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Pentre Fest 2026

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Pentre Fest 2026 

Friday 27th and Saturday 28th February 2026 

Mcleans Pub, Deeside, North Wales  

Pentre Fest – it’s no secret that I’m a fan of this two day Metal festival held in a pub/club down the road from me. Organised by the hard working and hard rocking people at North East Wales Metal Productions, it’s a non-stop feast of fine tunes, the very best of underground Metal from around the UK.

Here’s my write up my experiences from this years event. You can read a full account from Team Ever Metal over at their site.

Day 1

Hiraeth 

My excitement had been steadily rising for weeks ahead of Pentre Fest.  You just can’t beat this mini two-day festival in North Wales, it really is the gig highlight of the year for me.  I arrived just in time to catch Hiraeth, a great Black Metal band who originate from not too far away in Wrexham.  Taking the Black Metal template and weaving tales of ancient Welsh folklore and history, these sword wielding warriors bring a positive, inclusive vibe with their increasingly accomplished musicality.  A great band and a real high point to start with. 

Attic Theory 

Liverpool’s Attic Theory were up next on the main stage, and though they were new to me, they really made a good impression.  Full on, hard hitting alternative rock, Attic Theory ploughed through the room with a big riffs and anthemic vocals.  I love me some Grunge and these guys had the power and a magnetic groove.  Unfortunately they buggered off home before I could buy their delightful album on sexy vinyl! 

Battalions 

The band I was most excited to see at this year’s gathering was Battalions, who I’ve developed a bit of a fanboy adoration for.  They’re on APF Records so that’s a mark of quality right there.  Thankfully, Battalions’ monstrous, doomy, fuzzed out riffs were even more satisfying than their quite brilliant album ‘King of a Dead World’.  They warmed my ancient, jaded soul with a sludgy set that really was a Pentre Fest highlight. 

Miserable Sinner 

Outside, the cold drizzle made viewing the Keymo stage a bit of a challenge – never mind actually playing on it!  I did catch Geordie of Bad Earth performing his Miserable Sinner solo acoustic set in defiance of all the mighty Thor could unleash upon him, with AC/DC’s “Whole Lotta Rosie” being a particular favourite! 

Basement Torture Killings 

A brutal, Death Metal Grindcore band of lunatics who’ve watched too may serial killer documentaries, Basement Torture Killings certainly know how to entertain.  It was a case of “Netflix and kill”, as they tore through a visceral set and eviscerated a huge cuddly teddy bear.  Not my usual type of O Positive, but BTK served up a memorable, blood soaked show.  Time for bed.   

Day 2 

Firefly 

Running late as per usual, I actually wasn’t punished too badly this time as apparently Edd Case had declined his opening slot!  Instead I arrived just in time to see Firefly, who had only just started their set.  An amazing start to the festivities, Firefly brought their own brand of Industrial Goth Metal to give everyone a big wake up call.  Like a mix of Rammstein, NIN, Gary Numan and Sisters of Mercy with the smoky vocals of Marianne Faithful (like what Mare said), this was pretty damn unmissable.  Check ‘em out! 

Victim of Damp 

Opening proceedings on the outdoor stage was Victim of Damp, alias Pentre Fest die hard Frank Williams.  His amalgamation of gentle covers and humorous originals improves with confidence every time.  A free shot of the old alcohol helped warm us all up too! 

Losing Light 

This band sounded like an interesting premise, and indeed they were.  Four guys from fairly close by, they have plenty of experience but are a relatively new proposition as Losing Light.  Usually, their set would include a couple of covers, but these were dropped for this first Pentre appearance.  Very confident and excellent musicians, their own self written songs were more than capable – Losing Light gave us an electric performance.  Let’s hope they return soon. 

Oliver Carins 

Quick, no time to put your feet up – get out to the Keymo stage!  Oliver Carins, usually part of Scarfoot (who are a hell of a band anyway) gave us a superb acoustic set with fine vocals and masterful guitar skills.  Folky and warm, the songs still had that signature epic Scarfoot edge. 

The Raging Mabels 

Sadly, Any Given Reason were unable to play this afternoon, so the daring Raging Mabels parachuted in to save the day.  And boy did they rage!  A set of powerful yet tuneful rockers, the Mabels played an energetic non-stop set that rattled by like a rocket riding coyote chasing a roadrunner.  Equally at home playing for fans of Motorhead or the Ramones, it’s no secret that this pretend rock journo is a mega fanboy – the Mabels are pure joy!  And they (finally) brought some merch!!! 

Chain of Survival 

Theigns and Thrawls did a brilliant acoustic set oustide next, but more about them later.  Let’s skip forward a little to Chain of Survival.  Another Liverpool based band, this time we have a Hardocre Thrash Punk four piece who are utterly uncompromising.  If you ever played DRI or Sick of It All casettes from a boombox while skateboarding in a local supermarket carpark (as I still do) then you’ll love COS too.     

Fallen North 

These guys have played McLeans gigs before, but they showed up in full force – this was not a dress rehearsal!  Full on, no apologies modern metal with crunchy riffs and soaring vocals, Fallen North soon had the crowd won over.  They stepped down from the stage to join a fan on the dancefloor, still playing, and giving one of the most heartwarming moments of the weekend.  Well played all round. 

Kevin Plant (Cry For Mercy) 

Blues rock royalty Cry For Mercy weren’t playing this weekend, but vocalist/bass maestro Kev Plant braved the elements outside on the acoustic stage for a solo performance.  Great playing augmented with Kev’s trademark soulful, Paul Rogers like voice was an oasis of calm.  It takes some cojones to tackle Chris Cornell’s vocals, but Kev’s version of Audioslaves ‘I Am The Highway’ was respectful and stirring. 

Ogun 

The world needs more authentic Thrash Metal.  Thankfully Liverpool’s Ogun delivered a rousing set of the genuine article at Pentre Fest.  Not dated or old fashioned in anyway, just modern thrash in the spirit of Testament, Exodus and even Slayer.  Speed but without compromising on songcraft or melody, there’s plenty to enjoy in Ogun’s set.  Not their first time here and hopefully not their last either. 

Bad Earth 

OK, so I’ve seen Bad Earth before – but they’re always exciting.  And loud!  Playing their own, patented Rockcore (TM), this three piece always seem to be ready to decimate wherever they play.  It’s dirty biker rock dialled to eleven and kept up way past it’s bedtime, as Geordie, Karl and Ben assault their instruments like they’ve insulted their mothers.  Always a pleasure to be in the crowd for a Bad Earth gig! 

Edd Case 

Closing the Keymo stage outside, this wasn’t the first I’d seen of Edd this Fest.  He’d already played a blinder the day before, and this time gave us a very welcome rendition of ‘Mother’ (note to bands everywhere: play more Danzig) amongst some select covers.  Original material also got an airing, including the magnificent ‘Letters Back Home’, a moving and sadly still relevant masterpiece.  Edd, you truly are a poet. 

Theigns and Thralls 

Earlier in the day, I witnessed an eye opening and refreshing performance by Theigns and Thralls on the outside acoustic stage.  I always enjoy a trip into different genres at Pentre Fest and this folk set was a definite highlight.  In the evening, they plugged in fully to give us a real taste of Folk Metal, the energy of which had the audience jumping and dancing around.  Glorious fun for all!   

Fury 

This year’s esteemed headline act, there was a fair buzz around the venue for Fury’s set.  And to be fair, they were worth waiting for.  Specialising in the unrecycled, sheer joy of Heavy Metal in all its Iron Maiden/Judas Priest glory, these guys were undoubtedly on top form.  The dual female/male lead vocals of Nyah and Julian help the band transcend any Hard Rock cliches with an outstanding, individual sound.  Fury are undoubtedly excellent musicians, and have the performance and songcraft to back up their reputation.  I can’t really think of a bone to pick with them.  Other than if they don’t make a return visit one day, we’ll all be very upset. 

And that’s it: the end of another Pentre Fest.  A wonderful weekend of fine music and great company, I’m already counting down to next year.  I’ve definitely got post Pentre Fest blues.  

Read the full report on the Ever Metal website.

Check out the Pentre Fest Facebook page and North East Wales Metal Productions page too.

The Donnas – The Atlantic Years 2002 –2005 Album Review

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The Donnas – The Atlantic Years 2002 –2005 

Cherry Red Records 

Release date: 30/05/2025 

Running time: Well it’s 3 CDs of Rock’n’Roll goodness, so it’s good vfm 

Review by: Alun Jones 

9/10 

Hey all you Rock’n’Rollers, you are in for a well deserved treat!  Cherry Red records have compiled all of the output from legendary Bad Girls of Rock, The Donnas, into one neat and sweet boxed set.  Between 2002 and 2005, The Donnas were signed to major label Atlantic, and their star was on the rise like a comet – the label marketing the band in movies, games ad infinitum.  Surely The Donnas would conquer the world? 

The first disc in the set covers the absolute must-have “Spend the Night” album.  Take it from me, “Spend the Night” is a total Rock’n’Roll classic – one of the greatest guitar Rock albums of the 21st century.  The perfect collision of supersonic, Ramones and Runaways pop punk power with AC/DC riffology – this is a 10 out of 10 timeless wonder that anyone who loves Rock’n’Roll should treasure.   

I mean. ‘It’s on the Rocks’, ‘Take it off’, ‘Who Inviited You’ – the rockin’ starts and it just doesn’t stop.  And when you’re invited to a Donnas shindig, you’d better be prepared – these girls know how to party.  With songs about drinking, partying, staying up all night and peer group alienation, The Donnas are total, unfiltered ROCK STARS.  There’s not a bad song here, it’s diamond class all the way, cheekily witty lyrics included.  Two bonus tracks add to the fun, and with songs like “Too Bad About Your Girl” you’re gonna annoy the hell out of the neighbours till ‘5 O’clock in the Morning’! 

Hopes were high for the follow up album, “Gold Medal”, but sadly this doesn’t quite hit the same heights.  The sound was augmented with acoustic guitars and a wider ranging approach to songwriting, which is to be applauded.  For the most part this works well, and nothing has changed that much really.  Overall, the thrill isn’t quite the same, however. 

With songs like ‘I Don’t Want to Know (If You Don’t Want Me)’ and ‘Don’t Break Me Down’ we’re in familiar Donnas territory, and the lyrics are sharpened up and more mature.  ‘Fall Behind Me’ is the justifiable stand out song here, rolling along as The Donnas snarl defiantly in what is one of the best songs in the entire compilation.  With a bonus track tagged on, it’s a solid collection – but it’s a house-trained version of its predecessor. 

Disc 3 cobbles together everything else that was left in the Atlantic catacombs.  There’s a handful of great but not excellent unreleased tracks, some acoustic versions of songs from “Gold Medal”, a batch of pretty bloody electrifying live tracks and a fun cover of Billy Idol’s ‘Dancing With Myself’.  Nothing completely indispensable, but a fine way to complete the collection for the die hards. 

And that’s about it for The Donnas.  They released one more album – “Bitchin’” – on their own label, and called it a day.  The Donnas will never reform.  They’ve all moved on to other things.  But for a short while in the early part of this century, they were perfection.  This release testifies to that.  If nothing else, you need “Spend the Night” – you’ll never party the same without it.  You’ll love it, like I do, and you’ll want as much other music by The Donnas as you can find.  Start here. 

Find out more about The Donnas on Facebook, YouTube, Instagram and Spotify.

This review is brought to you by Platinum Al in association with Ever Metal.

Singles Night at the Virtual Hot Tub #41

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What’s that I hear? Those loyal Hot Tubbers have been going ape for my Singles Night vinyl playlists? They want more, more, MORE?! Then it shall be so, my friends! With great humility I shall acquiesce to your rabid response – here we go again for another Singles Night at the Virtual Hot Tub!

For the stragglers at the back, this playlist includes a bunch of 45 rpm singles that have ended up in my treasured collection. I spend an evening playing them – both sides – and with the aid of a little alcohol, have a fine old time.

Join me again for another evening enjoying playing 7 inch records of all genres…

  1. The Kinks – “Dead End Street” / “Big Black Snake”
  2. The Steve Miller Band – “Abracadabra” / “Never Say No”
  3. Status Quo – “What You’re Proposing” / “A. B. Blues”
  4. Prince – “When Doves Cry” / “17 Days”
  5. Madness – “Grey Day” / “Memories”
  6. Kate Robbins – “The Real Me” / “Photo Fit”
  7. Ron Grainer – “Tales of the Unexpected” / “Malice Afterthought”
  8. Belinda Carlisle – “Big Scary Animal” / “Windows of the World”
  9. Bananarama – “Love in the First Degree” / “Mr Sleaze”
  10. Kate Bush – “Wuthering Heights” / “Kite”
  11. Paul McCartney – “Spies Like Us” / “My Carnival”
  12. Buzzcocks – “Orgasm Addict” / “What Ever Happened To?”
  13. The Presidents of the United States of America – “Lump” / “Wake Up”
  14. Ramones – “She’s the One” / “I Wanna Be Sedated”
  15. X-Ray Spex – “Identity” / “Lets Submerge”
  16. Wolfmother – “Dimension”
  17. Horrorpops – “Miss Take” / “Where They Wander”
  18. Captain Sensible – “Glad It’s All Over” / “Damned on 45”
  19. Black Lace – “Agadoo” / “Fiddling”
  20. ABBA – “I Have a Dream” / “Take a Chance On Me (Live)”
  21. The Sweet – “Teenage Rampage” / “Own Up, Take a Look At Yourself”
  22. Bucks Fizz – “One of Those Nights” / “Always Thinking of You”
  23. B. Bumble & The Stingers – “Nut Rocker” / “Bumble Boogie” / “Boogie Woogie”
  24. Bachman Turner Overdrive – “You AIn’t Seen Nothing Yet” / “Free Wheelin'”
  25. Barry White – “You’re the First, the Last, My Everything” / “More Than Anything, You’re My Everything”

Yes, you read that right: Agadoo by Black Lace is now in my vinyl collection. Well, you never know – it might be useful to entertain somebody one day.

Well, I certainly must’ve enjoyed myself on this particular night – 25 songs in one go is a record of a different type. I think. And what a killer collection of tunes! Classic tracks from The Kinks, Quo, Kate Bush and ABBA elevated the playlist nicely. Plus a quality punk rock section with Ramones, Buzzcocks and X-Ray Spex – and some more pop hits from Madness, Barry White and many more.

Enjoy the tunes Hot Tubbers, I won’t keep you waiting long for more!

Notes:

The Wolfmother record is single with a blank B side, which I didn’t realise when I bought it.  The Horrorpops single is a picture disc, as is the POTUSA vinyl. Pretty stylish stuff.

Oh and yes, that’s the legendary theme tune from the Tales of the Unexpected television programme.  Pretty cool to have that.

Pentre Fest 2025

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Pentre Fest 2025

Mclean’s Pub, Pentre, Deeside

Friday 21st & Saturday 22nd February 2025

Here we go with another Pentre Fest, the absolute highlight of my musical calendar! This is the crowning glory of North East Wales Metal Productions‘ festivals – and a huge deal to both the bands and the fans. I couldn’t wait to get to Mclean’s in Deeside and enjoy the music!

This year, another stellar line-up of bands from both near and far, with a good spread of genres. Ever Metal was in full force, with Beth and Mare joining myself for the festivities. With all of us in attendance, we split reporting duties to cover as much as possible as easily as we could.

And so, here are the reviews I composed all by my lonesome, concentrating on musicians that I wanted to contribute to (rather than all of them).

If you want to read the full review, try this here link to Ever Metal.

Friday 

Mother Thunder 

I saw Mother Thunder play in Pentre a few months back, they were superb.  This time around, they were even better.  MT play a hard hitting, groove laden take on classic rock/metal – think Thin Lizzy twin guitars with a bit of Maiden chug – and sublime female vocals.  Heavy rock with irresistible riffs, Mother Thunder lit up the room and could’ve (should’ve) been higher up the bill.  

Apollyon Rising 

Filling in last minute, Apollyon Rising were a man down as their bass player was on holiday in Morocco.  The selfish git.  But with a bit of soundboard wizardry, the remainder of the band confidently gave us a set of prime thrash metal that didn’t shame their reputation one iota.  I knew they could pull it off.  As a wise man once said, never doubt a band with a killer logo (and the talent to match). 

Saturday 

DXRK Winter 

Thankfully, I managed to catch the latter half of DXRK Winter’s set and I glad I did.  They were on first on the main stage in the afternoon, their brutal metal attack was brilliantly performed and went down really well with a crowd that could’ve been chilling, but didn’t.  A worthy act to play higher up the bill. 

Cry for Mercy 

You can’t go wrong with the blues based classic rock swagger of Cry for Mercy.  Great tunes, all built around the majesty of the riff and a persuasive groove.  I loved every second, it’s a shame they were on so early.  Never miss a chance to see Cry For Mercy if you get it.  Their new songs were just as good as old, new album is out soon! 

Victim of Damp 

Frank Williams, aka Victim of Damp, is becoming a popular mainstay of Pentre gigs.  His bipolar set comprises one half of mellow, hangover curing melody followed by a series of playful, Pythonesque parodies.  And he gets more confident every time. 

Bad Earth 

It just wouldn’t be Pentre Fest without these guys!  Bad Earth delivered a reliably ferocious set of raucous biker rock and despite sound hiccups on the first couple of songs, soldiered on admirably.  This was take-no-prisoners rock’n’roll to make Lemmy proud.  Their acoustic set was also a blinder, cooking up some awesome sing-a-long responses from the crowd outside. 

Mike West & the Missing Links 

It’s been a good few years since I saw Mike West play a solo acoustic show at Pentre.  Mike’s brand of dark country and bluegrass is now augmented by a band of drums and fiddle, adding a certain folky, Levellers feel to the tracks.  A brilliant diversion under the surprisingly blue skies of the late afternoon, this set was further proof that a metal festival can experiment with genres. 

The Raging Mables 

Now I was really looking forward to seeing this band.  I’d enjoyed viewing their Pentre Fest pre-event interview with Beany, plus they have one of the best band names ever.  No arguments.  The Raging Mables were like the Ramones playing ZZ Top, a 200mph Zeke-like melodic explosion of punk’n’roll.  One of the most perfect bands ever.  

Toranaga 

Back to some welcome thrash metal, it was indeed a huge bonus to get to witness the power of Toranaga at Pentre.  These guys are exceptional musicians, their shredding guitars creating a sound akin to classic Bay Area Thrash from the likes of Exodus and Testament.  And that is very, very good.  Their cover of ‘Mad House’ by Anthrax warmed my ancient heart, too.    

Stuntface 

Stuntface hail from just up the road in Wrexham, and it was great to see them finally bring their brand of flat-out, relentless hardcore punk to Pentre Fest.  Their songs are furious yet melodic, played super-fast and with a huge grin on bass player/vocalist Wayne’s face.  An absolute treat – Stuntface must play here again! 

What a blast that was! The guys at NEW Metal Productions always put on a heck of a show and this was no exception. Didn’t get tickets for the Black Sabbath gig this summer? Get yourselves out there and support underground metal, you’ll feel better.

My favourite Pentre Fest so far? Only time will tell…

District 13 – Album Review

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District 13 – Step into the Fire

Self-released

Release date: 20/10/2023

Running time: 66 minutes approx

Review by: Alun Jones

8/10

Back in October, London based heavy alt-rock band District 13 released “Step into the Fire”, their second album. Apologies District 13, this album has been hanging around for a little while. But in true Ever Metal “championing the underdog” style, we couldn’t let it slip by without a review. Not my fault for writing the review late for once, believe it or don’t. You don’t believe me, do you? Ah well, whatevs.

The prime motivators in District 13’s sound have been declared as Black Sabbath and The Ramones, two fine bands and exactly the type of thing that tickles my fancy. And it should yours, too. The crunchy metal riffs and gonzo punk attitude is obvious from the start, with opening track ‘Step into the Fire’ showing some hard rock guts and a big, hooky chorus.

‘Apologetic Trickster’ ups the punky pace somewhat, though there’s a vein of dark, melancholy longing running through all the tracks. One of the absolute highlights is ‘Burned out in Paradise’, which begins in an achingly morose fashion before bursting into an angst fuelled burner. If you dig Bleach era Nirvana, Therapy? and early QOTSA, I’m sure you’ll find something to love here: try ‘Emotive Addiction’ and ‘Red Flags’ for starters.

There’s plenty of melody mixed in with the ferocity. ‘Goodbye’ features a heart rending, uplifting chorus worthy of Seattle’s finest. That song and ‘Starry Eyes’ help to add texture to the album with a slower pace. The final song, the acoustic ‘Forever This Way’, is a really beautiful track that falls between Led Zep III, Bowie and REM. That one’ll melt your heart, if nothing else does.

“Step into the Fire” is definitely a solid album, full of great compositions and performances. My only complaint would be, with 14 songs running over an hour long, it’s a lot to take in. Trimming 3 or 4 songs off would make this feel more of a cohesive and easily absorbed album – though I wouldn’t like to be the one who had to decide which songs to drop. Otherwise, it’s great to hear music like this: District 13 have passion and ideas and are obviously not afraid to aim high.

Check out District 13 on their website, Facebook, Instagram, YouTube and Spotify.

This review is brought to you by Platinum Al and Ever Metal.

Singles Night at the Virtual Hot Tub #30

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Boo-ya! It’s the thirtieth instalment of the ever popular Singles Night, where yours truly plays through a big ol’ stack of 45 rpm singles. It’s all vinyl, all the time folks, as I dig into the never ending pile of 7 inch wax.

Let’s take a look at he latest batch:

  1. The Four Horsemen – “Nobody Said It Was Easy” / “Homesick Blues”
  2. Van Halen – “When It’s Love” / “A Apolitical Blues”
  3. Ramones – “Baby, I Love You” / “High Risk Insurance”
  4. Chesney Hawkes – “The One and Only” / “It’s Gonna Be Tough”
  5. Brenda Lee – “Break It To Me Gently” / “So Deep” / “Tragedy” / “Will you Love Me Tomorrow”
  6. Lulu – “Boom Bang-a-Lang” / “March!”
  7. Rubettes – “Kid Runaway” / “Southbound Train”
  8. Neal Hefti – “Batman Theme” / “Holy Diploma, Batman – Straight A’s!”
  9. Charles Aznavour – “She” / “La Barraka”
  10. Bobby Goldsboro – “A Butterfly for Bucky” / “Another Night Alone”
  11. Phil Collins – “If Leaving Me is Easy” / “Drawingboard”
  12. Phil Collins – “Another Day in Paradise” / “Heat on the Street”
  13. Hawkwind – “Angels of Death” / “Trans-Dimensional Man”
  14. Van Halen – “Runnin’ with the Devil” / “D.O.A.”
  15. Perry Como – “My Days of Loving You” / “Happiness Comes, Happiness Goes”
  16. Alice Cooper – “Elected” / “Luney Tune”
  17. Judge Dread – “Big Seven” / “Dread”
  18. Golden Earring – “Radar Love” / “The Song is Over”
  19. Herb Alpert – “This Guy’s in Love With You” / “A Quiet Tear (Lagrima Quieta)”
  20. Shakin’ Stevens – “A Love Worth Waiting For” / “As Long As”

Well that box of singles I got for £5 is still stinking up the list a bit, hence the double Phil Collinson offer this time. At least double Van Halen more than compensates for that. Incidentally, I owned the “When It’s Love” single when I was a kid, bought it from Woolwroths in Shotton when it was released. This copy is a replacement, as my original was swopped a long time ago.

The Batman theme is quite possibly the best TV theme of all time, so glad I have that in the collection. Also, some genuine classics from Ramones, Hawkwind, Alice Cooper and Golden Earring made this one of the best sessions yet. And The Four Horsemen are great, though long forgotten band.

As I mentioned, the pile of 7 inch records never seems to dwindle, so there’ll be another Singles Night at the Virtual Hot Tub soon. Make sure you don’t miss it!

Eddie & The Hot Rods – Album Review

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Eddie And The Hot Rods – The Singles 1976 – 1985

Cherry Red Records

Release date: 14/10/2022

Running time: 2 hrs 13 mins approx.

Review by: Alun Jones

9/10

Yes it’s me again, sneaking in some more punk rock alongside your regular dose of Ever Metal.  Because variety is the spice of life, right?  Although tbh, some trainspotter’s gonna testify that Eddie and the Hot Rods aren’t punk, they’re “pub rock” or “new wave”.  Like I care. 

This compilation from Cherry Red includes 40 tracks over two CDs, full to the top of the pint glass with pub/punk/new wave from Eddie and the Hot Rods.  All the single A and B sides from 1976 to 1985 are squeezed in – in chronological order – leaving no stone unturned, to create a definitive journey through the bands career. 

Starting with the first 45, ‘Writing on the Wall’, and including numerous energetic cover versions like ‘Woolly Bully’, ’96 Tears’ and ‘Satisfaction’, it’s easy to imagine being in a packed pub rocking out to the Hot Rods.  These early tracks illustrate nicely how the band were really a revved up R’n’B band in the style of the Stones and early Who – just faster and even more gung-ho.  There’s a direct line here from the rebellious rock’n’roll of the MC5 – as evidenced by two collaborations with Rob Tyner at the end of disc one.

The punk association really blossoms with the superb ‘Teenage Depression’; it’s like Mick, Keith and the other three time travelling ten years into their future and being inspired by the Ramones.

The obsessive nature of this collection means we get three versions of all-time classic (and new wave comp standard) ‘Do Anything You Wanna Do’ (including the US single edit and live version from a B side).  It’s a good job it’s such a great song.

There’s a clue with that repetition where this compilation will find its audience.  For the die-hard fan or seasoned collector, it’s a handy collection covering all bases.  The booklet is perfect: details about every single and repro art of each record.  It’s far more than a “greatest hits” set, though, so may be too much for the casual listener. 

The last couple of tracks on the second disc suffer from heavy handed mid 80s production, but it’s quality stuff all the same.  Some will prefer to write the band off as coat tail riders, based on the boozy covers, but the sheer exuberance of the performances is addictive.  “The Singles 1976 – 1985” shows Eddie and the Hot Rods at their very best; the final product is so chock full of detail it’s a treasure.

Check out Eddie and the Hot Rods online, on Facebook and on Spotify.

This review originally appeared on Ever Metal and is now presented here too.

Lugosi – Album Review

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Lugosi – Video Nasty

Self-released (BJF PR)

Release date: 12/03/2021

Running time: 27 minutes

Review by: Alun Jones

8.5/10

OK, here we go!  The clue’s in the title, folks – you can probably figure out where we’re headed with a band called Lugosi straight off the (vampire) bat.  If not, let me give you some pointers…

To get to Lugosi’s haunted house, depart from the Ramones’ basement, travel up Misfits Avenue, take a left at Danzig Drive, head on past Lemmy’s Bar’n’Grill till you get to 1313 Mockingbird Lane.  And you’ve arrived: horror themed punk’n’roll with fast’n’furious tunes and daft lyrics about dodgy old horror and sci-fi movies.  In other words, exactly the kind of goth rock Halloween shindig that your ol’ Uncle Al loves to crash.

Let’s get the devil-locked elephant in the room dealt with first: ‘cos there’s going to be a Misfits reference in nearly every sentence I write of this review!  To be fair, although there’s an undoubted Misfits influence in Lugosi’s work, it’s more in the lyrical content: songs about vampires, Dawn of the Dead and devil worship are aplenty, but in a tongue in cheek, Hammer horror style rather than any serious Satanic pretence.  This is music made by fans of cheesy, campy horror classics for other fans of the same.

The music itself has less of the big “WOAH” Danzig choruses and a more Motorhead inspired punk’n’roll sound, like Supersuckers  or Zeke.  There’s even a really cool instrumental in the middle of “They Came from Outer Space” that has an Iron Maiden feel.  The riffs not too far from Clutch, and – is that a Thin Lizzy influence?  Well, I was surprised to learn that Lugosi are from Dublin – I imagined they were from a remote cabin in the Texas backwoods somewhere…

“Late Night Slasher Movie” starts things off perfectly, in the speedy rockin’ style I mentioned, with hilarious lyrics!  “We’re Here to Drink Blood” is one of the punkier paced, Ramones tracks – and it’s catchier than a zombie plague.  Then there’s “Soylent Green”, which reminds me of Jerry Only era Misfits (this is a good thing).  A heavier, Sabbath feel rocks right out of the grave on “The Vampyre” and “Hellfire Club”.  There’s an almost doom sound to “1313”, augmented by high-pitched, theremin like weirdness.  I think you get the idea.

“Video Nasty” is a great album, thoroughly enjoyable in many ways: a successful Frankenstein bolting together of B-movies, punk and heavy metal – ideal for your next gathering on All Hallows Eve.  Kitsch, ridiculous, over the top – and FUN.  Lugosi have really reanimated the corpse of horror punk, and – it’s alive!!!

Check out Lugosi on Facebook and Bandcamp.

This review was proudly presented by Platinum Al and Ever Metal.

EMQs with… Platinum Al

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Last year, in the depths of lockdown and with no live entertainment to review, the glorious website that is Ever Metal was kind enough to open up their Ever Metal Questions series to the reviewers. As an EM contributor I was finally able to fulfil a lifelong ambition – and satisfy my enormous ego – by being interviewed for the site.

The questions were pretty much what we ask musicians, only I had the privilege of answering them myself. And now, in a move that confirms that I really have no shame, I proudly re-present the same interview here, at the Virtual Hot Tub. Well, it is my birthday this month…

Enjoy!

What is your name, what do you do, and can you tell us a little bit about how you ended up doing it?

My name’s Alun, AKA Platinum Al.  I write some reviews for Ever Metal, which came about through meeting Rick and Beth at Pentre Fest a while back.  “I can write!” I lied, and they’ve been too kind to bin me off ever since.

What Country/Region are you from and what is the Metal/Rock scene like there?

North Wales in the UK.  We seem to be a bit out in the wilderness to the outsider, but thankfully there are a few venues that put good bands on in Chester and Wrexham (both nearby) and of course, the good old Tivoli in Buckley (just up the road).  Liverpool and Manchester are both accessible.  The big win for us though is Pentre Fest – and all the other events that North East Wales Metal Productions put on.  It’s introduced me to loads of new music and it’s right on my doorstep. 

What is your favourite latest release? (Album, EP, Single, Video)

Desert Storm’s “Omens” on APF Records is album of the year so far.  Beyond that, I’m still reeling from the wonder of Giant Dwarf’s self-titled master piece, my album of 2019.

Who have been your greatest influences, in music or in life?

George Lucas, for Star Wars – which influenced me more than anything since I was five years old.  Stan Lee and Marvel comics have also been a big inspiration.  Skateboarding in general has opened my eyes and ears to the wonder of the world since my teens. 

In music, there’s dozens: Johnny Cash, Motorhead, AC/DC, Ramones, the Damned, The Misfits, Black Sabbath, The Cult, Soundgarden, Led Zeppelin, Queen, Monster Magnet, COC, Melvins, Jimi Hendrix etc etc.

What first got you into music?

I listened to the Star Wars soundtrack first of all; it still has an amazing emotional response on me even now.  The next big development was seeing the film Highlander, which I loved.  A friend of mine recommended the Queen album A Kind of Magic as it featured several songs from the film, and it’s been downhill from there.  Thankfully, through skateboarding I was introduced to music that was a bit off the beaten track, shall we say.

Which current bands or musicians would you like to see collaborate on a record?

Good question!  How about Shakin’ Stevens – the Welsh Elvis – fronting the Misfits?  Danzig can write the songs.

If you could go to any festival in the world, which would you choose and why?

Pentre Fest!

What’s the weirdest music related thing you own?

I have some pretty weird vinyl in my collection, like Roland Rat, the Wurzels and an album called “How to Strip for Your Husband”.   Oh, and a Joan Collins work out record.

If you had one message for your Ever Metal readers, what would it be?

Never ever bloody anything ever.

If you could bring one rock star back from the dead, who would it be?

So many greats to choose from (sadly).  I’ll nominate my old mate Lemmy, as I probably embarrassed myself when I met him by talking bollocks.

If you could change one thing about the music industry, what would it be?

Stop developing new formats – you lied to us about CDs when vinyl was the ultimate.  There are some albums I own on vinyl, tape, CD and download – and I’ve had to buy every single one.  Can we all just agree to not buy whatever new garbage format they try and lumber us with in the future? 

Name one of your all-time favourite albums?

Never Mind the Bollocks, Here’s the Sex Pistols.

What’s best? Vinyl, Cassettes, CD’s or Downloads?

Vinyl, obviously!

What’s the best gig that you have been to, and why?

Black Sabbath at Birmingham Genting Arena on their “The End” tour is up there.

What do you get up to when you’re not writing/ taking photos?

Working the day job and being a dad mostly.  Then listening to music, skateboarding, riding my bike, watching old Hammer horror movies, collecting toys, drinking beer.

Which five people would you invite to a dinner party?

Sir Christopher Lee, Johnny Cash, Jimi Hendrix, Joey Ramone and Lemmy.

If they have to be alive, then James Hetfield, Glenn Danzig, Dave Vanian, Henry Rollins and pro skateboarder Mike Vallely.

Jaffa Cakes? Are they a cake or a biscuit?

I don’t know, but I had cherry ones in Greece and they were amazing!

Thank you for your time. Is there anything else that you would like to add?

Just thanks for giving me the opportunity to flaunt my massive ego by doing an interview, it’s something I’ve always wanted to do!  HAHA!

Oh, and to the readers of Ever Metal: thanks for reading, and never forget that we are fans just like you and we do this for the love of the music.  Never say die!

Read more Ever Metal staff EMQs here.

SK88: Old School Skateboard Playlist

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Best years of my life? 15/16 years old, skateboarding all day and hanging around with my friends.  It was the late 1980s, and the days of the 180 Boneless, No Comply and learning to Ollie.  Back when kickflips were the raddest trick in the car park – except we called them “Ollie kickflips” back then.

This was also the time when I started to really veer off the obvious track as far as music was concerned.  Skate videos and Thrasher magazine began to open up a whole new world of music.  Sometimes these bands would enter the mainstream a couple of years later; sometimes they never did.

I remember hearing a great song on a Vision video.  I had no idea what the song was called, but worked out from the credits that it was most likely performed by the Descendents.  I recorded the song onto cassette off the TV as there was no other way to hear it.  A few months later, on a skate buying trip to Manchester, I stumbled across a record shop that stocked a few records by the band.  I had to buy one: taking a gamble on “All” as it featured a song called “Coolidge”, which fitted the lyrics of the track I loved.  I was so stoked when I got home, played the vinyl and heard the song I was hoping for!  Great album, all in all.

This practice of researching and hunting became a big feature of my relationship with music ever since.

Skating all day, then listening to music in the evening was a big part of my teenage years.  This playlist is designed to reflect those days: music I enjoyed back then and became the soundtrack to that time.

Some songs featured in skate videos (McRad, Odd Man Out).  Some were checked out after I saw them advertised or reviewed in Thrasher (The Cult, Misfits).  Others were just part of the current soundscape, and are forever linked with those halcyon days.

Here’s the playlist I made, split into a two CD format:

Part 1

  1. McRad – “Weakness”
  2. Odd Man Out – “Four Thirty One”
  3. Descendents – “Coolidge”
  4. Sex Pistols – “Holidays in the Sun”
  5. Devo – “That’s Good”
  6. Black Sabbath – “Paranoid”
  7. Motorhead – “Killed by Death”
  8. Faith No More – “We Care a Lot”
  9. Misfits – “Astro Zombies”
  10. Hard-Ons – “Don’t Wanna See You Cry”
  11. The Stupids – “Skid Row”
  12. Beastie Boys – “She’s On It”
  13. Circle Jerks – “Wild in the Streets”
  14. Spermbirds – “Something to Prove”
  15. Dead Kennedys – “California Uber Alles”
  16. Suicidal Tendencies – “Possessed to Skate”
  17. Generation X – “One Hundred Punks”

Part 2

  1. The Cult – “Wildflower”
  2. The Damned – “Love Song”
  3. Red Hot Chili Peppers – “Higher Ground”
  4. Fishbone – “Freddie’s Dead”
  5. Iggy Pop – “Cold Metal”
  6. GBH – “Too Much”
  7. Mudhoney – “Sweet Young Thing Ain’t Sweet No More”
  8. Ramones – “I Just Wanna Have Something To Do”
  9. The Stranglers – “Peaches”
  10. Bad Brains – “Soul Craft”
  11. Gang Green – “Church of Fun”
  12. Metallica – “The Thing That Should Not Be”
  13. Jimi Hendrix Experience – “Purple Haze”
  14. Rolling Stones – “(I Can’t Get No) Satisfaction
  15. Jesus Jones – “Never Enough”
  16. The Skids – “Into the Valley”
  17. Fugazi – “Blueprint”

Some of the above tracks I owned on vinyl or cassette back in the day; some I found in later years.  There are still plenty of other bands from skate videos that I either still haven’t tracked down, or as I didn’t own them at the time I’ve omitted for now.

Instead, this is a basic playlist to represent my late 80s skateboarding days, boiled down to the bare essentials.  I hope you enjoy and these bring back some memories.

And this sin’t an exhaustive list: how Anthrax and Run DMC didn’t get included is baffling.  Maybe I can expand with some more for a Part 2…