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N.E.W. Metal Productions Christmosh – Gig Review

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N.E.W. Metal Productions Christmosh

6th December 2025

Mcleans Pub, Pentre, Deeside North Wales

Have you been good all year? Have you eaten your greens, minded your Ps and Qs, and got your Ever Metal reviews in on time? If yes, then good news: the final North East Wales Metal Productions shindig of the year is here – the annual Christmosh party! A fabulous six bands appearing at Mcleans Pub in Pentre, Deeside, covering a wide variety of Rock/Metal music and all gathered together to celebrate a festive end to 2025.

Warming us up like a welcome open log fire was Victim of Damp, alias N.E.W. Metal Prods ally Frank Williams, here given a seasonal makeover as Christmas of Damp. With Christmas jumper and trusty guitar in hand, COD gave us some choice cuts including new additions such as Therapy?’s ‘Screamager’ along with free shots and a melancholy Pink Floyd cover. The promise of Crimbo tunes wasn’t forgotten, with a rousing version of Slade’s evergreen ‘Merry Xmas Everybody’ – event guru Fozzy (in Santa suit) on vocals.

Victim of Damp

‘Agro’ by The Raging Mabels is one of the Greatest Songs Ever. Their entire set of high speed, thundering yet melodic Zeke-like Punk Rock was an absolute, total joy from start to finish. I cannot praise this band highly enough, even though they forgot to bring merch (again). There should be a new Raging Mabels album out in the New Year, so be prepared for a cultural explosion of Nirvana ‘Nevermind’ levels. And if that doesn’t happen, every single one of you can suck balls.

The Raging Mabels

Sadly, last time SOOTO (Something Out Of The Ordinary) played Pentre a couple of months back, I failed to write up my review. That cruel oversight is about to be reversed. SOOTO deal in classic Hard Rock/Metal, and with the female vocals they’re like Stevie Nicks singing for Thin Lizzy. Professional but not superficial, SOOTO have a raw energy and love of the riff, combined with dynamic songcraft and expert playing. A fantastic set that was over too soon.

SOOTO

The only band I’d never seen before, Heroes of the Gauntlet were a pleasant surprise indeed. Billed as “Symphonic Power Metal”, I was concerned these guys would be a full-on cheese fest. They have two singers (male and female) with fantastic voices, and a microphone that turns into a sword. Add in some serious Power Metal riffage and super confident stage personas, and you’ve actually got one hell of a show. Heroes of the Gauntlet were gloriously over the top and it’s impossible not to love them! All they need is a live drummer and these Heroes cannot fail.

Heroes of the Gauntlet

Bad Earth we have met before, and yes – hands up, I am a bit of a fanboy. But when a band deliver this much power and presence on stage, how can anyone not be? A “Rockcore” trio from the North Wales area, what that genre entails is dishing out filthy Punk/Metal riffs and pummelling, killer rhythms that you can feel as well as hear. They get better and bolder all the time – though the silly buggers are very humble about it – and this night was no exception. New recorded material is due soon, so beware: Bad Earth have never shied away from delivering crushing, groove infused Rock and I don’t think they will.

Bad Earth

To say I was excited about the return of the fuzzed out, sludgy sound of Master Charger to Mcleans would be an understatement. Their album “Posthumous Resurrection” was one of the never ending delights of 2025, plus last time they were here, these boys absolutely killed it. Make no mistake, Master Charger can and will deal out a mighty, megalithic slab of Stoner/Doom that will make the earth tremble. And that’s exactly what they did, with every asteroid-heavy riff and mammoth beat ploughing through the audience mercilessly. Another off-the-charts performance and a great finale.

Master Charger

What a night. Quite possibly the strongest line-up at Mcleans that I’ve ever witnessed, featuring many of my personal favourites.

But now it’s down to you. Christmosh was the last North East Wales Metal Productions event of the year, till the return of Pentre Fest in February 2026. These events, these bands need your support. If you’ve ever considered a trip to Mcleans, then you need to be there on 27th and 28th Feb 26. No excuses!

Brown Acid: The Twentieth Trip – Album Review

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Various Artists – Brown Acid: The Twentieth Trip 

RidingEasy Records 

Release date: 20/04/2025 

Running time: 

Review by: Alun Jones 

8/10 

Aw, man!  Another deadline missed.  What’s this album?  The latest Brown Acid comp from RidingEasy Records, OK.  And when was it released?  The twentieth of April??!!  Oh right, yeah.  Released on 4/20, of course.  Very apt.  Now I don’t even smoke the Devil’s Lettuce, but maybe I can use that as an excuse for my tardiness?  Whaddya think?  Sounds better than “the dog ate the review” or “I fell off my skateboard”.  Yeah, that’s it.  I must’ve been higher than Godzilla’s toupee and forgot to write this thing. 

Let’s crack on.  The Brown Acid series are compilations of sadly long lost and forgotten songs from the late 60’s and 70’s, each the less successful step sibling of the major rock acts of the time.  The songs are garage rock, proto heavy metal would-be classics that fell through the cracks.  Until, that is, RidingEasy Records unearthed them and saved from obscurity. 

So what’s up first on this latest release?  It’s Afterflash with the psychedelic fuzz of ‘Cookbook’, where the band implore us to “feed our mind”.  Good fun of the sort you can imagine Scooby Doo and the gang listening to in their van, but not the strongest song on this comp.  Polvo are next with ‘Have You Ever Been There?” – I haven’t but I’d like to, it’s great early Hard Rock with a killer lead guitar solo.  ‘Darkened Passage’ is gifted to us by Hot Candy, a Zeppelin-like rocker that has a feel of ‘Communication Breakdown’.  A highlight of the album and a genuine righteous moment. 

The Brown Acid template widens again with Banana Bros ‘Suck You in’, a winning song with a super infectious funk driven rhythm.  Side One concludes with ‘Thank You For The Ride’ from another familiarly monikered troupe, The Jordan Brothers.  This romping number is definitely the ear-worm of the set, with a chorus that’ll stick in your head for days. 

Side Two opens with the crashing drums of Osage Lute.  Their track ‘Watch ‘Em Shine’ has an electrifying sound not dissimilar to Mountain, catchy riff and mind-expanding mellow section included.  Sandy Torano & The Nimo Spliff have the wildest name on this selection, and a wild fuzz guitar intro on their song ‘A Year Ago Today’.   

Lazy Day employ some skronky organ a la early Purple or Steppenwolf on ‘Don’t Dance In My Song’, but you’ll be hard pressed to stay still here!  No idea what a ‘Hot and Tot Woman’ is, but Flavor do – and they throw in a Stooges-ish proto metal riff that you could proto-headbang to!  Bringing things to a close this time around is Frozen Sun, with the funky, desert rock of ‘Jamm Part 1’.  Ideal for watching the sun set whilst you definitely don’t inhale any of the herb. 

The Twentieth Trip has managed to offer a little more variety yet again, as the Brown Acid series goes from strength to strength.  A genuinely good time listen and very worthwhile exploring for any retro heads out there.  Plus, listeners can gain kudos points for being familiar with ultra rare, underground rock that their friends won’t have a clue about! 

Visit the RidingEasy Records website here.

This review is presented by Platinum Al in association with Ever Metal.

Singles Night at the Virtual Hot Tub #39

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Are you ready for more rock’n’roll?  And very possibly lots of other genres of music too?  In that case, pilgrim, you’ve come to the right place.  You know it – it’s another Singles Night here at Platinum Al’s Virtual Hot Tub!

Now, for any of you brave readers who are muddled and befuddled by what a Singles Night involves, here’s the lowdown.  You see, I  possess a huge collection of 7 inch vinyl singles, none of which have been listened to (yet).  So the concept is to spend an evening playing these records – both sides – and have a grand old time doing so.

During the course of the night, we’ll hear a variety of music, old and new, with plenty of surprises.

That’s not so scary, is it?

Grab yourself a drink and let’s check out the latest playlist:

  1. Cheap Trick – “The Flame” / “Through the Night”
  2. Stiff Little Fingers – “Silver Lining” / “Safe as Houses”
  3. Belinda Carlisle – “Live Your Life Be Free” / “Loneliness Game”
  4. Salt-N-Pepa- “Let’s Talk About Sex (True Confessions Edit)” / “Let’s Talk About Sex (Super Crispy Mix)”
  5. Herb Alpert’s Tijuana Brass – “Up Cherry Street” / “Numero Cinco” / “Mexican Shuffle” / “The Girl From Ipanema”
  6. Magazine – “About the Weather” / “In The Dark”
  7. The Lotus Eaters – “The First Picture of You” / “The Lotus Eaters”
  8. James Brown – “Rapp Payback (Where iz Moses?)” / “Rapp Payback Pt. II (Where iz Moses?)”
  9. Huey Lewis & The News – “World to Me” / “It’s All Right (Live)”
  10. Dannii Minogue – “This is it” / “It’s Time to Move On”
  11. Queen – “Bohemian Rhapsody” / “These Are the Days of Our Lives”
  12. The Kinks – “Tired of Waiting for You” / “Come on Now”
  13. Big Country – “Wonderland” / “Giant”
  14. Timbuk 3 – “The Future’s So Bright I Gotta Wear Shades” / “I’ll Do Alright”
  15. Derek & The Dominos – “Layla” / Eric Clapton – “Wonderful Tonight”
  16. Jesus Jones – “Right Here, Right Now” / “Move Me” / “Damn Good at This”
  17. Big Country- “In a Big Country” / “All Of Us”
  18. Electric Light Orchestra – “Don’t Bring Me Down” / “Dreaming of 4000”
  19. The Belle Stars – “The Clapping Song” / “Blame”
  20. S’Express – “Hey Music Lover” / “Have a Nice Day”

Not a bad evening’s entertainment at all.  A thrilling exploration through several genres, from pop to punk, rock to funk, and more.  The only song I wasn’t a fan of was that hideous Clapton claptrap, so that’s a pretty decent result.

Lots of highlights, and I’m shouting out SLF, James Brown, Big Country, The Kinks and Jesus Jones as particular favourites.

Hope you enjoyed that list of killer tracks.  More soon!

Jonathan Hultén – Album Review

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Jonathan Hultén – Eyes of the Living Night 

Kscope Records 

Release date: 31st January 2025 

Running time: 43 mins approx 

Review by: Alun Jones 

9/10 

WARNING: This is NOT a Heavy Metal album.  If you’re the type of listener that only wants to hear the loudest of pummelling riffs and ear slashing vocal roars, this may not be for you.  And that’s fine.  We all like to rage like Satan with a stubbed toe.  This is Ever METAL, after all.  If, on the other hand, you’re the kind of discerning listener who likes to temper the ferocity with atmosphere and introspection, take a seat. 

Jonathan Hultén is a Swedish singer-songwriter who first arrived on my radar as the support act for The Cult on their 84/24 tour last year.  Hultén was not what I anticipated at all for a major rock show: his music, performed solo, is a dark yet beautiful expression of acoustic, gothic melody and ethereal charm.   

This second album, “Eyes of the Living Night”, takes the listener on another fairy tale like walk in enchanted woods.  Beginning with ‘The Saga and the Storm’, the music is more soundtrack for a folk horror movie than a typical rock album.  This opening track is like a lost Morricone classic and builds to a gloriously uplifting finale.  Just wait for that mid song moment when your neck hairs will raise to the sky. 

First single ‘Afterlife’ features swirling keyboards and angelic vocals, while ‘Riverflame’ has the plaintive ambience of a Nine Inch Nails/Alice in Chains mash up.  The dreamy folk of ‘The Dream was the Cure’ offers a widescreen Scandinavian epic of reflection, and is a highlight of the album.  Weaving genres further, ‘Through the Fog, Into the Sky’ is a wonderful classical piano piece whilst ‘Vast Tapestry’ sees Hultén n the role of gentle folk troubadour. 

The concluding track, ‘Starbather’, works more like a rock ballad and bookends the album with a final flourish of bright optimism.   

“Eyes of the Living Night” won’t destroy your speakers, but it will take you to a mystical and unforgettable place.  With its layers of gothic ambience and mood elevating nuance, this album deserves to be a part of the Ever Metal community’s world.  The music of Jonathan Hultén will be there for you when you need to reach inside yourself, to heal and unwind.  Or to transport your mind to another world.  I genuinely love this album and heartily recommend it, I hope you’ll give it a chance. 

Find out more about Jonathan Hultén on Facebook, Instagram, Spotify, YouTube and Bandcamp.

This review is brought to you by Platinum Al in association with Ever Metal.

Singles Night at the Virtual Hot Tub #37

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You wanted it – you got it! Another Singles Night at the Virtual Hot Tub. This is where I spend an evening playing 7 inch singles that have found their way into my vinyl collection, from any number of different sources. None of the records have been played before, so I spend a few hours playing both sides and working through that pile.

There’s usually plenty of variety in the stack, with songs old and new, from any genre. Anything can happen, so just enjoy the ride.

Grab a drink and let’s check out the latest playlist:

  1. The Beatles – “Now and Then” / “Love Me Do”
  2. The Dickies – “Banana Splits” / “Hideous” / “Got It at the Store”
  3. S.S.S. – “CDC” / “Bath Night” / “Thrash with a Small Moustache” / “Black Night White Light”
  4. 999 – “Little Red Riding Hood” / “Wait For Your Number to be Called” / “I Ain’t Gonna Tell Ya”
  5. Roxy Music – “Jealous Guy” / “To Turn You On”
  6. Ram Jam – “Black Betty” / “I Should Have Known”
  7. Bee Gees – “Tragedy” / “Until”
  8. ABBA – “One Of Us” / “Should I Laugh or Cry”
  9. Sweet – “Love is Like Oxygen” / “Cover Girl”
  10. The Alarm – “Spirit of ’76” / “Where Were You Hiding When the Storm Broke? (Live)”
  11. Nancy Sinatra – “Love Eyes” / “Coastin'”
  12. Kool & The Gang – “Joanna” / “Tonight”
  13. Rick Dees & His Cast of Idiots – “Disco Duck (Pt. 1)” / “Disco Duck ({Pt. 2)”
  14. Matthew Wilder – “Break My Stride” / “Break My Stride (Instrumental)”
  15. Bee Gees – “Night Fever” / “Down the Road”
  16. Dire Straits – “Romeo & Juliet” / “Solid Rock”
  17. Nilsson – “Without You” / “Gotta Get Up”
  18. Sinitta – “Right Back Where We Started From” / “I Just Can’t Help It”
  19. Sabrina – “Boys (Summertime Love)” / “Get Ready (Holiday Rock)”
  20. Oceanic – “Insanity (Legendary Mix)” / “Reality”
  21. Charlie Pride – “The Most Beautiful Girl” / Johnny Cash – “Ring of Fire” / Crystal Gayle – “Miss the Mississippi & You” / Tammy Wynette – “Stand By Your Man” / Bertie Higgins – “Key Largo”

Twenty one records this week, and enough variety to keep anyone on their toes. Disco, punk, pop and rock classics – this was one of my best Singles Nights yet.

Notes:

The Beatles single is their last ever song, released recently and backed with their first ever single. A must for the collection.

That Dickies single is on yellow vinyl, naturally. The 999 record is plain old black vinyl, but I’ve been after that for a very long time. It was one of the songs on the first punk/new wave compilation I heard, it confused me as it didn’t sound “punk” (or what I thought was punk at the time). Great song.

SSS stands for Short Sharp Shock, a hardcore/skate thrash band from Liverpool that I can’t believe I never saw live. The last track is dedicated to Metallica bass legend Cliff Burton.

That final 7″ country record i picked up for 50p in a charity shop. Plain sleeve, so very little information – some fantastic songs though. not least my all time hero, Johnny Cash.

Miami Supercops – Album Review

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Jamie Spilsbury – Miami Supercops

Self released

Last September, I reviewed the debut album by a gentleman by the name of Jamie Spilsbury. Jamie is a multi-talented individual with a wide range of skills and hobbies – from author, artist, photographer to musician. Seriously, this guy puts most of us to shame. Previously I reviewed the album “Don’t Be Cruel”, an avant-garde mixture of musical genres and spoken word pieces that intrigues and thrills in equal measure. This time, something completely different is on offer.

‘Miami Suopercops’ is a tribute to the 1980’s movie of the same name, and is steeped in electronica of the time. It’s like an imaginary soundtrack for the film, with separate movements and styles to conjure the action on screen. Now I’ve never seen this particular movie, but I’ve seen many similar television programmes and movies from the time back in my youth. If you’ve ever seen Miami Vice, or heard the music of Vangelis or John Carpenter, you’ll feel right at home here in seconds.

‘Devil’s Reef’ starts us off with a throbbing bass and energetic rhythm (very Miami Vice) and sets an ominous tone. It’s totally evocative of themes from the era. The tracks are mostly instrumental, which adds to the authenticity that Jamie is striving for. ‘Morals’ is a more laidback, reflective number. whilst in ‘Sudden Impact’, the listener can feel the tension rise as the plot thickens.

‘Sunrise’ is another pleasantly moody piece, while ‘Target Locked’ is again a more action-orientated song. What’s great is you can imagine the “movie” in your mind’s eye as you listen along! On ‘Streets with no name’ I can just see the cops cruising the Miami highways in the dead of night, their Ferrari illuminated by the omnipresent neon. ‘Stealth’ begins just like a stakeout, and features some rare, but excellent female vocals. The credits roll with ‘Ghetto Blaster’ and the story is nearly over.

With an apt cover of Jan Hammer’s ‘Crockett’s Theme’ from Miami Vice added as a bonus track of sorts, we reach the end of “Miami Supercops”. I may not be the most knowledgeable when it comes to electronica, but I grew up watching films and TV shows of this type back in the day, and this work sounds completely authentic and immersive. Full marks Jamie, you’ve managed to recreate a time and genre with skill and an easily recognised affection.

Follow Jamie Spilsbury on X/Twitter for more info, and a link to “Miami Supercops”.

North West Doom Fest – Part 1

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North West Doom Fest 

4th – 5th April 2025 

The Saddle, Chester 

Friday 4th April 

Friday 4th April 

The Saddle is the number one – and surely only – Rock based pub in the City of Chester.  A town more famed for drunken shenanigans and expensive outfits for the Races, this is the playground of the Cheshire Set and the wannabes.  A home of Metal it is not.  Not usually, anyway – except for the welcoming haven of The Saddle. 

And for one weekend in April, the tiny G21 venue at the back of the pub hosted the second North West Doom Fest: two days of the heaviest, doomiest metal in the land.  Absolutely fan-fucking-tabulous! 

The evening began with Druid’s Cross, from not far away at all Liverpool.  I’ve seen this band before, and knew they would be ideal to commence the festivities.  Harsh vocals lead relentless, dynamic riffs with a traditional metal feel as well as a slow, doomy pace.  There’s a dark, gothic edge to the music as well, resulting in a compelling sound that grabbed everyone’s attention from the start.. 

https://www.facebook.com/druidscrossband/?locale=en_GB

Festival organisers Lorraine and Mark were up next, with their amazing three-piece band, Warlockhunt.  I’d also seen this band before, and I’m always amazed by the complexity of their dual bass and tribal drums sound.  The other worldly female vocals have led to this band being described as Doom Pop (I coined that phrase, actually, thank you very much) and it’s easy to see why.  Always different and always captivating. 

https://www.facebook.com/warlockhunt/

Grim skeletal figures flanking the stage, inverted crosses and a duo wearing dark cloaks: Tumanduumband aren’t exactly shy of revelling in their ominous personas.  What they are, is a West Midlands based Satanic Doom band, and their music is both atmospheric and heavy as hell itself.  Fuzzed out, crushing riffs mean that the visuals aren’t inappropriate – this band is growing a cult based on their own dark riff-tuals. 

https://www.facebook.com/tumanduumband/

Headlining tonight, and admittedly one of my favourite bands out there these days, the mighty Son of Boar rightfully took their place at the top of the bill.  I became a big fan after seeing them play Pentre Fest some years ago.  Bass wrangler Gaz is also an Ever Metal scribe, not that I’m biased at all, honest!  Son of Boar played a set that was tight and forceful, with ear-worm riffs and thundering rhythms.  Tusks up!  The boys brought the HEH-VEEE, then slept the night on the floor of the venue, ‘cos they rock that hard.      

https://www.facebook.com/SonOBoar/

That’s it for Day One. Stay tuned for Day 2 – which will follow very soon!

The Saddle is on Facebook.

Singles Night at the Virtual Hot Tub #36

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It’s that time again – Singles Night! Yes, the night at my Virtual Hot Tub where we play a variety of 7 inch singles and have a few beverages. A record listening party, if you will, but only involving 45 rpm discs.

There’s a huge stack of unplayed singles lurking round the Hot Tub. Some old, some new, some that have been given to me as a gift. They’ve collected together over time from all manner of different sources, and they need to be played.

So play them I will, A side first then flip ’em over for the B side – playing through the stack for the sheer fun of it.

Pour yourself a drink and join me, who knows what we’ll hear?

Here’s the playlist:

  1. Chafed GBI – “The Regulator”
  2. Jim Jones & The Righteous Mind – “Get Down Get With It” / “Ace of Spades”
  3. Elvis Presley – “Are You Lonesome Tonight? (The Laughing Version)” / “From a Jack to a King”
  4. Bad Company – “Feel Like Makin’ Love” / “Wild Fire Woman”
  5. The Alarm – “Absolute Reality” / “Blaze of Glory”
  6. INXS – “Need You Tonight” / “Move On”
  7. Vapors – “News at Ten” / “Wasted” / “Talk Talk”
  8. Lita Ford – “Kiss Me Deadly” / “Broken Dreams”
  9. Depeche Mode – “Just Can’t Get Enough” / “Any Second Now”
  10. Shakin’ Stevens – “Green Door” / “Don’t Turn Your Back”
  11. Simple Minds – “Ghostdancing” / “Jungleland”
  12. Duran Duran – “The Reflex” / “Make Me Smile (Come Up and See Me”
  13. The Motors – “Forget About You” / “Picturama”
  14. Chic – “I Want Your Love” / “(Funny) Bone”
  15. Slade – “Know Who You Are” / “Dapple Rose”
  16. Thin Lizzy – “Killer On The Loose” / “Don’t Play Around”
  17. Roxy Music – “Over You” / “Manifesto”
  18. Madonna – “Material Girl” / “Pretender”
  19. AC/DC – “Heatseeker” / “Go Zone”
  20. David Bowie – “Fashion” / “Scream Like a Baby”
  21. The Alarm – “Rescue Me” / “The Hurricane Sessions (My Land Your Land)”
  22. ABBA – “Gimme, Gimme, Gimme” / “The King Has Lost His Crown”

Twenty two songs this week, and some real beauties in that session. From great classic rock (Bad Company, Thin Lizzy, AC/DC) to 80’s pop (Depeche Mode, Madonna, ABBA) to punk/new wave (Vapors, The Motors) there’s a wide spread of awesome songs.

Some notes:

Chafed GBI is a “supergroup” comprising Scott Ian and Charlie Benante of Anthrax, with Dave Grohl on drums. It’s a single sided, colour vinyl 7 inch of the classic Bad Brains song released for Record Store Day.

The Jim Jones & The Righteous Mind single is on coloured vinyl. While it does contain a cover of the Slade song on the A-side (though that was a cover of an earlier tune), the B-side is not the song made famous by Motorhead! Still great though.

An amazing night of vinyl spinning. More soon!

Sergeant Thunderhoof – The Ghost of Badon Hill Album Review

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Sergeant Thunderhoof – The Ghost of Badon Hill 

Pale Wizard Records 

Release date: 15/11/2024 

Running time: 45 minutes 

Review by: Alun Jones 

9.5/10 

Two years ago, the album “This Sceptred Veil” by Sergeant Thunderhoof made such an impression on me that it topped my end of year Top 10 for Ever Metal.  So this latest release has some pretty big boots to fill.  The pressure is on, for the band and also for your friendly scribe: I’m gonna need some new adjectives in my arsenal to do this work justice.  

A mellow guitar and whistle intro brings the listener into the world of “The Ghost of Badon Hill”.  First track ‘Badon’ opens with an almost Folky feel, and in true Thunderhoof style, takes it’s time to grow and breathe.  We’re nearly halfway through before the delicate, introspective section explodes into something epic, and the hairs on the back of your neck reach for the sky.   

‘Blood Moon’ tricks the listener with a melodic intro, before a truly classic mega-riff gets the heart pounding.  The guitars of Mark Sayer and new member Josh Gallup (who also recorded the album with the band) are multi textured throughout the album, expertly ranging from the mighty to the fragile.  A pseudo-Blues introduces ‘The Orb of Octavia’, before settling on a melancholy, gentle feel.  Augmented by Daniel Flitcroft’s soaring vocals (surely amongst the best in the UK), it’s not long before the heavy is unleashed. 

‘Salvation for the Soul’ is the most immediate and Stoner/Doom related of this collection, and it quickly became a personal favourite.  “For tonight, we ride!” – trust me, kids: THAT is a chorus!   

I’ve favourably compared Sergeant Thunderhoof to Soundgarden previously – which holds true with ‘Sentinel’ – and there’s also a strong Floydian feel here too.  The changes of pace on all the tracks ably demonstrate the expertise of the rhythm section, Jim Camp on bass and Darren Ashman on drums.  Both are confident and play with finesse.  All good things come to an end though, and our final song here, ‘Beyond the Hill’, is a ten-minute plus opus that builds through several stages on a monumental journey. 

One element of this recording that’s obvious from the start, is the length of the album.  The band made a conscious decision to lay down some boundaries and write a record that would fit on a single, rather than double, vinyl album.  Whereas I could lament the shorter running time, it does make sense to condense what the band do best.  And there’s still a cornucopia of sonic delights to enjoy regardless.  I mean, I haven’t even discussed the lyric content of the record yet!  There’s plenty enough folklore, legend and mystery to keep the audience engaged and coming back for more and more. 

“The Ghost of Badon Hill” is mission accomplished for Sergeant Thunderhoof.  A great new album, reigned in a little timewise, but sonically still delivering a cerebral and visceral punch.  Another Top 10 contender, no problem.  

Check out Sergeant Thunderhoof on their website, Facebook, Instagram and Spotify.

This review is brought to you by Platinum Al in association with Ever Metal.

Singles Night at the Virtual Hot Tub #35

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For the first time of 2025, let’s indulge in another Singles Night. A night of spinning records, having a few drinks and enjoying the vibes.

The “singles” in the event title refers to vinyl singles: the 7 inch, 45 rpm discs that were once the pocket money swallowing masters of the weekly music chart. Now I have a massive stack of said singles, and on some nights I dig a load of ’em out, and play ’em. Both sides – A then B – and onto the next.

There are many wonders to be found amongst the hefty pile of 7″ records. And a few oddities. But the randomness and variety always an entertaining night.

Grab a drink and settle in with my latest playlist:

  1. Generation X – “King Rocker” / “Gimme Some Truth”
  2. David Bowie – “Modern Love” / “Modern Love (Live Version)”
  3. Motorhead/Girlschool – “Please Don’t Touch” / “Bomber” / “Emergency”
  4. The Alarm – “Presence of Love (Laugharne)” / “Knife Edge”
  5. Depeche Mode – “See You” / “Now, This Is Fun”
  6. Dana – “All Kinds of Everything” / “Channel Breeze”
  7. The Steve Gibbons Band – “Eddy Vortex” / “Little Suzie”
  8. Shirley Bassey – “So In Love” / “As Long As He Needs Me”
  9. Darts – “Don’t Let It Fade Away” / “Early In The Morning”
  10. Elvis Costello & The Attractions – “Oliver’s Army” / “My Funny Valentine”
  11. David Bowie – “Blue Jean” / “Dancing With The Big Boys”
  12. AC/DC – “Guns For Hire” / “Landslide”
  13. ABC – “The Look of Love” / “The Look of Love (Part 2)”
  14. The Jam – “Start” / “Liza Radley”
  15. Jimmy Cliff – “Reggae Night” / “Love Heights”
  16. The Sweet – “Little Willy” / “Man From Mecca”
  17. Propaganda – “Duel” / “Jewel”
  18. Patrick MacNee & Honor Blackman – “Kinky Boots” / “Let’s Keep It Friendly”
  19. A-Ha – “Hunting High and Low (Remix)” / “The Blue Sky (Demo Version)”
  20. The Creatures – “Miss The Girl” / “Hot Springs in The Snow”
  21. Queen – “Somebody To Love” / “White Man”
  22. Ike & Tina Turner – “Nutbush City Limits” / “Help Him”

Twenty two records this week, and a few strange ones are still creeping in – some are the remains of a bundle of singles I bought at a car boot sale for a fiver. I kept Dana in the collection due to the Eurovision connection, but Shirley is a superstar.

Punk and New Wave genres are nicely represented in this selection, with great songs from Generation X, The Jam and Elvis Costello. A-Ha, Depeche Mode and ABC bring in some pop classics, while good old rock’n’roll is delivered by AC/DC, Motorhead and Girlschool.

Two great 1980s Bowie discs made the playlist and there’s a favourite from Queen (though it’s one of my least favourite songs of theirs). Adding to the 70s vintage is a cheeky number from Sweet, which never fails to raise a smile!

Another successful night spinning vinyl. More to come soon.