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Pentre Fest 2024

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Pentre Fest 2024

McLean’s Pub, Pentre, Deeside

Friday 23rd & Saturday 24th February 2024

Pentre Fest is a big deal to me.  And I’ll bet it means a lot to plenty of other people too, who are just as keen to enjoy this festival of underground – but not unloved – metal bands.  I look forward to this event every year.  I mean, after the Christmas festivities, how else are you gonna survive the misery of January? 

Yours truly was the lone representative for Ever Metal at Pentre this year, so all the reviews were my responsibility.  I tried to see as many acts as I could, but it wasn’t always possible.  And so I can cover as much ground as poss, the summaries will be short and sweet this year.  But trust me, I’ll keep you on the straight and narrow.

The festival began on Friday evening, Edd Case and his acoustic set on the new outdoor Keymo stage being my introduction.  It’s a proper stage this year, with steps and everything.  Edd played a great set of acoustic tracks, including some Maiden, Neil Young (nice Soundgarden segue/tribute) and plenty more.  Most impressive.

Heading inside, Omega Throne was on next.  Their set was an exciting blend of Death/Black Metal, with some intriguingly dark, gothic elements peppered through the songs.  A great set that combined power and fury with a little mystique. 

That was followed by the lunatic genius of Mad Spanner.  Now a one-man band of crazed thrash metal with a backing track, Mike aka Mad Spanner offers brilliant musicianship, wry humour and furious energy.  I’m still recovering from this set, God know how he does it.

Back inside and Bloodmores were up next.  This was a great set of pounding, heavy Thrash/Death metal, excellently played and with a surprising amount of foot stomping groove.

Tonight’s original headliners, I Saw The World Burn, were sadly unable to play.  We sincerely hope all is well in that camp.  At the final hour, however, Cadence Noir were able to fill the headline spot with their gothic tinged folk punk’n’roll.  Cadence can always be counted on to get everyone jumping and jigging around, and they did a fine job of finishing Day the First of Pentre Fest.  

Saturday’s wake-up call was DAM.G, alias Rob from Thrashatouille’s “grown up band” (not my observation, but one overheard on the day!).  A melting pot of progressive metal with Rob’s growl augmented by phenomenal female co-lead vocals, it was certainly a powerful and memorable set.

Outside was a pleasant surprise: the disco funk of Mrs Gizlo.  Who’d have expected that?  Not me, but it was great fun to hear something different and it certainly got the crowd moving. 

In Which It Burns took to the indoor stage next, and gave as a relentless set of thrash metal.  It was only mid-afternoon and these Pembrokeshire ragers delivered the goods with super-fast, aggressive tracks.  Nice work.

Liverpool’s Ogun were on the main stage next, with some meaty thrash metal of their own.  Fast and brutal, I really enjoyed these guys and their total take-no-prisoners approach.  Wish I’d bought a t-shirt. 

It was freezing outside, so deep apologies from me to the various artists I missed outside, whilst huddled inside with a pint.  North Wales Deathcore deviants Dystopian Sun kept the fires burning with some intense yet bouncy metal that roared by like a Sasquatch driving a stolen pick-up truck.

Rule of Six had an early start on Saturday morning.  Whilst most of us were still hiding from encroaching hangovers, these lads set off at 4am to get from Northern Ireland to North East Wales for this gig.  I’ve never seen so many guitars on stage (four plus a bass!) but all Rule of Six’s instruments were well employed, with their melodic metal proving an uplifting and thrilling experience.  Maiden comparisons are a bit obvious, but apt.  Great show and nice contrast to much of the bands so far.

From one band who crowded out the main stage, to another band who spent little time on it: Broken Jaw refused to be restrained and preferred to wander around the room!  Their blend of punk energy and attitude with metal riffery made sure no-one in the audience was allowed to put their feet up.

Afterward, I dared to make a rare venture outside to witness Skinflick, who I’d heard very good things about.  This two-piece outfit gave us some filthy Industrial EDM dripping with sleazy beats – another very cool divergence from the expected.

Beyond Salvation made their way to Pentre from Manchester, and pretty much laid waste to all with a blistering set of thrash metal.  The band were both brutal and energetic, with superb playing, that kept the gig going on full steam.  There was no chance for the audience to flag here!

I’m actually gutted that I missed SOOTO out on the Keymo Stage.  Blame the cold, blame the drink, blame me for being useless: I should’ve been there, sorry.  Can we get SOOTO back please?  I promise I’ll pay attention this time.

Every year at Pentre Fest, there’s at least one band that I go full-on Fan Boy for.  This year’s recipients of the accolade were the amazing Struck/Down, who played huge sounding groove metal riffs that immediately had me hooked like a fish.  For me, Struck/Down were the best band of the weekend by a distance.  T-shirt purchase?  Tick.  CD purchase?  Tick.

Finally, our last band of a fantastic event were Extreme Metal leviathans Krysthla.  The foot was down on the pedal as Krysthla hurtled us through the last set of the weekend with a rapid fire, unrelenting batch of songs.

And that was it, Pentre Fest was over for another year.  I’ve been downhearted ever since, missing the camaraderie and fell-good vibes of the event – not to mention the out of this world music.  Thanks and huge respect to Fozzy and Beany, North East Wales Metal Productions, McClean’s, and all the bands and crew who made this happen.

I wish it could be Pentre Fest every day.    

Catch up with news at the following pages: N.E.W. Metal Productions, Goodfor Audio, McLeans Pentre.

This review is brought to you by Platinum Al in association with Ever Metal.   

Whitby Road Trip – On the Trail of Dracula

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Whitby Abbey

A family road trip to Whitby, England

Whitby is a beautiful seaside town in North Yorkshire, England. Facing the North Sea, the port is surrounded by streets of old buildings and framed by the church of St. Mary and the ancient, ruined abbey, over looking all that sits below. It’s a lively and welcoming town that offers a wealth of history and a vibrant atmosphere.

One of several claims to fame that Whitby can boast is it’s enduring connection to the story of Dracula. The book’s writer, Bram Stoker, visited Whitby and was inspired by the local scenery and folklore in creating his novel and the infamous character. With the Count now deeply entrenched in popular culture, it’s often a surprise that his original site of landing in England was this Yorkshire fishing port.

Whitby Harbour
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Of course, the Whitby Goth Weekends – which take place twice a year – celebrate the connection to the Lord of Vampires, but our trip wasn’t timed to coincide with those events. It was Mrs Platinum Al’s birthday trip to a place she’d wanted to visit for years, with or without Goths.

I’d been once before on a school trip in the early 1980s. Back then, the Dracula association wasn’t clear to me, though the memorial to explorer Captain James Cook was. Stoker’s Dracula is my favourite book, so that was the primary inspiration for both of us on this trip.

The town is full of old pubs, new yet stylish bars, cafes and bistros. We ate very well on our trip, particularly the fish & chips. The tantalising smell of fish & chips whilst exploring the streets was incredible – highly recommended to enjoy some on your visit. We ate in The Magpie, right on the harbour front, and the food was excellent.

There didn’t seem to be many big brand, typical high street shops. Instead, we found many small independent establishments, with lots of antique and curiosity shops that provided plenty of wonder. There were a handful of the usual seaside souvenir shops, plus several shops selling alternative/goth/rock gear of every imaginable variety. The Child was very impressed and spent a small fortune.

199 Steps
Graveyard

The highlight of our Whitby trip was appreciating some of the local features that famously appear in Dracula. We walked up the 199 steps to the graveyard – not easy, but less exhausting than it sounds. Naturally (for any Dracula fan, at least) we had a look round the graveyard, and St. Mary’s church as well.

Although in ruins, the Abbey at the very top of the headland is an ominous sight: it’s easy to imagine Stoker being inspired by the view. It was dark and foreboding on the day we visited – which was entirely appropriate – but fascinating never the less. We were also able to pick up some brilliant merch in the giftshop!

One final attraction I’ll mention was the Dracula Experience, which has a kind of Haunted House/Ghost Train at the funfair feel. It was there I saw a cape once worn by the legendary Christopher Lee when he played the Vampire Count. Other than that, we practically ran through the entire attraction, driven by the fear of whatever lurked in the dark and may jump out at us. Great fun!

Our Whitby roadtrip was pretty much perfect, with something for everyone. From the quaint and historic views, to the great food and warm welcome, we all thoroughly enjoyed our visit and will definitely return. Goth weekend next, maybe?

Visitwhitby.com

Whitby Abbey

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Drac Exp

Singles Night at the Virtual Hot Tub #32

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Here we go again, my little Hot Tub amigos! Yes it’s time for another Singles Night at Platinum Al’s Virtual Hot Tub – grab a cocktail and jump right in, we’ve got some listening to do!

Do I really need to explain what we’re up to, here? OK, well very quickly then: I have a pile of 7 inch singles that I’ve acquired from various places, all of different artists and genres. On Singles Night, I play through a stack of ’em in order, A side then B side, and we go on a musical odyssey.

Sound like fun? Well it is. Drink up and let’s rock with this latest selection:

  1. The Cult – “She Sells Sanctuary” / “No. 13”
  2. Iron Maiden – “Infinite Dreams (Live)” / “Killers (Live)”
  3. Rod Stewart – “Lost in You” / “Almost Illegal”
  4. Steve Miller Band – “Rock’n’Me” / “The Window”
  5. Bob Marley & The Wailers – “Mr Chatterbox” / “Mr Chatterbox (Version)”
  6. Wizzard – “Rock’n’Roll Winter (Loony’s Tune)” / “Dream of Unwin”
  7. Hot Chocolate – “A Child’s Prayer” / “Everything Should Be Funky”
  8. Mud – “Show Me You’re a Woman” / “Don’t You know”
  9. Bay City Rollers – “I Only Wanna Be With You” / “Rock’n’Roller”
  10. The Kartoon Krew – “Inspector Gadget” / “Inspector Gadget Dub”
  11. Snap! – “The Power” / “The Power (Dub)”
  12. Nicole – ” A Little Peace” / “Thank You, Mercy”
  13. Bob Marley & The Wailers – “Stir It Up (Alt. Jamaican Version)” / “Stir It Up (Alt. Jamaican Instrumental)”
  14. Katrina & The Waves – “Walking on Sunshine” / “Going Down to Liverpool”
  15. Hot Chocolate – “Disco Queen” / “You’re a Natural High”
  16. UK Subs – “She’s Not There” / “Kicks” / “Victim” / “The Same Thing”
  17. Run DMC – “Walk This Way” / “Walk This Way (Instrumental)”
  18. Iron Maiden – “Run to the Hills” / “Total Eclipse”
  19. The Nolans – “Attention to Me” / “Old Feelings Again”
  20. Chas & Dave – “Gertcha” / “The Banging in Your Head”

Another twenty 45 rpm slabs of varying quality there, but I’m not including Katrina (great song!) or Chas & Dave (who can do no wrong) in the dodgy list.

We started with possibly my favourite song of all time, the wonderful “She Sells Sanctuary”. Love that tune. I never had the 7″ as a kid, I bought the 12″ as it had an extra track on it, as I was always obsessed with collecting B sides. That was in 1989, however, well after the single was originally released in ’85.

Other highlights included a double dose of Iron Maiden, a UK Subs EP and the classic Run DMC single “Walk This Way”. Not to mention a couple of very cool Bob Marley singles, both of which were Record Store Day purchases.

As I said, Singles Night is always a journey, from well known paths to the very different excursions. I can recommend it as a fun evening.

I really should do this more often.

The Fall of the House of Halloween Horror Fest

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Brides of Dracula (1960)

Our first Hammer Films production for Halloween Horror Fest 2023, and it’s a vampire classic. In this sequel to Hammer’s very successful Dracula, the titular Count doesn’t actually appear this time round – rather we’re thrust into the thick of vampire cults that still exist after Drac’s demise.

A young teacher, Marianne (Yvonne Monlaur) is on her way to her new position in a Transylvanian school when she finds herself abandoned in a small village. A local noble woman, Baroness Meinster, offers a place to stay for the night at her castle. There, Marianne meets the son of the Baroness, who is chained up as a prisoner. Marianne agrees to free the Baron, who is of course actually a vampire and takes his revenge on his mother.

Marianne flees, her memory hazy, and is helped by Doctor Van Helsing (Peter Cushing) when he finds her at the side of road. Van Helsing has been called to the area to investigate an outbreak of vampirism. Soon he, and Marianne, will encounter the Baron and his undead minions again…

Brides of Dracula is a fun escapade with plenty of chills and atmosphere, even with a substitute head vampire replacing Christopher Lee. The story is original but plays on all the standard folklore you’d expect, with Cushing fantastic in his role as the vampire slayer. It’s a nice effort from Hammer, to try and do something slighlty different with a sequel, and Peter Cushing keeps it all together brilliantly.

9/10

House of Usher (1960)

Purely by chance, another film from the same year. This version of the Edgar Allen Poe story, The Fall of the House of Usher, was the first in a series helmed by famed Director Roger Corman, most of which starred the legendary Vincent Price.

Philip Winthrop (Mark Damon) travels top meet his fiancée Madeline Usher (Myrna Fahey) at her home. The House of Usher is a gloomy, decrepit mansion and upon arrival, Madeline’s brother, Roderick (Price) initially refuses Winthrop and attempts to warn him away. The family Usher is cursed, he claims, and the line cannot be allowed to continue. Winthrop must help Madeline escape, he thinks – but is he too late?

It’s a long time since I read Poe’s original story, so I’ll let others decide how accurate an adaptation this is! Rather than worrying about that, simply revel in the wonderful sets and imagery, and allow Vincent Price to shine in this brilliant movie. House of Usher is a fantastically macabre Gothic tale with Corman and Price at their best.

8.5/10

All Souls/Fatso Jetson – Album Review

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All Souls/Fatso Jetson – Live from Total Annihilation

Ripple Music

Release date: 19/08/2022

Running time: TBC

Review by: Alun Jones

8.5/10

Well, bloody flipping heck – this is pretty good, innit?  A split album, recorded during the pandemic in L.A.’s Total Annihilation Studios, light on the production and heavy on the creative purpose.  We have, for your enjoyment, a collection of songs from alt rockers All Souls and desert rock pioneers Fatso Jetson.

All Souls deliver five songs here (that’s all of Side A to the connoisseur), all of which offer a dark yet epic character.  ‘Who Holds the Answer’ is a mid-tempo, infectious rocker and ‘You Can’t Win’ has a melancholy start that grows into a moody, Spaghetti Western tinged piece.  The American Gothic vibe is showcased further on ‘Winds’, again utilising a sparse, melodic approach to generate a cinematic soundscape.  The final two tracks, ‘Sentimental Rehash’ and ‘Timebomb’ are both faster paced and more abrasive, with robot like, post punk riffs – but both still have menace.

Side B belongs to Fatso Jetson, and their first song ‘Drifting off to Storybook Deth’ is my personal favourite of this entire recording.  It welds the gloomy heaviness of the Melvins with the atmosphere of classic Soundgarden into an ominous monster of a track.  ‘Monoxide Dreams’ takes a hypnotic trip off into a windswept, barren horizon.  The repetitive, mesmeric ‘Dream Homes’ is a robot riff instrumental like Sabbath jamming Devo tunes, whilst ‘Long Deep Breaths’, the final track, is an exploration of dark psychedelia.            

Further proving that “desert rock” has more than one style, both of the bands here are adept at taking that expected template and weaving other influences and ideas into their songs.  Both dark and beautiful, All Souls and Fatso Jetson’s efforts are all fascinating.  “Live from Total Annihilation” is ideal music for watching the sun fade and the night creep in.

Have a gander at Fatso Jetson on their various web presences: Facebook, Bandcamp, Instagram and Spotify.

All Souls also have webby business on Facebook, Bandcamp, Instagram and Spotify.

This review is presented to you by Platinum Al in cooperation with Ever Metal. Go and check out Ever Metal now!

Singles Night at the Virtual Hot Tub #29

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Yo! Here we are again, tout le monde – a treat for lovers of music on vinyl! That’s right – another Singles Night at Platinum Al’s Virtual Hot Tub, where I play my way through a big ol’ stack of 7″ singles and have a big time knees up whilst I do it.

There are literally dozens of 45 rpm records chez moi: some classic, some crap. I love ’em all. With a few drinkies to ease things along, we’re in for a great evening.

Here’s the latest playlist:

  1. The Mission – “Severina” / “Tomorrow Never Knows”
  2. Joe Fagin – “Back with the Boys Again” / “Get it Right”
  3. Samantha Fox – “Nothing’s Gonna Stop Me Now” / “Dream City”
  4. Samantha Fox – “I Surrender (To the Spirit of the Night”) / “The Best is Yet to Come”
  5. Lacuna Coil – “Our Truth”/ “Without a Reason”
  6. Paul McCartney & The Frog Chorus – ” We All Stand Together” / “We All Stand Together (Humming Version)”
  7. Slade – “7 Year Bitch” / “Leave Them Girls Alone”
  8. Demon – “Wonderland” / “Blackheath”
  9. Sex Pistols – “Silly Thing” / “Who Killed Bambi”
  10. Bad Manners – “Can Can” / “Armchair Disco”
  11. Doctor & The Medics – “Burn” / “Captain Frazer”
  12. 2 in a Room – “Wiggle It” / “Take Me Away”
  13. Slade – “My Oh My” / “Keep Your Hands Off My Power Supply”
  14. T’Pau – “China in Your Hand” / “No Sense of Pride”
  15. Belinda Carlisle – “I Get Weak” / “Should I Let You In?”
  16. Madonna – “Crazy for You” / Sammy Hagar – “I’ll Fall in Love Again”
  17. Billy Ocean – “Get Outta My Dreams, Get into My Car” / “Showdown”
  18. Scorpions – “Wind of Change” / “Restless Nights”
  19. Jack Parnell & His Orchestra – “Galloping Home (Theme From Black Beauty” / “Hawaii Five-O”
  20. Then Jericho – “Big Area” / “The Big Sweep”

Wow. From the Sex Pistols to the Frog Chorus – as always, it’s an eclectic night at the Virtual Hot tub on Singles Night! That might not be Paul McCartney’s greatest moment, but to be fair, I loved Rupert the Bear when I was a toddler, so consider me a fan.

Some notes:

The first Sam Fox single is credited as the “Samantha Fox Box”, as it comes in a carboard boxset thing with a poster. The second Sam Fox single is a Limited Edition blue vinyl single, in a gatefold photo pack. Pretty cool, and both from bargain bins.

Also from a bargain bin, the Lacuna Coil single is picture disc – and only cost me £1. Crazy bargain!

Lots of songs I loved in this evening’s playlist: the Pistols easily being my favourite. The worst was that Scorpions song, that was rubbbish.

Variety is the spice of life, and this Singles Night playlist was indeed spicy. Great tracks. More soon!

Singles Night at the Virtual Hot Tub #24

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One of my favourite types of night in: a random stack of 7 inch vinyl, and a big old crate of booze. I’ve not held a Singles Night at Platinum Al’s Virtual Hot Tub for a little while, so allow me to put that right.

You see, I’ve got a load of 7″ singles that I haven’t listened to yet. They come from various sources, though most are second hand. So I play ’em through, A side then B side, and enjoy the sonic delights. Accompanied with a tipple of two.

Here’s the latest batch:

  1. Mudhoney – “Warning” / Meat Puppets – “One of These Days”
  2. Cockney Rejects – “The Greatest Cockney Rip Off” / “Hate of the City”
  3. Metallica – “The Unforgiven” / “Killing Time”
  4. The Shipbuilders – “Silk Road” / “La Fee Verte”
  5. Huey Lewis & The News – “Stuck With You” / “Don’t Ever Tell Me That You Love Me”
  6. The Archies – “Sugar, Sugar” / “Melody Hill”
  7. Boney M – “Painter Man” / “He Was a Steppenwolf”
  8. Twiggy – “Falling Angel” / “Virginia (And the Circus Side Show)”
  9. Freddie Mercury & Montserrat Caballe – “Barcelona” / “Exercises in Free Love”
  10. Yes – “Going for the One” / “Awaken Pt. 1”
  11. Bad Manners – “Special Brew” / “Ivor the Engine”
  12. Kylie Minogue – “Better the Devil You Know” / “I’m Over Dreaming (Over You)”
  13. The Jam – “Going Underground” / “The Dreams of Children”
  14. Siouxsie & The Banshees – “Cities in Dust” / “An Execution”
  15. Gary Numan – The Live E.P.: “Are “Friends” Electric?” / “Berserker” / “Cars” / “We Are Glass”
  16. Del Shannon – “Runaway” / “Jody”
  17. The Smurfs – “Silly Little Song” / “Little Smurf Boat”
  18. The Proclaimers – “I’m Gonna Be (500 Miles)” / “Better Days”
  19. Stray Cats – “Stray Cat Strut” / “Drink That Bottle Down”
  20. Eurythmics – “Sexcrime (Nineteen Eighty Four)” / “I Did it Just the Same”

From Metallica to the Smurfs, there’s a right old mixture in that playlist. A nice wide coverage of genres from pop, disco, ska, prog rock, punk and – wonder of wonders – even some opera. Not to mention all the various subgenres on the list (Goth? Post punk? New Wave? Make your own conclusions).

Another fine evening of music, I can recommend a Singles Night for the variety and fun. Dig out your old singles collection and have a knees up!

The Plague of Halloween Horror Fest

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Halloween may be over, but Platinum Al’s still got a couple of movie reviews for ya! Well, I didn’t get time to write ’em up before bed time on the 31st – so here they are!

The Plague of the Zombies (1966)

In a small, remote village in Cornwall, a series of deaths from a strange disease has baffled local doctor Peter Thompson (Brook Williams). He requests assistance from his mentor, Sir James Forbes (Andre Morell), who is accompanied on his journey by his daughter Sylvia (Diane Clare).

When exhuming the plague victims graves reveals a lack of bodies, the doctors are stumped even further. Adding further complication is the tragic and mysterious death of Peter’s wife, Alice (Jacqueline Pearce). Soon, it becomes clear that the local Squire Hamilton (John Carson) – and his band of hedonistic goons – are mixed up in proceedings; with a mixture of voodoo and black magic…

Fans of the Walking Dead, or other modern zombie movies, may find this Hammer production somewhat tame by today’s standards, but there’s a lot to enjoy. The Plague of the Zombies takes a more traditional path with its tale rooted in voodoo, with a clever script that veers away from the usual Gothic creatures employed by Hammer.

Neither Lee or Cushing make an appearance, sadly – but the acting is particularly good never the less, with Andre Morell shining. The Plague of the Zombies is successful entertainment and shows Hammer trying to be innovative with it’s output.

8/10

The Crow (1994)

Our final film for this year’s Halloween Horror Fest is a 1990s classic that made a massive impression on me, when I first viewed it in the cinema.

In a city overrun with crime, musician Eric Draven (Brandon Lee) and his fiancée are ruthlessly murdered by a criminal gang. One year later, Eric is revived through the spirit magic of a crow, to enact revenge on the killers. One by one, the perpetrators meet brutal ends, but the complicated web of crime continuously unravels, leading Eric to the gangster overlord, Top Dollar (Michael Wincott).

The Crow is a magnificently macabre, dark tale – a violent, action-packed revenge story with gothic supernatural elements. It may not be pure horror, but this twisted superhero drama is definitely pure Halloween. Brandon Lee is the soul of the movie, he’s both prefect and unforgettable in the role of Eric. Sadly, his accidental death during filming adds a haunting tone to the film. Even so, The Crow is a fine testament to Lee.

Visually stunning on the screen, the soundtrack is also fantastic: one of the greatest soundtrack albums ever compiled, it’s a classic of it’s time.

The Crow still has an incredible emotional impact. It’s a simple, moralistic fable wrapped up in a bloody revenge movie – with a sympathetic anti-hero and melancholic tone. Absolute class.

R.I.P. Brandon Lee

10/10

A Halloween Horror Fest on Elm Street

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A Nightmare on Elm Street (1984)

Now here’s a film that should need no introduction. Though to be honest, back in the 80s when A Nightmare on Elm Street – and it’s sequels – were hugely popular, I was never a fan. I’ve just never been really into “Slasher” movies – I was investigating the classic Gothic horror of Hammer and Universal at the time, and modern, contemporary films just didn’t grab me.

Never the less, I decided to give Wes Craven’s original another go, just in case I was missing something.

Brief recap: a bunch of kids on Elm Street suffer from terrifying dreams, featuring a crispy faced dude wearing a mask and possessing a gardening glove customised with lethal blades. Yes, it’s evil child murderer Freddy Krueger (Robert Englund), and he intends not only to provide the kids with some unforgettable nightmares, he also wants to bloodily murderise them.

Revisiting this film was actually a lot of fun, I was surprised how well A Nightmare on Elm Street stood up. Yes, it’s incredibly dated, and ridden with clichés, but hey – these were new, original ideas back in the day. It’s not Gothic horror, but the supernatural elements are well plotted and help create the Krueger mythos.

Englund is great, though he’s more restrained in this first instalment. It’s always great to see John Saxon, who plays a cop here; and there’s an interesting debut from a fresh faced Johnny Depp, playing teenager Glen (who was probably about 40 at the time of filming).

Yes, I have been proven wrong – A Nightmare on Elm Street is actually a pretty damn good movie, with a mix of scares, peril and gore that shows Craven knows what he’s doing. Not the best film eve made, but I’m beginning to see how the cult of Freddy became so formidable. I’ll definitely check out the sequels.

8/10

The Indestructible Man (1956)

Convicted criminal “Butcher” Benton (Lon Chaney Jr.) is going to the electric chair, and he refuses to tell his bank robbing colleagues where the loot is. After being executed, Benton is brought back to life in an experiment. He then commences to seek revenge on his former partners, and the police are left to put the clues together and stop the gruesome murders.

A strange mix of the Frankenstein tale and 1950s cop show, this movie hardly feels like horror, but does have an impressive body count. Chaney has few lines – he’s mute for some reason, when resurrected – and we usually see his intense emotion only in wacky, extreme close up.

No points for originality here, but the film benefits from scenes representing the streets, bars and Burlesque clubs of old Los Angeles. As a period piece, The Indestructible Man is fun – it’s typical drive-in B-movie fare. Ironic that a couple of key scenes actually take place in a drive-in theatre!

6/10

Bucket of Halloween Horror Fest

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The Gorgon (1964)

There have been several murders in the village of Vandorf in Central Europe, where the victims bodies are turned to stone. Following the death of his son Bruno, Professor Heitz (Michael Goodliffe) suspects all is not as it seems, and decides to investigate what the locals are hiding – and what they are so afraid of.

The Professor believes something hideous from ancient Greek mythology stalks the area, and seeks the help of Doctor Namaroff (Peter Cushing). Namaroff will not cooperate and the Professor meets his end when he sees the terrible face of Megeara, the Gorgon. Heitz manages to write a letter to his son Paul (Richard Pasco), before he is turned to stone.

Paul Heitz arrives in Vandorf to pick up the investigation, where he finds Namaroff similarly unhelpful. Carla, Namaroff’s assistant, played by Barbara Shelley, promises to assist Paul. But is there any truth to the myth of the Gorgon, and will there be time to solve the mystery before any more deaths occur?

I was sceptical at first, but The Gorgon successfully manages to transplant Greek myth to the more typical Gothic Hammer style. Christopher Lee turns up as Paul’s mentor, Professor Meister, in a great role – and Barbara Shelley is captivating in every scene. The film looks gorgeous, the lighting and shadows creating a stylish atmosphere – you’ll find it hard to look away, even when the Gorgon is on screen! A slightly different, but very fulfilling horror from Hammer.

8.5/10