Halloween Horror Fest Out of Space

Posted on October 19, 2025 by platinumal

More Halloween friendly movies for your enjoyment – here’s Part 2 of our 2025 reviews!

Color Out Of Space (2019)

Based on the H.P. Lovecraft short story The Color Out of Space, this film attempts to create an authentic retelling in modern times. While it’s not totally derived from the source material, it makes a decent job of reimagining it for a new audience.

Nicholas Cage plays Nathan Gardner, who has relocated with his family from the city to his father’s farm in a remote New England area. One night, a mysterious meteorite falls from the sky, bathing everything in a strange, indescribable colour.

Very soon afterwards, things start to get weird for the Gardner family. Unusual plants and insects begin to appear, electronic devices go haywire, and the family begin to lose the plot. And with daughter Lavinia playing around with the dreaded book, the Necronomicon, things can only get worse…

I can’t decide if Color Out of Space is just “good” or really excellent. As events spiral out of control, the film goes from unsettling to downright grotesque. Cage’s performance is vintage Cage, crashing into an unhinged state.

But the sound design, music score and glorious photography make this film an unnerving experience. Add in some nods to Lovecraft’s existential cosmic horror and you get a very disturbing, nihilistic film. You’ll either love this film or be completely unmoved by it. I loved it.

8.5/10

Scooby Doo (2002)

After the warped intensity of Lovecraft, it’s time for a change of pace! And what could be better than some Scooby Doo? The old Hanna Barbera cartoon was a childhood gateway to all things spooky for me and many, many others – so Scoob and the gang are totally appropriate Halloween viewing.

This live action film sees the animation come vividly to life. Though the human characters are actors, Scooby Doo is CGI so everything feels like the cartoon transposed into the real world.

Tensions are high within Mystery Inc, leading to the gang going their separate ways. Shaggy (perfectly played by Matthew Lillard) is still paired with Scoob, and they find themselves invited to a tropical resort to solve a mystery. Their erstwhile comrades have also been asked to attend, so slowly Fred (Freddie Prinze Jr.), Daphne (Sarah Michelle Gellar) and Velma (Linda Cardellini) find themselves working together again.

The casting is spot on for this film, though some of the character’s foibles have been exaggerated from the original cartoon depictions. The Scooby Doo film is silly, but its great fun for kids of all ages – if the older “kids” can just go with the flow and enjoy it.

7/10

Singles Night at the Virtual Hot Tub #38

Posted on August 13, 2025 by platinumal

Singles Night! At Platinum Al’s Virtual Hot Tub! It’s back – and better than ever!

What is it? A night where I play through a pile of as yet, never spun 45rpm vinyl singles. Both sides, whatever the genre, in whatever random order the fates have decided for me. There’s all sorts in that collection of 7 inch records, so it makes for a fine playlist (with a couple of drinkies to aid the process).

Here’s the latest playlist:

Toyah – “Don’t Fall in Love” / “Snow Covers the Kiss”
Doctor and the Medics – “Waterloo” / “Damaged Brains”
The Screaming Blue Messiahs – “I Wanna Be A Flintstone” / “Jerry’s Electric Church”
Blue Oyster Cult – “Astronomy” / “Magna of Illusion”
Motorhead – “Overkill” / “Too Late, Too Late”
Sex Pistols – “C’Mon Everybody” / “The God Save The Queen Symphony”
Pete Mac Junior – “The Water Margin” / Godiego – “The Water Margin”
Peter Sellers & Sophia Loren – “Goodness Gracious Me!” / Peter Sellers – “Grandpa’s Groove”
The Professionals – “Little Boys in Blue” / Gillan – “I’ll Rip Your Spine Out”
Stevie Wonder – “Lately” / “If It’s Magic”
Psychedelic Furs – “Heaven” / “Heartbeat (Remix)”
The Cars – “Drive” / “Stranger Eyes”
Sex Pistols – “God Save The Queen” / “Did You No Wrong”
Run DMC – “It’s Tricky (Remix)” / “Proud To Be Black”
Bow Wow Wow – “Go Wild in the Country” / “El Boss Dicho”
Atomic Rooster – “Tomorrow Night” / “Play the Game”
Black Sabbath – “Hard Road” / “Symptom of the Universe”
Anthrax – “I’m the Man” / “Caught in a Mosh (Live)”
Anti-Nowhere League – “I Hate… People” / “Let’s Break the Law”
Eighth Wonder – “I’m Not Scared” / “J’ai Pas Peur”
Lynsey De Paul – “Ooh I Do” / “Nothing Really Lasts Forever”
Sly Fox – “Let’s Go All the Way” / “Como Tu Te Hama”

A great selection. I can honestly say that I’m not ashamed of any of those singles. Except, maybe, “Goodness Gracious Me” which is somewhat… ah, dated, shall we say? At least the lovely Sophia Loren adds a touch of class. And she’s not the only beautiful lady in the list – I always had a crush on Lynsey De Paul.

Notes:

Two Sex Pistols records included here. including the wonderful “God Save The Queen”, one of the greatest rock’n’roll songs ever recorded. And we all know it got to number one really! There’s also a track from Jones and Cook as The Professionals, here on a Sounds flexi disc with Ian Gillan.

“The Water Margin” was a classic Japanese television series, shown in the 1970s. I vaguely remember it, but watched a later 1980s re-run religiously. The theme tune is brilliant. This single features a version in English on one side, and Japanese on the other.

Some great classic rock in this list, with Blue Oyster Cult, Atomic Rooster and a later Black Sabbath single (on purple vinyl in this case). A legendary couple of Motorhead tracks too, plus Anthrax throwing down some proto rap metal.

More punk from the Anti-Nowhere League: both of those tracks are fantastic.

A really enjoyable evening of music: random but unforgettable. More soon.

Singles Night at the Virtual Hot Tub #37

Posted on June 19, 2025 by platinumal

You wanted it – you got it! Another Singles Night at the Virtual Hot Tub. This is where I spend an evening playing 7 inch singles that have found their way into my vinyl collection, from any number of different sources. None of the records have been played before, so I spend a few hours playing both sides and working through that pile.

There’s usually plenty of variety in the stack, with songs old and new, from any genre. Anything can happen, so just enjoy the ride.

Grab a drink and let’s check out the latest playlist:

The Beatles – “Now and Then” / “Love Me Do”
The Dickies – “Banana Splits” / “Hideous” / “Got It at the Store”
S.S.S. – “CDC” / “Bath Night” / “Thrash with a Small Moustache” / “Black Night White Light”
999 – “Little Red Riding Hood” / “Wait For Your Number to be Called” / “I Ain’t Gonna Tell Ya”
Roxy Music – “Jealous Guy” / “To Turn You On”
Ram Jam – “Black Betty” / “I Should Have Known”
Bee Gees – “Tragedy” / “Until”
ABBA – “One Of Us” / “Should I Laugh or Cry”
Sweet – “Love is Like Oxygen” / “Cover Girl”
The Alarm – “Spirit of ’76” / “Where Were You Hiding When the Storm Broke? (Live)”
Nancy Sinatra – “Love Eyes” / “Coastin'”
Kool & The Gang – “Joanna” / “Tonight”
Rick Dees & His Cast of Idiots – “Disco Duck (Pt. 1)” / “Disco Duck ({Pt. 2)”
Matthew Wilder – “Break My Stride” / “Break My Stride (Instrumental)”
Bee Gees – “Night Fever” / “Down the Road”
Dire Straits – “Romeo & Juliet” / “Solid Rock”
Nilsson – “Without You” / “Gotta Get Up”
Sinitta – “Right Back Where We Started From” / “I Just Can’t Help It”
Sabrina – “Boys (Summertime Love)” / “Get Ready (Holiday Rock)”
Oceanic – “Insanity (Legendary Mix)” / “Reality”
Charlie Pride – “The Most Beautiful Girl” / Johnny Cash – “Ring of Fire” / Crystal Gayle – “Miss the Mississippi & You” / Tammy Wynette – “Stand By Your Man” / Bertie Higgins – “Key Largo”

Twenty one records this week, and enough variety to keep anyone on their toes. Disco, punk, pop and rock classics – this was one of my best Singles Nights yet.

Notes:

The Beatles single is their last ever song, released recently and backed with their first ever single. A must for the collection.

That Dickies single is on yellow vinyl, naturally. The 999 record is plain old black vinyl, but I’ve been after that for a very long time. It was one of the songs on the first punk/new wave compilation I heard, it confused me as it didn’t sound “punk” (or what I thought was punk at the time). Great song.

SSS stands for Short Sharp Shock, a hardcore/skate thrash band from Liverpool that I can’t believe I never saw live. The last track is dedicated to Metallica bass legend Cliff Burton.

That final 7″ country record i picked up for 50p in a charity shop. Plain sleeve, so very little information – some fantastic songs though. not least my all time hero, Johnny Cash.

Devil Moon Risen – Album Review

Posted on November 26, 2024 by platinumal

Devil Moon Risen – Fissures of Men

Self-released

Release date: 06/06/2024

Running time: 36 minutes approx

Review by: Alun Jones

7.5/10

Ready for something a little different? Something born from the familiar, but tantalisingly different? Then step right this way, Platinum Al has a musical odyssey that will intrigue you. We’re talking about the debut album from Devil Moon Risen, a trio out of Phoenix, Arizona, and it’s all kinds of unexpected.

We’re starting in the realm of desert rock, but Devil Moon Risen have added some spice to their chimichanga with elements of punk, sludge and doom metal. So, off we go with a thuddingly heavy, groovy chugger in ‘Bad Sketch of a Killer’ that twists into a creepy waltz and back again.

Like Primus playing QOTSA songs on an album produced by the late great Steve Albini, the songs feature unpredictable, powerful bass and thrashing guitars. It doesn’t always quite gel, ‘The Rim’ is more of a challenge to get into, but “Fissures of Men” is always surprising and brave.

When everything falls into place though, the results are superb, as with the full-on rock-out distorted delight that is ‘Shaun Powell’. Elsewhere, there’s more Frankenstein-like craziness such as ‘D.T.T.B.O.W.T.B.’, which launches like later era Danzig before offering some more laid-back grooves, then morphing to a black metal wail.

“Fissures of Men” is a journey and then some: Devil Moon Risen have taken the obvious starting point and run off in a totally different direction (or three). Whether it’s noise rock or some as yet uncharted genre of music, the album is sometimes demanding and always unpredictable. If – or when – you’re ready, “Fissures of Men” could be just the education you need.

Check out Devil Moon Risen on Facebook, Instagram, Twitter, Spotify and Bandcamp.

This review is brought to you by Platinum Al and Ever Metal. You’re welcome.

Twins of Halloween Horror Fest

Posted on October 14, 2024 by platinumal

Twins of Evil (1971)

You can’t go wrong with some good old fashioned Hammer Horror! Here we have Twins of Evil, the third and final part of Hammer’s Karnstein Trilogy, based on Carmilla by Sheridan Le Fanu. We’ve already viewed the preceding movies – The Vampire Lovers and Lust For A Vampire – during previous Halloween Horror Fests, so let’s finish off the series.

Mary and Madeleine Collinson play two identical twin sisters, who are sent to live with their uncle and aunt after they become orphaned. Uncle Gustav – played with menace by the one and only Peter Cushing – is a puritanical zealot, keen on burning local young women at the stake. Gusatv’s stern attitude alienates both sisters, but Frieda in particular is keen to break away. She falls in with local wicked aristocrat Count Karnstein (Damien Thomas), who has become a vampire through his dabbling in black magic.

Soon Frieda follows the Count’s descent into vampirism. Will the witch hunting Brotherhood be able to destroy this evil? Will anyone be able to tell good sister from bad?

Regular readers will know I’m a huge Hammer fan. Whilst Twins of Evil is, for me, the weakest of the Karnstein Trilogy, it’s still great. The witch hunting angle lends a new and particularly horrific edge here (sad to see Judy Matheson exit so quickly) and Cushing is formidable in this role. Vampires, sorcery and some cheeky decolletage tick all the necessary boxes, and despite a rushed (but gruesome) ending, this is another Hammer triumph.

8/10

The Ghost of Halloween Horror Fest

Posted on October 2, 2024 by platinumal

A crack of lightning; the roll of thunder; rain lashing at the window. Night has fallen, and the cold air nags at your bones with a morbid persistence. The wind moans, but cannot hide the strange calls off in the mountains. The children of the night, what music they make… Come closer, friend. It is time once again for Halloween Horror Fest…

That’s right, kids – Halloween Horror Fest! Throughout the month of October, I watch as many films that are appropriately fearsome, frightening, or just pure fun! Here at the Virtual Hot Tub is where you can catch up on my mini reviews of each movie, and enjoy spooky season and all it’s macabre delights!

The Ghost of Frankenstein (1942)

We’ll start this year with a gem from good old Universal. You really can’t beat these old black & white movies for sheer atmosphere and nostalgia. I’ve never seen The Ghost of Frankenstein before, so was keen to tick it off my list.

Following on from the previous film in the series, Son of Frankenstein (1939), we again meet Ygor (Bela Lugosi), who discovers and rescues his old friend The Monster. This time, Frankenstein’s creation is played by Lon Chaney Jr, rather than Karloff. The pair travel to a new town to locate the younger son of Frankenstein, Ludwig (Cedric Hardwicke), where Ygor blackmails the doctor into revitalising the creature. A plan is set in motion to replace the monster’s criminal brain with a “good” brain, but some have their own ambitions motivating them…

Plot wise, I could tell exactly where this movie was headed from the off – there are no real surprises. And the lack of Karloff as the monster made me somewhat wary. But Chaney Jr has a good crack at it, and the rest of the cast (including Lionel Atwill) keep proceedings on track. Moody sets, great soundtrack and an enjoyable (though somewhat obvious) storyline helped make this film another triumph for Universal.

8/10

Singles Night at the Virtual Hot tub #34

Posted on September 4, 2024 by platinumal

Here we go with another Singles Night! Just like Kool and the Gang said – no wait, that was “Ladies Night”. Totally different event altogether. Well, don’t let that be any concern for you, good reader – let’s spend an evening of musical fun and adventure anyway!

What, you may well ask, is “Singles Night at the Virtual Hot Tub”? If you know, feel free to skip this bit. Otherwise, I’ll explain.

In essence, I have a huge stack of 7 inch vinyl singles that I haven’t played yet. And they need to be played before I can add them to my super sophisticated filing system. So on Singles Night, I grab a bunch of these records and play ’em, A side then B side, one after the other, whilst having a wee drinkie or three.

It’s great fun. It rocks. Here’s the latest playlist:

The Rezillos – “I Can’t Stand My baby” / “I Wanna Be Your Man”
The Rezillos – “Top of the Pops” / “20,000 Rezillos Under the Sea”
The Ruts – “Something That I Said” / “Give Youth A Chance”
Sweet Dreams – “Honey Honey” / “I Surrender”
The Steve Gibbons Band – “Tupelo Mississippi Flash” / “Till the Fire Burns Out”
Showaddywaddy – “You Got What It Takes” / “Showboat”
Goombay Dance Band – “Sol de Jamaica” / “Isla de Suenos”
KC & The Sunshine Band – “That’s the Way (I Like It)” / “Ain’t Nothin’ Wrong”
Dollar – “Mirror Mirror” / “Radio”
Siouxsie & The Banshees – “Hong Kong Garden” / “Voices”
Suzi Quatro – “I Go Wild” / “I’m a Rocker”
Rose Tattoo – “Rock’n’Roll is King” / “I Had You First”
Deep Purple – “Black Night” / “Speed King”
Elton John – “Blue Eyes” / “Hey Papa Legba”
Berlin – “Take My Breath Away” / Giorgio Moroder – “Radar Radio”
Motley Crue – “Primal Scream” / “Dancing on Glass”
The Damned – “White Rabbit” / “Rabid (Over You)” / “Seagulls”
Booker T & The MGs – “Green Onions” / “Boot Leg”
Bobby Brown – “On Our Own” / “On Our Own (with Rap)”
De La Soul – “Ring Ring Ring (Ha Ha Hey)” / “Pile and Piles of Demo Tapes Bi-Da Miles”

And there we go, mes amis. A right old concoction and no mistake. But you know what? The odd dud in the playlist only makes the good stuff sweeter. And when you’re having fun, those duds ain’t so bad anyway.

The odd horror from the fabled car boot box of doom still lingering here, but they’re slowly dying off. Instead, a veritable feast of punk rock wonders, from the Rezillos, Ruts, Siouxsie and The Damned. That Damned track is, of course, a cover of the Jefferson Airplane song, and not one of my favourites – though the two songs on the B side are absolutely wonderful.

Plenty of other delights with Rose Tattoo and a double sided banger from Deep Purple, not to mention a Crue song I actually really like.

I hate the film Top Gun – never managed to see it all the way through – and not a huge fan of the Berlin track, but hey, it was a freebie. Likewise, that Bobby Brown song from Ghostbusters II is a huge drop in quality from the Ray Parker Jr classic. Some pop genius from KC & the Sunshine Band and Booker T keeps us on track nicely, though.

All in all, another successful night’s entertainment. Stay tuned for more soon, folks – I’ve got loads of these discs for ya and they’re itching for a spin!

Ancient VVisdom – Album Review

Posted on June 29, 2024 by platinumal

Ancient VVisdom – Master of the Stone

Argonauta Rcords

Release date: 26/01/2024

Running time: 31 minutes

Review by: Alun Jones

9/10

Ancient VVisdom have never graced my ears before, so I was very keen to dive into their latest creation, “Master of Stone”, and share with you, good reader, my thoughts.

The band burst forth with ‘Sold My Soul to Satan’, which bounces along with a hook-riddled riff and captures the listener from the get-go. This song nicely encapsulates the style and theme for the album with absolutely no mercy. It’s a head banging, fuzz drenched rocker that’ll drag you along like a tin can hanging from the back of Lucifer’s wedding hearse.

That opener wasn’t a fluke, either: ‘The Adversary’ and ‘The Apollyon’ are both infectious blasts of hard rock with an air of the strange and arcane. The next track, ‘World’s Demise’, is a stomping, eerie acoustic number – all of a sudden Ancient VVisdom sound like Satanic troubadours heralding the end of the world. It’s a dramatic and clever display of skill and variety of musicianship.

If that acoustic approach reminded me of New Model Army, then ‘Ashes from On High’ is the most Metal track here. It chugs along like Slayer playing a retro style Sabbath cover. Brothers Nathan Opposition and Michael Jochum have obviously studied the masters well. If you like old school doom rock, maybe some Type O Negative and Danzig, right on up to modern scene stealers like Uncle Acid and the Deadbeats and Green Lung, you’re bound to love this album.

With songs that are catchy and memorable, and also dripping with a melancholy other-worldliness, ‘Master of Stone’ is a fantastic album. The only true wisdom is in knowing you know nothing. This may be true in my case, but Ancient VVisdom are here to educate us all.

Find out more about Ancient VVisdom on Facebook, Instagram and Spotify.

This review is brought to you by Platinum Al and Ever Metal.

Green Goat – Album Review

Posted on June 22, 2024 by platinumal

Greengoat – A.I.

Self-released

Release date: 26/01/2024

Running time: 38 minutes

Review by; Alun Jones

8.5/10

Opening with a Bladerunner-style synth led track that features a spoken word delivery of Asimov’s Three Laws of Robotics, is a bold (and different) move for a Stoner/Doom band. In a genre where, thematically, we’re usually content to contemplate the joys of weed consumption and the mysteries of the occult – usually via a 1970s Hammer horror aesthetic – this sci-fi launching point is a welcome breath of fresh air.

This is where we enter the album “A.I.” by Spanish doomsters Greengoat. It’s a great band name, and one that harks back to those pot and patchouli, candles and Peter Cushing tropes we’re used to. But ‘The Void’ takes us on a different tangent, with the Rutger Hauer voice over. Second track ‘The Seed’ takes this mellow intro and runs with it, till 30 seconds in – yes, it’s big fat chunky riff time! And what a big, fat chunky riff it is – slow and grinding, developing an irresistible groove with the drums dropping in, eventually exploding into a full force rocker.

The line-up of singer/guitarist Ivan Flores and drummer Ruth “Kalypso” Moya invoke a moody soundscape that borrows from spacey, harmonic passages of Pink Floyd and adds crunchy hard rock. It’s a euphoric concoction as the music builds. And oh, how it builds…

A more traditional stoner groove pervades the other songs on the album, with groovy riff workouts showcased across tracks like the head-nodding, tripped out title track and the fuzzy, Fu Manchu-like ‘Burn the End’.

Throughout the album, Greengoat weld together a progressive, futurist theme with some good, old fashioned, retro Sabbath style rockin’. “A.I.” will no doubt entwine itself around my conscious all the more as I play it in the weeks to come. This is a fine album with great ideas – the analogue age and the digital age tentatively strolling forward together.

Find out more about Greengoat on Facebook and Bandcamp.

This review is brought to you by Platinum Al in association with Ever Metal.

The Sound of Origin – Album Review

Posted on April 27, 2024 by platinumal

The Sound of Origin – Man in the Arena
Self-released
Release date: 27/10/2023
Running time: 44 minutes (approx.)
Review by: Alun Jones
9/10

Right, let’s get down to business and get this review out into the world asap. This album has already been released, and as it’s pretty bloody good, let’s shout it from the rooftops as loudly as possible.

The Sound of Origin are from Huddersfield, and this is their sophomore album. I’d previously encountered the band thanks to their cover of ‘Sick Things’ on the quite bloody brilliant “Killer: 50 Years Later” Alice Cooper tribute album, released by Pale Wizard Records. I was keen to hear a full album from these Yorkshire Doom merchants and I wasn’t disappointed.

‘This Ain’t Free’ bursts from the speakers with a booming, catchy riff and a mix of screamy versus melodic vocals. It grinds, it rolls, it grooves: and that’s a fairly good summary of the whole album. Doom metal with a welcome varying pace, it’s brutal but hypnotic. First single ‘Birthright’ is an infectious bruiser and one of many tracks that remind me of the glory days of titans like Alice in Chains. Relentless, but still melodic.

‘Crown of the Cynic’ gives The Sound of Origin the chance to flex their progressive, doomy muscle with its longer run time and thudding power. I air guitarred along to this unashamedly! There’s some mighty passion here, notably in the anguished vocals.

Kyle Thomas of Exhorder and Trouble fame crops on two tunes, ‘Frail Old Bones’ and the title track. On the former, the band rock out in a fuzzy style not too dissimilar to Thomas’ day job or even good ol’ COC. The latter finds the band in a slower, pummelling pace and KT pushes the dramatics to hair raising levels.

The Sounds of Origin can throw together elements of Stoner, Doom and Sludge with great style and enthusiasm. One welcome surprise though, was hearing final track ‘Lightbringer’ which reminded me of Angel Witch – head down, old school NWOBHM vibes all the way!

My preconceived ideas may always skew any observations I make on a band’s influences. The Sound of Origin’s “Man in the Arena” is a great album that is bigger than the sum of its parts, and builds on the classic inspirations. A solid effort, this album will no doubt be a contender to make my Top 10 of the year. Just a shame it’s not available on vinyl.

Check out The Sound of Origin on Facebook, Instagram, Spotify and Bandcamp.