from another time.  The expedition’s encounter leads to an attempt to capture the Gill Man, who has developed a crush on the sole female in their team (Julie Adams).  The scientific interlopers are bumped off one by one, the tables are turned and the Gill Man claims his prize…

cfbl

This movie really is a blast from the past.  The story is gripping and retains the viewers attention throughout.  Some of the sequences are still very creepy, in particular when the Creature is gliding through the water, observing but unseen by the swimming girl above.  It’s these scenes where the humans are out of their natural element, and in the domain of their nemesis, that still hold the most power.

If you’re a fan of monster movies, like me, then you must see this film (if you haven’t already).  The Creature from the Black Lagoon has cool photography, is well written, and has that brilliant creature design.  It’s B-movie heaven.

8/10

Sci-Fi Weekender 2015 – part 2

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Sci-fi Weekender 19th – 22nd March 2015

Hafan Y Mor Holiday Park, Pwllheli

Welcome back to part 2 of my Sci-fi Weekender 2015 update!

Saturday began in the usual manner for for my intergalactic crew mates and I – fairly lazy hanging around the caravan.  The home comforts were pretty good t be fair; with a fridge stocked with beer, decent TV and plenty of space we had a good base for our weekend.

To be honest there was less of interest to me personally on this day.  The highlight though was a Q&A with Judge Dredd creators John Wagner and Carlos Ezquerra.  The two were escorted on to the stage by a squad of mean looking Judges, and proceeded to tell the audience about their many years working in comics.  All good stuff, though a bit less about the Dredd movies and more about the actual comics would’ve been preferable.  But I guess that serves me right for not asking my own questions.

Dazzling outfit!
Rogue and Bucky
Green Arrow and Daryl
Girl from Mars
He-Man and pals
Constantine and Zatanna
Ripley and pals
Spidey and Stormtrooper

One Man Lord of the Rings was next, and not being a Hobbit geek (unlike Star Wars) I was off.  I heard it was good though.  Time to mill about round the various merchandise stalls, though there less of a science fiction theme to this year’s traders.  With MCM Comic Con on the same weekend at Birmingham NEC, I guess most traders opted for that instead.

Another strange tweak to the event this year was that Hafan Y Mor was also hosting a Prog Rock event on the same weekend.  Hence the large number of music related items on sale, perhaps.  Though having these two events at the same time appeared to be a strange mutation at first, I decided to check a few bands out over the weekend and found some that were certainly worth hearing. IMG_4015

Back on Friday I witnessed the strange jazz prog of Knifeworld, which I enjoyed after my ears got used to it.  “I want this music out of my head!” was the view of one of my gang.

On Saturday afternoon, I witnessed Landskap.  They had an almost doom/stoner rock sound, with slow heavy guitar riffs – augmented by an almost Doors-like keyboard.  Very, very good – saw the whole set and loved it.

Captain America and Agent Carter
Hawkman
Joker
Futurama
Superman and friends
Zoidberg
No black and white filter needed!
Shredder!!!

Next it was back to the Sci-Fi Arena to see the Cosplay preliminaries.  As ever there were some amazing entries – well made, authentic, but also incredibly original.  The best part was spotting characters from film and television that you just weren’t expecting to see.  The Guardians of the Galaxy and Mad Max ensembles were both awesome.  Lego movie Batman, Futurama robots and more were just amazing.

You can see some of the photos here, but there were also dozens of fans who were dressed up, and hadn’t even entered the competition.  Plenty of people had obviously put a lot of thought and effort into their costumes, but were happy just to be part of the fun.

I did feel bad for one group, though – they were all in monochrome outfits (complete with make-up) to look like the old black & white Flash Gordon serial.  However, they’d missed registration through no fault of their own.

Hot Fuzz
Futurama gang
Dark Jedi – nice blokes, actually!
Kick Ass
The winners!
Macho Man Randy Savage
Wilma – awesome idea!
Ant Man and the Wasp

The Cosplay was again a real highlight od Sci-Fi Weekender this year.  So many fabulous and imaginative outfits, I couldn’t pick a favourite.  My thanks to all who agreed to me to take a photo – you’re all superstars!

In the late evening, I popped over to the Prog Rock arena to see Rick Wakeman.  Rick was performing on his own, with just a grand piano.  Instrumental versions didn’t really appeal at first, though it turned out to be a fantastic set of lush, almost Classical songs.  There was a Sci-Fi tie in with an absolutely wonderful recital of David Bowie’s “Life on Mars”, which Rick had preformed on originally.  Plus the between song banter was hilarious! IMG_4068

Black Widow
Jedi
Lion-O
This is amazingly cool!
Black Cat and Maleficent
Village of the Damned
General Kala
Logan

Back to the Sci-Fi arena for the Cosplay finals – which saw a hard fought contest eventually won by the young Tim Burton character family!  We ll done!  Then it was party time, with characters from all conceivable franchises across the genre seeing the weekend out in style.

It was a long trip back to the real world.  We met some awesome people, saw a few familiar faces from last year, and had a great time.  Here’s to next year.  If only I had a Tardis, I could do it all again…

I have dozens of photos left.  I’ll do a bonus section as per last year in the coming weeks.

The Sci-Fi Weekender website is here.

You can find Sci-Fi Weekender on Facebook or follow on Twitter: @scifiweekender

The Prog Rock website is here.