Tag Archives: album

Sergeant Thunderhoof – The Ghost of Badon Hill Album Review

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Sergeant Thunderhoof – The Ghost of Badon Hill 

Pale Wizard Records 

Release date: 15/11/2024 

Running time: 45 minutes 

Review by: Alun Jones 

9.5/10 

Two years ago, the album “This Sceptred Veil” by Sergeant Thunderhoof made such an impression on me that it topped my end of year Top 10 for Ever Metal.  So this latest release has some pretty big boots to fill.  The pressure is on, for the band and also for your friendly scribe: I’m gonna need some new adjectives in my arsenal to do this work justice.  

A mellow guitar and whistle intro brings the listener into the world of “The Ghost of Badon Hill”.  First track ‘Badon’ opens with an almost Folky feel, and in true Thunderhoof style, takes it’s time to grow and breathe.  We’re nearly halfway through before the delicate, introspective section explodes into something epic, and the hairs on the back of your neck reach for the sky.   

‘Blood Moon’ tricks the listener with a melodic intro, before a truly classic mega-riff gets the heart pounding.  The guitars of Mark Sayer and new member Josh Gallup (who also recorded the album with the band) are multi textured throughout the album, expertly ranging from the mighty to the fragile.  A pseudo-Blues introduces ‘The Orb of Octavia’, before settling on a melancholy, gentle feel.  Augmented by Daniel Flitcroft’s soaring vocals (surely amongst the best in the UK), it’s not long before the heavy is unleashed. 

‘Salvation for the Soul’ is the most immediate and Stoner/Doom related of this collection, and it quickly became a personal favourite.  “For tonight, we ride!” – trust me, kids: THAT is a chorus!   

I’ve favourably compared Sergeant Thunderhoof to Soundgarden previously – which holds true with ‘Sentinel’ – and there’s also a strong Floydian feel here too.  The changes of pace on all the tracks ably demonstrate the expertise of the rhythm section, Jim Camp on bass and Darren Ashman on drums.  Both are confident and play with finesse.  All good things come to an end though, and our final song here, ‘Beyond the Hill’, is a ten-minute plus opus that builds through several stages on a monumental journey. 

One element of this recording that’s obvious from the start, is the length of the album.  The band made a conscious decision to lay down some boundaries and write a record that would fit on a single, rather than double, vinyl album.  Whereas I could lament the shorter running time, it does make sense to condense what the band do best.  And there’s still a cornucopia of sonic delights to enjoy regardless.  I mean, I haven’t even discussed the lyric content of the record yet!  There’s plenty enough folklore, legend and mystery to keep the audience engaged and coming back for more and more. 

“The Ghost of Badon Hill” is mission accomplished for Sergeant Thunderhoof.  A great new album, reigned in a little timewise, but sonically still delivering a cerebral and visceral punch.  Another Top 10 contender, no problem.  

Check out Sergeant Thunderhoof on their website, Facebook, Instagram and Spotify.

This review is brought to you by Platinum Al in association with Ever Metal.

Torso – Brain Cells Album Review

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Torso – Brain Cells 

APF Records 

Release date: 13/09/2024 

Running time: 31 minutes 

Review by: Alun Jones 

9.5/10 

Friday night.  I’ve just been down to the local video shop, had a scan of the horror section, took my time deciding which film to rent.  If it’s good I’ll watch it at least three times before I bring it back tomorrow.  Go for the one with the craziest sounding name and the most gonzoid image on the cover.  Doesn’t matter who’s in it, I just want to know which offers the most brain destroying, off the wall, lurid descent into madness..  Pay up and leg it home, video tape in hand.  Urgently load the clunky VHS player and wait for the image on screen to stop crackling and reveal its gory beauty… 

‘Brain Cells’ by horror metal deviants Torso bursts forth with a frantic commotion.  This is album number two from ex-Possessor frontman/guitarist Graham Bywater in his new guise as the Dark Lord of Grindhouse Schlock Terror.  APF records haven’t so much released this album, as unlocked the gates, stood well back and unleashed it upon the world in a tidal wave of bloody fury. 

Starting with the intense thrash of ‘You Belong in Hell’, the lo-fi atmosphere is captured perfectly.  Not that the production is poor, but this whole album has the vibe of an ancient cassette that’s been used and re-used many times.  Probably starting with Huey Lewis, then taped over with some early Maiden, then repeatedly re-recorded on again until it features Carcass and Entombed.   

As before, songs are peppered with random movie samples (good luck tracking the sources down, I’m stumped already), though there’s noticeably less of the John Carpenter-inspired keyboard instrumentals this time around.  No matter, the drive-in B-movie atmosphere is ever present here – both ‘Savage Magic’ and ‘Brain Cells’, in particular, help see to that. 

Key highlights you won’t want to miss include ‘Deep Space Death Trap’ with its unforgiving, virulent chorus and raw, fuzzed up riffs; and ‘Hex Pest’, which roars along as if possessed by a filthy, NWOBHM-obsessed demon biker. 

“Brain Cells” is an underground garage-metal thrill ride from opening act to final curtain.  It’s glorious, murderous fun for all – you’ll want to rewind and go from the start again, as soon as it’s finished.  A nasty, blood splattered triumph for Torso and a Top Ten of 2024 album for me.   

Find out more about Torso on Bandcamp and their APF Records page.

This review is brought to you by Platinum Al and Ever Metal.

Berenice – EP Review

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Berenice – Berenice 

APF Records 

Release date: 16/08/2024 

Running time: 13 minutes 

Review by: Alun Jones 

8.5/10 

Over the last couple of days, I’ve noticed I’ve had a cold coming on.  Sore throat starting, slight cough, feeling tired and achy.  This morning I did a Covid test – no, I didn’t know that was still a thing, either – and what do ya know, I’ve got the Vid.  Double bars on the tester, I’m in full Vid mode and suffering more by the minute.  What I need is medication.  Something to clear the fog from my head.  Luckily, I have this new EP by Berenice to help. 

This self-titled release from APF records is the debut from East Anglia based noise wizards Berenice.  It’s a wild, untamed, raw release that’s a brew of hardcore, crust, sludge and grind.  The five piece have delivered a five song EP to launch their musical manifesto and it’s every bit as uncompromising as you’d expect. 

First track ‘Problems’ unleashes a screaming, thrashing beast stampeding at 100mph.  ‘Reflection’ slows the tempo slightly, but rides on a chugging riff and guttural, screaming vocals.  The remaining tracks follow in a similarly brutal style, with only last song ‘Sorrow’ breaking the three-minute barrier. 

If melody and finesse are your thing, then Berenice might not be what you’re looking for.  Instead, if you want fast, loud, aggressive music infused with the rage of living in the modern world, the Doctor prescribes a regular dose of Berenice – to be taken as often as possible. 

This EP certainly picked me up! 

Check out Berenice on Facebook, Instagram, Bandcamp and at APF Records.

This review is brought to you by Platinum Al in association with Ever Metal.

Uncle Slam – Album Review

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Uncle Slam – Will Work for Food/When God Dies 

Dissonance/Cherry Red Records 

Release date: 26/07/2024 

Running time: 2 CD compilation 21 tracks 

Review by: Alun Jones 

7.5/10 

Wow, was I asleep or something there?  How did I manage to miss Uncle Slam back in the late 80s/early 90s heyday of crossover?  At that point in time, I was 100% in this bands target demographic: young skateboarder with a love of hardcore punk and thrash metal.  And yet Uncle Slam and I never crossed paths till now.  Thanks to Dissonance/Cherry Red records, we have this double album compilation of the bands second and third albums, and I can fill in some gaps. 

The obvious starting point here is Suicidal Tendencies.  It’s a lazy option to begin here, but the similarities in sound and style between Uncle Slam and ST are so abundant that we can’t ignore them.  Both bands are from the Venice, LA scene, with various members of Suicidal appearing within the ranks of Uncle Slam at one point or another.  Anyone (like me) just arriving to this mosh pit will be astounded how the Slam guys seem to have been largely forgotten. 

The first album, “Will Work For Food”, features a satisfying metal crunch along with the punk energy.  To be fair, the influence of ST, early COC and DRI mingle with the classic thrash of Testament and Nuclear Assault pretty seamlessly.  Fans of any of those bands will dive straight into ‘Left for Dead’ and ‘Roadkill’ right from the off.  The rest of disc 1 follows in a similar frenzy of crunching metal guitars and aggressive pace, and it’s all great fun.  The only oddity is a re-working of Led Zeppelin’s ‘Dazed and Confused’, barely recognisable as it’s been reimagined so drastically – but brilliant for it. 

Disc 2 presents us with Uncle Slam’s third and final album, ”When God Dies”, released in 1995.  By this time, dominant musical genres had fluctuated, and this record shows Uncle Slam developing their sound.  The title track opener thus delivers more chunky metal, but shoe-horns some funky breaks in the style of (Suicidal off-shoot) Infectious Grooves.  It’s a less thrash, more punk and alt rock influenced sound, but although something of a departure, it still works for the most part.  As a result, songs like ‘Procreation’ still rock, but ‘Summer in Space’ is just silly. 

For some, this collection will be too similar to good old Suicidal Tendencies to stand on its own merit.  I would disagree: there are plenty of other influences here, not just the main offenders.  And who cares, anyway?  This isn’t just a sound, it’s a whole vibe – Venice beach, Dogtown, punk rock and skateboarding on a never-ending summer vacation.  Uncle Slam deserve their moment in the spotlight, and I’m not gonna deprive them of it.  Neither should you. 

There’s some Uncle Slam on Spotify for you to check out.

This review is presented by Platinum Al and Ever Metal.

Orange Goblin – Album Review

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Orange Goblin – Science, Not Fiction 

Peaceville 

Release date: 19/07/2024 

Running time: 51 minutes approx 

Review by: Alun Jones 

9/10 

Pointless review of the month time!  But why, pray tell, is this review of the new Orange Goblin album “pointless”?  Because, old pal, literally everyone knows that Orange Goblin are a BIG THING.  And they haven’t released an album for seven years.  So this release, surely, will be near the top of everyone’s wish list for 2024.  Especially in the case of our esteemed Ever Metal readers, who as we all know, are a cut above the rest of the uncultured rabble out there. 

Without patronising our dear readership in anyway, a new release from these London doom/stoner/heavy metal scoundrels is, and should be, a BIG THING. 

Anyone who’s already a fan of Orange Goblin can expect more of what has come before, but it’s safe to say, “Science, Not Fiction” is amped up a little more than usual.  The same killer riffs, powerful delivery, ace musicianship, clever style variations are all in place as expected, but tweaked just a little higher.  Right from first listen, it’s obvious that quality control has been merciless on this recording, resulting in a collection of peak songcraft.    

‘The Fire at the Center of the Earth is Mine’ opens the engines in fine form.  After a cacophonous intro marked by belching bass, the riff kicks in and the ride begins.  A furious “death boogie” with a super catchy, uplifting chord structure for the chorus, this is prime Goblin. 

There’s no room for a breather, with second track ‘(Not) Rocket science’ bolting out next – a relentless hell ride that features a killer lead bass break (courtesy of new four stringer Harry Armstrong).  It’s probably my favourite song on the album: Ben Ward’s voice booming and Joe Hoare’s guitar threatening to jump the gate and roar off into the night on its own. 

An epic, mid-seventies Sabbath-doom vibe pervades ‘False Hope Diet’, with its bouncing groove and changes.  ‘Cemetary Rats’ starts with a gloomy, gothic vibe before exploding into something akin to old school thrash a la Testament.  Through all tracks, Chris Turner’s drums are dependably solid and thunderous. 

‘The Justice Knife’ is another fast rocker that benefits from some outer space wah-wah guitar, though generally speaking, the latter half of the album doesn’t quite have the heights of invention that earlier tracks possess.  The last song, ‘End of Transmission’, fields a suitably epic and raucous finale, however – soaring through sections with determined power. 

My only slight gripe with “Science, Not Fiction” is that the bonus track ‘Eye of the Minotaur’ appears to be CD only – which means vinyl fanatics like yours truly will miss out.  Nevermind, this album is a devastating power house of modern metal.  Orange Goblin have created a record that demonstrates all we love them for, and ladled on a good-sized helping of extra sauce to sweeten the deal.  One of THE albums of 2024, “Science, Not Fiction” will be guaranteed a place in my annual Top10.      

Check out Orange Goblin on Facebook, Instagram, Spotify and Bandcamp.

This review is brought to you by Platinum Al in association with Ever Metal. 

Platinum Al’s Top 10 Rock & Metal Albums of 2024

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2024 was a fantastic year for new music. As previous, I was asked to compile my Top 10 of the year for Ever Metal, which wasn’t easy. That list has already been published on the EM website, but I’ve replicated it here for anyone who missed it…

Every year, it’s a struggle to whittle down tons of superb albums to just ten.  This year has been just as difficult (if not more so) and I’ve had to leave off a few great releases that just didn’t make the cut, for one reason or another.  I’m sure I’ll regret leaving a few of those off the final 2024 list, even if it’s just because they’re still very new I’ve not had chance to grow into them yet.   

Anyway, here’s the best of 2024 as it feels right now: 

10. Goat Major – Ritual 

Released in March, this debut from Welsh Occult Doom Metal band Goat Major announced a formidable new talent to the scene.  Building on their love of the classic bands that defined the genre, Goat Major add plenty of their own character to a magnificent album. 

9. Crobot – Obsidian 

Crobot’s latest release certainly has a darker, heavier atmosphere than previous albums, but the unmistakeable groovy riffs are well in place and ready to unleash the Hard Rock mayhem.   

8. Acid Mammoth – Supersonic Megafauna Collision 

Greek Doom-mongers Acid Mammoth delivered another heavy weight slab of fuzzy Stoner Metal, with a variety of moods and hefty groove.  Neolithic Rock with a touch of the ethereal. 

7. Duel – Breakfast with Death 

Amazing album title.  Fantastic cover artwork to compliment said title.  And guess what?  This latest release by Texan Stoner Metal gang Duel is even better than first impressions would suggest: Doomy Stoner Biker Rock from hell! 

6. The Obsessed – Gilded Sorrow 

Wino’s legendary Doom Metal crew returned in early 2024, to remind everyone how it should be done.  Infectious, groovy riffs, heavy as shittery songcraft and head spinning melody collide in a perfect meltdown. 

5. Orange Goblin – Science, Not Fiction 

The definitive Orange Goblin album?  Could be.  This latest OG album demonstrates all of their strengths, welding together the various sounds and genres they’ve mastered over the years.  Bursting with energy and invention. 

4. Torso – Brain Cells 

More exhilarating chainsaw Garage Metal from Torso, this lo-fi masterpiece arrived with all the subtlety of a brick to the forehead.  Less John Carpenter this time, but definitely slasher-splatter death-mosh a go go! 

3. Zombina and the Skeletones – The Call of Zombina 

They’re back!  One of the most wonderful live bands I’ve ever witnessed, Zombina and crew finally returned with a non-stop Horror Punk party, just in time for Halloween.  Long may they continue!   

2. Fu Manchu – The Return of Tomorrow 

The only downside of a new Fu album is waiting for it to be released!  Their first new album in six years was everything I hoped for, a double album split between a first half of fuzzy rockers and a second of slower tempo groovers. RAD! 

1 Sergeant Thunderhoof – The Ghost of Badon Hill 

The ‘Hoofs last album was number 1 in my 2022 Top Ten – and whaddya know, they’ve done it again!  Slightly less bombastic then their previous, but even more engrossing, “The Ghost of Badon Hill” is a mature and thrilling record to get lost in. 

So that’s ten.  Honourable mentions go out to Melvins, Lucifer, Black Tusk, Alunah and Barbarian Hermit amongst many others.   

Here’s hoping 2025 can match this… 

Keep coming back to Ever Metal and Platinum Al’s Virtual Hot Tub for all the best rock and metal reviews!

Platinum Al’s Instagram Top 9 2024

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Continuing the January 2025 review of the previous year, let’s take a look at the Top 9 photos I posted on Instagram. This time last year I posted the 2023 version, so why not keep the tradition up?

It’s a simple process to get your most liked photos from Insta as a grid of nine images. This snapshot shows the most liked (top left) to least (bottom right) of the year’s best performers.

Here’s a breakdown of what the images were:

  1. Here’s me at Star Tours in Disneyland Paris, complete with X-Wing Pilot t-shirt.
  2. A Christmas porttrait.
  3. The Bad Brains album “Quickness” on vinyl.
  4. A bottle of Higson’s Bitter Ale.
  5. An album by the band Budgie, “Never Turn Your Back on a Friend”, on vinyl.
  6. Vinyl copy of the classic “Home Invasion” album by Ice-T.
  7. Last year’s 2023 Top 9!
  8. Pinball machines I found in a Whitby arcade.
  9. Ancient burial sites in Anglesey, North Wales.

That’s quite a diverse range of photos, and also fairly typical of what I post on Instagram: vinyl and beer.

Thanks for sharing these moments with me. If you like, you can follow me on Instagram: platinum_al.official.

Nebula/Black Rainbows – Album Review

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Nebula/Black Rainbows – “In Search of the Cosmic Tale: Crossing the Galactic Portal” Split 

Heavy Psych Sounds 

Release date: 28/06/2024 

Running time: 32 minutes 

Review by: Alun Jones 

8.5/10 

What’s that old saying?  Oh yeah, “I get by with a little help from my friends”.  Now neither Nebula or Black Rainbows could possibly fail on their own, so together these cosmic psychonaut supertroopers should absolutely RULE.  These guys aren’t leaning on each other, they’re building each other up to stratospheric heights. 

“In Search of the Cosmic Tale: Crossing the Galactic Portal” is the longest title I’ve ever had to type (thank the gods for copy and paste).  It’s a six-track album split between those two bands, and released by one of the most on-the-money record companies around at the moment, Heavy Psych Sounds.  So the pedigree is off the charts. 

The first three tracks are from our old buddies, the psychedelic warriors, Nebula.  There are three brand new tracks here, of which ‘Acid Drop’ is the pinnacle – a chugging, unstoppable mammoth tune that’s fuzzier than a caveman’s armpits.  ‘Eye pf the Storm’ chills the mood out a bit with an infectious, spaced-out groove that fits perfectly.  Things get a bit weirder with ‘Ceaser XXXIV’, with a lolloping riff that wiggles into your mind. 

Black Rainbows present us with ‘The Secret’, which really shouldn’t be a secret to anyone: it’s a boisterous, Sabbath style good time and probably my favourite track here.  Ah, I shouldn’t pick – but there you go.  The galactic groove continues with ‘Thunder Lights on the Greatest Sky’, another joyous ode to fuzz.  ‘Dogs of War’ wraps things up nicely with a psych wander through the sky that gradually builds to exhilarating levels.   

At just over half an hour long, this mini album/EP or whatever simply isn’t long enough.  The quality of music is fantastic though, as well it should be.  No surprises there.  Both Nebula and Black Rainbows are awesome bands that you can trust to conjure up the goods.  This beauty’s available on several different versions of sexy vinyl too, so worth shelling out for.

Check out Nebula on Facebook, Instagram, Spotify and their own website here.

Check out Black Rainbows on Facebook, Instagram, Spotify, Bandcamp and their own website here.

This review is brought to you by Platinum Al in association with Ever Metal. 

Devil Moon Risen – Album Review

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Devil Moon Risen – Fissures of Men 

Self-released 

Release date: 06/06/2024 

Running time: 36 minutes approx 

Review by: Alun Jones  

7.5/10 

Ready for something a little different?  Something born from the familiar, but tantalisingly different?  Then step right this way, Platinum Al has a musical odyssey that will intrigue you.  We’re talking about the debut album from Devil Moon Risen, a trio out of Phoenix, Arizona, and it’s all kinds of unexpected. 

We’re starting in the realm of desert rock, but Devil Moon Risen have added some spice to their chimichanga with elements of punk, sludge and doom metal.  So, off we go with a thuddingly heavy, groovy chugger in ‘Bad Sketch of a Killer’ that twists into a creepy waltz and back again. 

Like Primus playing QOTSA songs on an album produced by the late great Steve Albini, the songs feature unpredictable, powerful bass and thrashing guitars.  It doesn’t always quite gel, ‘The Rim’ is more of a challenge to get into, but “Fissures of Men” is always surprising and brave.  

When everything falls into place though, the results are superb, as with the full-on rock-out distorted delight that is ‘Shaun Powell’.  Elsewhere, there’s more Frankenstein-like craziness such as ‘D.T.T.B.O.W.T.B.’, which launches like later era Danzig before offering some more laid-back grooves, then morphing to a black metal wail. 

“Fissures of Men” is a journey and then some: Devil Moon Risen have taken the obvious starting point and run off in a totally different direction (or three).  Whether it’s noise rock or some as yet uncharted genre of music, the album is sometimes demanding and always unpredictable.  If – or when – you’re ready, “Fissures of Men” could be just the education you need. 

Check out Devil Moon Risen on Facebook, Instagram, Twitter, Spotify and Bandcamp.

This review is brought to you by Platinum Al and Ever Metal. You’re welcome.

Black Tusk – The Way Forward Album Review

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Black Tusk – The Way Forward

Season of Mist

Release date: 26/04/2024

Running time: 35:54

Review by: Alun Jones

9/10

Black Tusk return with their seventh album (no, I can’t believe it, either), which they’ve entitled “The Way Forward”. It’s their first as a four piece, with Andrew Fidler (guitar/vocals) and drummer James May now augmented by guitarist Chris “Scary” Adams and bassist Derek Lynch.

The past few years have been tough for the band members, but their indestructible determination and formidable will has seen them stride onward regardless. It’s this perseverance that provides the album with its title and its unifying theme. Undeniably, the sludge metal sound is there as expected, but with additional guitar parts and a feeling of relentless tenacity.

Lead track ‘Out of Grasp’ and ‘Brushfire’ are both furious samples of big, dirty riffs played with furious conviction. It’s a fast paced set of aggressive yet entertaining energy – as a listener, I was dragged along with the band and could appreciate their steadfast refusal to let the ills of the world conquer them.

Many of the songs are around the three-minute mark, meaning we rarely get chance for a breather. ‘Breath of Life’ and the title track both have the opportunity to expand a little, though neither relinquishes their sheer intensity. The instrumental ‘Ocean of Obsidian’ is the slowest, trippiest number here, featuring a cavernous, cathedral-like sound.

So welcome back, Black Tusk. With “The Way Forward” they’ve dredged the swamp and pulled up a steaming, ruthless slab of metal that sounds unforgiving but positive. Absolutely bloody great!

For more Black Tusk, check out their website, Facebook, Instagram, Twitter, Bandcamp and Spotify.

This review is presented by Platinum Al and Ever Metal.